The Terrorists

Many critics have called the Sean Connery thriller Ransom a stinker. It's not all that good, but to label it as bottom-of-the-barrel rubbish is possibly a bit harsh.

The story is old hat. It concerns a plane hijacking in Scandinavia, carried out by a gang of suit-clad Englismhmen led by the charismatic Ian McShane. Connery is introduced as a Scandinavian police chief (still with the familiar Scottish accent, however) who is hired to end the siege. His mission is complicated further when a second hostage situation arises at the nearby residence of the British Ambassador.

The snowy landscapes fit nicely with the cold, cynical plot. There are infrequent tense sequences, such as the bit where a team of counter-terrorist soldiers make a bungled attempt to seize the aircraft. Connery and McShane have a few well played scenes in which they taunt and torment each other over the readio transmitter. The reason that the film fails to take off is that it is too low key, and suffers from a bad twist ending which renders the entire film a bit pointless. Too many of the scenes are flat, and Caspar Wrede (the director) doesn't get interesting performances out of any of the secondary characters.

Not a full-on catastrophe, then, but not a great film either.

Sean Connery plays Scandanavian military police chief Nils Tahlvik, assigned to deal with a high jacked British plane that has landed at their airport. The terrorists make various demands that Tahlvik must meet if he wants to save the plane filled with passengers...

Undistinguished yarn has little going for it other than Sean Connery's commanding performance, and a surprise twist at the end that perhaps doesn't bear close scrutiny.... Regardless, though not at all bad, it contains little to make it memorable.

With all respect to Mr. Connery, were films like this and "Zardoz" worth giving up playing James Bond?

This film is also called The ransom, not to be confused with the mild action film with Mel Gibson.

The film set in the Scandinavian country (called Scandinavia in the movie, while it is shot in Norway), the snow atmosphere and the heavily dressed characters somehow dictated the slowness of the pace in the movie. Nevertheless, it's exciting. The whole look is not your conventional Hollywood actioner, while at the same time deserves the same class as that of the late sixties/early seventies crime/caper movies like Bullit, French Connection, Taking Pelham One, Two and Three and Dirty Harry.

Connery is fun to watch. He really adds to the atmosphere of the movie and the relatively tame climax looks good with his presence. Good movie. 7/10

Terrorists have seized the British ambassador (Robert Harris) to an unnamed Scandinavian country, and are counting on an associate named Petrie (Ian McShane), who's commandeered a jet, to get them to safety. The main character standing in their way is no-nonsense security chief Colonel Nils Tahlvik (Sean Connery). The passengers on the jet have cause to be concerned, as Tahlvik is not willing to play the terrorists' game. He's going to try to foil them, no matter what it takes.

Although a somewhat forgotten thriller 43 years later, it's certainly still topical enough to have some resonance. It's not particularly *exciting*, or exceptional in any way, but it tells an okay story in capable fashion. Its main asset is its forward momentum, as it races towards the finish line with no filler to speak of, and wraps up in just under an hour and a half. The excellent soundtrack by the always reliable Jerry Goldsmith is a big help in keeping it watchable. It gets off to a grand start with a couple of satisfying explosions, and delivers some twists along the way. It was largely filmed on location in Norway (the wintry atmosphere is most enjoyable), with interiors done at Britains' famed Shepperton Studios.

This viewer wouldn't necessarily consider the performances of Connery and McShane to be "indifferent". Yes, they've been better before and since, but the scenario does benefit from their presence and professionalism. The cast is mostly (and obviously) British, even in some of the Scandinavian roles, and they get the job done adequately.

Largely routine, and forgettable, but entertaining to watch.

Six out of 10.

Sean Connery plays a tough, uncompromising security chief who just happens to be a Swede with a distinctive Scottish burr in this forgotten thriller from the mid-70s. It's probably forgotten because it's all a bit hum-drum and consistently fails to thrill at any level. These were sort of Connery's wilderness years when he made a number of stinkers post-Bond (this, Zardoz, The Next Man) before finally hitting his stride. Having said that, he's still the best thing in this. Ian McShane can't compare and, sporting a three piece-suit and footballer's hair-do, makes a completely unconvincing terrorist.

The story is unnecessarily convoluted and – at less than 90 minutes – overlong, with a number of superfluous scenes. Characterisation is non-existent, the terrorist's ideology and objectives sketchily described, and the climax is badly bungled as black-and-white suddenly becomes a murky grey which grows even muddier when two (presumably) good guys come to blows.

The picture's one saving grace is Sven Nykvist's terrific photography. He captures some incredible images during the plane chase sequence which are simply staggering when viewed in high definition.