Royal Flash

This is a fun flick. I've always liked the humorous fighting style that director Richard Lester brings to his films (The Three Musketeers/Superman I and II/Robin and Marion). This rollicking tale has a dash of that as well as the comic timing of Malcolm McDowell and the grandiose aspirations to rip off "The Prisoner of Zenda" in roundabout fashion.

Royal Flash is an adaptation of the second novel of George MacDonald Frasier's hilarious historical fiction series about the 19th century British officer Harry Flashman, an admitted rogue and coward who always seems to end up smelling like roses. By placing Flashman in settings right out of history and populating his stories with real historical figures Mr Frasier has found the perfect way to inform as he entertains.

The film follows Flashman from a torrid affair with the sadistic Lola Montez to a chance meeting with Otto von Bismark before sending him on a wild journey to a small European province where he's forced to imitate a prince and marry a princess and...

Royal Flash is a good movie and I wish it had reached a wider audience so that I could have seen more of Harry Flashman on the screen. It is one of the weaker novels in the series, but plays well on film. McDowell is a perfect fit and the great Oliver Reed makes a convincing and intimidating Bismark.

8.5 out of 10, but I'm admittedly biased. Seek out the movie, then read the books. Or vice-versa. You won't be disappointed.

Going into this one, I was aware it was part of a literary franchise by George MacDonald Fraser (who personally adapted the novel of the same name to the screen – incidentally, he died quite recently) involving roguish British officer Harry Flashman (the name itself derives from the student bully of the literary classic for children "Tom Brown's Schooldays"!). The film-makers, in fact, hoped this would take off a' la the James Bond extravaganzas – but, clearly, the idea was doomed to failure, since old-fashioned and expensive costume pictures were no longer trendy by this time; for the record, not long ago I'd watched another contemporary tongue-in-cheek epic – Jerzy Skolimowski's film of Arthur Conan Doyle's THE ADVENTURES OF GERARD (1970), which was partly shot in Malta! Besides, I think it was a mistake to have started off with a novel whose plot had already been redone to death over the years – the protagonist, in fact, goes through a "Prisoner Of Zenda"-type adventure where he has to impersonate a look-alike royal!

Even so, on its own account, the film is undeniably stylish, considerably funny (effortlessly going from verbal wit to broad slapstick) and blessed with a tremendous cast (Malcolm McDowell, Alan Bates, Oliver Reed as future German political leader Otto von Bismarck, Florinda Bolkan as actress/courtesan Lola Montes – who, obviously, had already been the protagonist of Max Ophuls' sublime but ill-fated 1955 film of that name, Britt Ekland – underused as McDowell's frigid intended, Lionel Jeffries - sporting a metallic hand, Michael Hordern, Alastair Sim – amusingly popping in merely to referee a pistol duel between females, Joss Ackland, Tom Bell, Christopher Cazenove and Bob Hoskins). At the same time, however, it fails to scale the heights of director Lester's previous swashbuckling saga – THE THREE MUSKETEERS (1973) and its simultaneously-filmed sequel THE FOUR MUSKETEERS (1974).

Interestingly, the opening sequence – with McDowell speaking at a school assembly with the Union Jack behind him – is actually lifted from the unforgettable prologue to PATTON (1970) where, in that case, George C. Scott had addressed the (non-visible) troops in front of the U.S. flag! Other notable assets here are the cinematography (by Geofftrey Unsworth), the production design (courtesy of Terence Marsh) and the score (from Lester regular Ken Thorne). By the way, in the liner notes it's stated that the film was originally previewed at 121 minutes and later cut to 98 for general release – but the DVD edition I've watched, and which was released only recently as a SE by Fox, is a bit longer than that (running 102 minutes, to be exact)!

If you haven't read any of the Flashman series, go out and find one. Rollicking good read, with the protagonist being an absolutely selfish, cowardly, mean-spirited ass of a man who nonetheless finds himself considered a dashing hero by the public at large. Fraser does a good job of converting his book to the screen (writing Three Musketeers was probably good practice), re-teaming with Richard Lester. MacDowall is good as ol' Flashy, glossing over the fact that Harry is supposed to a large, strapping Brit, and not a skinny little guy like Malcolm. :)

Enjoyable on its own merit, but I'd say read one of the other Flashy books and then see this.

One of my favorite period farces. It's very reminiscent of Adventures of Brigadier Gérard (1970). Malcolm McDowell's performance is brilliant and brazen. With lines like . . . "T'ain't the weapon. T'is the man behind it!", I can't help but be reminded of Rik Mayall's Lord Flashheart. Hooray! Woof!

Who else but that hate-to-love Malcolm McDowell could possibly do justice to one of literature's great scoundrels, Harry Flashman? In this George MacDonald Fraser spin-off of Thomas Hughes' classic Tom Brown's School Days, we are treated to some hilarious apocryphal tales involving such larger-than-life nineteenth-century figures as Otto von Bismarck and Lola Montez.

This ripely visual Richard Lester production is sometimes a bit over the top, with gratuitous slapstick and audible guffaws and grunts. Nevertheless, on balance, a delightful romp, and a chance to see the wonderful Alastair Sim in one of his final appearances.