Take a Hard Ride

I remember seeing this one as a kid, and really liking it! (Aaah youth!) Well, after watching it as an adult, (Feelings change!) Script was definitely hurting. It could have had great potential! Lee Van Cleef, Jim Brown, Jim Kelly, Fred Williamson! (Actually Jim Kelly as a indian? Well, no, a black man raised as a indian, who everybody calls indian? Running around doing the Billy Jack thing! Go figure.) Aside from that humor, I rate it, 5 out of 10.

(See Buck & the preacher, '1000 rifles' 'Posse' are even better if you want a primary A.A western.)

A western, shot in Spain, with a twist: Jim Brown and Fred Williamson, folks not normally associated with Euro-made westerns, take it upon themselves to deliver a large payroll to a ranch in Sonora, Mexico, after the ranch owner (Dana Andrews) dies while on the road. Everybody who hears of this -- and I mean everybody -- goes after them. This includes the local sheriff (Barry Sullivan), an army of drifters and gunhands, and bounty hunter Lee Van Cleef, who recognizes Brown as a wanted man from years before. Brown is given minimal dialog, which is a good thing as he is not exactly an actor. Williamson fares better as a breezy card sharp in fancy duds, who carries most of the dialog for the two of them. Not bad. The music, clearly derived from THE MAGNIFICENT SEVEN, is better than the movie.

Take A Hard Ride is both a spaghetti western and a black exploitation film. In this film Jim Brown takes a really large sum to Sonora in Mexico where his dying employer Dana Andrews has started what sounds like a Utopian like settlement. Brown takes on the mission because as a former slave Andrews treated him like a human being. He's feeling a strong obligation there.

But when you're carrying $86,000.00 and that's in 19th century dollars it's not something you keep a secret. Brown has all kinds of people after the money up to and including bounty hunter Lee Van Cleef and even the law itself in the person of Barry Sullivan.

His allies are an uneasy group. Gambler Fred Williamson who is a fast gun and has a way with snakes goes along with Brown with Brown knowing full well Williamson could turn on him. They also pick up a mute Indian played by Jim Kelly who's learned a lot of good karate moves with his tribe.

Take A Hard Ride is a pretty good western for a spaghetti western. I'm not a real big fan of the genre thinking that westerns are to be made in the USA as its our art form. Still with all the Americans in the cast, none of that ridiculous dubbing is here. Brown and Williamson have a good chemistry in their scenes.

Should please devoted western fans.

One of the last spaghetti westerns (though really, there was a good amount of American talent in front of and behind the camera), it does definitely have some novelty value - the cast, some good Canary Island scenery, a quick pace, and some good action sequences (best being the gunfight in the canyon). Still, there was clearly a bunch of potential wasted.

Brown is good, Williamson does okay, but the rest of the cast isn't actually given that much to do. Kelly's character could easily be written out, and Van Cleef's bad guy character isn't fully developed (for one thing, the movie doesn't seem to know what to do with him at the end.) And the script really isn't that much - it more or less consists of either the protagonists riding through the desert, or engaged in action.

Die-hard western fans (especially those who like spaghetti westerns) will probably find enough to enjoy about it, but this certainly won't convert anyone who normally avoids this genre.

Rugged western with a comedy side order. Several groups of toughs go after an innocent man who is holding a large amount of cash. Of course each group is intent on out gunning, linking forces, or back stabbing the other guy for a shot at the bucks. This led to loads of spaghetti style gunplay and many bodies biting the dust. Had to wonder how many black half breeds there were in the old west who could do spinning heel kicks and a flying double front kick. Only fair.