Rudolph's Shiny New Year

Rudolph's Shiny New Year can be striking, and entertaining, if you're watching it when you're little - little enough that by the time you're my age you have no clear memory of the first time you watched it, just that you did over and over. As a kid you get introduced to claymation someway or another (even those of today who don't have Gumby get Wallace and Gromit), and this plays for a fine hour for the little ones, but can perhaps be of worth for the parents here and there. The story of Rudolph saving the "baby new-year" from the clutches of Eon, a vulture looking to keep December 31st on a loop, is pretty simple, with conflicts and characters that are typical and funny enough to take. But what can be memorable for a child is how some of this special is dark (with Eon) when it's not cute (most scenes with the baby). It's also interesting as a kind of sequel-cum-remake of the original Rudolph story, as the baby has to contend with having big ears- something that a child might find more relatable than a shiny nose. The songs are also a bit of a treat, if dated, and Red Skeleton does a fine double-job with the voicing of Father time and the little Bear on the island. Basically, it's the kind of special that is worth checking out with the kids for a few minutes, and if they get into it, it may prove a treat, and if not, there's still Nickelodeon.

Another Rankin-Bass holiday classic I grew up with - I was 4 years old in 1976 and watched it every year after it first aired for years.

What is cuter than this New Years Baby and his ears? I always thought he was adorable.

I always loved the Rankin-Bass specials - well made, nice stories, sometimes funny, and lovable characters - even the bad guys are great villains.

In this tale, Santa sends Rudolph out to find Happy, the New Years Baby, who had wondered far away from his home because others laughed at those cute ears of his. Happy just wants a friend but time is running out - you see, New Years is coming soon.

Highly recommended viewing.

10/10.

This was included on the same DVD as "The Year Without a Santa Claus," and I must say that I don't remember this one at all from my childhood. It picks up where the original "Rudolph" left off. Rudolph has successfully saved Christmas, so he's charged with saving the New Year as well, sent off into the night by Santa Claus (who's really good at delegating, by the way), to find the New Year's baby, a bizarre little tyke with enormous ears who looks like Harpo Marx and wears a giant top hat. He's run away because everyone laughs at his ears; who better to find him and teach him the value of not taking life so seriously than Rudolph, he of the drunkard's nose?

I liked this one, though it features the least memorable music yet of this kind of animated film. Rudolph is joined by a soldier who's part clock and speaks in rhymed couplets, and a knight whose face we never see and who could be a character out of Monty Python. There's also a gloomy camel and my favorite character, a great whale who gives the group rides around the ocean and helps them chase down the scary monster bird (that's really its name) who wants to kidnap baby New Year so he can stop time and prevent himself from turning into ice (don't ask). Last but not least, Red Skelton fills narration duties as Father Time.

Like all of these films, even if they're not that great, they provide a certain nostalgic satisfaction to those of us who remember a time before computer animation.

Grade: B+

Rankin/Bass sequel to Rudolph the Red-Nosed Reindeer doesn't come close to that classic but has charms of its own. The story is that Happy, the Baby New Year, has run away and unless he is returned by Dec 31st the current year will not end. Rudolph is asked to find Happy, which is appropriate since they both have in common that they were laughed at for physical oddities. Rudolph with his glowing red nose and Happy with his huge ears. It's a running gag throughout the special that every time someone sees Happy's ears they burst out laughing. It seems a little mean after awhile, to be honest.

The most interesting part of the story to me was the Archipelago of Last Years. Basically after every year ends, that year retires to an island all of its own. It's a neat idea that allowed Rankin/Bass to toy with various characters from different times. My favorite of these was the island of the year that all fairy tales and nursery rhymes were created. So we get to see Rankin/Bass animate characters like the Three Bears and Cinderella. Throughout the story, Rudolph picks up various allies and must contend with an evil vulture named Aeon.

The stop-motion animation is, as usual, excellent. I love the vulture in particular. The voicework is great. Billie Mae Richards returns as Rudolph. Red Skelton voices the narrator Father Time, as well as a short bit as Baby Bear (using one of his old standard voices from his radio & TV shows). Morey Amsterdam voices O.M. the caveman. The songs are a mixed bag and probably the special's weakest element. Also, as mentioned, the constant laughing at the baby for his ears is a little rough and the "moral" at the end, as stated by Rudolph, doesn't seem to fit. Still, it's an enjoyable special. It's not one of the best but it's Rankin/Bass so it's solid entertainment despite its flaws.

While not as good as either "Year Without a Santa Claus" or the original "Rudolph", this was still must-see TV when I was growing up. Since it's one-hour long (when broadcast), you get more bang for your buck than the many half-hour Christmas shows.

When watching this recently, it seems to me they cut one of Red Skelton's songs. Wasn't there a song titled "The moving finger writes...", where Father Time explains to Rudolph how Baby New Year grows into an old man by the end of the year? I have a distinct memory of that. Perhaps it shows up on the DVD? In a similar vein, there's a song I know they routinely cut from "Year Without a Santa Claus"--Mrs. Claus singing "Anyone Can Be Santa Claus". I realize that they're probably squeezing in more commercials than when I was a kid, & something is bound to get cut. Still.