Take a Hard Ride

Rugged western with a comedy side order. Several groups of toughs go after an innocent man who is holding a large amount of cash. Of course each group is intent on out gunning, linking forces, or back stabbing the other guy for a shot at the bucks. This led to loads of spaghetti style gunplay and many bodies biting the dust. Had to wonder how many black half breeds there were in the old west who could do spinning heel kicks and a flying double front kick. Only fair.

One of the last spaghetti westerns (though really, there was a good amount of American talent in front of and behind the camera), it does definitely have some novelty value - the cast, some good Canary Island scenery, a quick pace, and some good action sequences (best being the gunfight in the canyon). Still, there was clearly a bunch of potential wasted.

Brown is good, Williamson does okay, but the rest of the cast isn't actually given that much to do. Kelly's character could easily be written out, and Van Cleef's bad guy character isn't fully developed (for one thing, the movie doesn't seem to know what to do with him at the end.) And the script really isn't that much - it more or less consists of either the protagonists riding through the desert, or engaged in action.

Die-hard western fans (especially those who like spaghetti westerns) will probably find enough to enjoy about it, but this certainly won't convert anyone who normally avoids this genre.

Take A Hard Ride is both a spaghetti western and a black exploitation film. In this film Jim Brown takes a really large sum to Sonora in Mexico where his dying employer Dana Andrews has started what sounds like a Utopian like settlement. Brown takes on the mission because as a former slave Andrews treated him like a human being. He's feeling a strong obligation there.

But when you're carrying $86,000.00 and that's in 19th century dollars it's not something you keep a secret. Brown has all kinds of people after the money up to and including bounty hunter Lee Van Cleef and even the law itself in the person of Barry Sullivan.

His allies are an uneasy group. Gambler Fred Williamson who is a fast gun and has a way with snakes goes along with Brown with Brown knowing full well Williamson could turn on him. They also pick up a mute Indian played by Jim Kelly who's learned a lot of good karate moves with his tribe.

Take A Hard Ride is a pretty good western for a spaghetti western. I'm not a real big fan of the genre thinking that westerns are to be made in the USA as its our art form. Still with all the Americans in the cast, none of that ridiculous dubbing is here. Brown and Williamson have a good chemistry in their scenes.

Should please devoted western fans.

Take a Hard Ride is directed by Antonio Margheriti and written by Eric Bercovici and Jerrold L. Ludwig. It stars Jim Brown, Lee Van Cleef, Fred Williamson, Catherine Spaak and Jim Kelly. Music is by Jerry Goldsmith and cinematography by Riccardo Pallottini.

Trail boss Pike (Brown) promises his dying employer Morgan (Dana Andrews) that he will travel across the dessert to deliver $86,000 in payroll money to a ranch in Sonora, Mexico. Forming an uneasy alliance with dandy gambler Tyree (Williamson), Pike quickly realises that many other people are aware of his task and want the money; including Bounty Hunter Kiefer (Cleef).

What do you get if you take a large pan and throw in some Spaghetti and Paella, add some Blacksploitation beef and season with Kung-Fu? The answer is Antonio Margheriti's Take a Hard Ride.

It's a fun movie, even unique in some ways, but it ultimately doesn't add up to much more than a series of action scenes, some good - some poor, glued together by a very ordinary and adventurous screenplay. Cast are hugely watchable, with the leads supported by Western pros Barry Sullivan and Harry Carey Junior, and the Canary Islands location is beautifully utilised. Bonus is the score from Goldsmith, who tinkers with traditional Spaghetti Western strains and adds in his own harmonious grace. Apparently Margheriti rearranged much of the score to suit his own editorial purpose, it's testament to Goldsmith's skills that even though the chronological flow of his piece has been defiled, what exists still marries up superbly with the vistas.

It flopped at the box office and it has over the years been the source of much rib poking, however, from an action stand point it often delivers the goods. Bodies pile up, stunt-men and horses (PETA would go nuts!) fly about everywhere, and explosions are not in short supply. Yes it's poorly written and directed without due care and attention, but you may find it hard to dislike on account of its machismo and oddity value. I mean, if you can't enjoy a Western that has Jim Kelly suddenly turning into Bruce Lee and laying Kung-Fu down on some outlaws? Then entertainment is dead... 6/10

I remember seeing this one as a kid, and really liking it! (Aaah youth!) Well, after watching it as an adult, (Feelings change!) Script was definitely hurting. It could have had great potential! Lee Van Cleef, Jim Brown, Jim Kelly, Fred Williamson! (Actually Jim Kelly as a indian? Well, no, a black man raised as a indian, who everybody calls indian? Running around doing the Billy Jack thing! Go figure.) Aside from that humor, I rate it, 5 out of 10.

(See Buck & the preacher, '1000 rifles' 'Posse' are even better if you want a primary A.A western.)