The Old Gun

The story telling is utterly convincing, and because of the flashback technique, we feel the emotion of the main character (Julien) as the drama unfolds. The suspense is keen and mounting. The viewer keeps asking with increasing intensity: is this what I would do in Julien's position? His mistakes make us groan, his successes make us cheer. His pathos makes us cry.

After reading other reviews and comments on 'Le Vieux Fusil' I see that this film has been vastly misunderstood. Yes it is about revenge but it is above all a love story. It is about the love of a man for his wife and daughter. I watched the movie as a teenager and have not seen it in years but to this day this is the impression it left on me. It is a beautiful love story between two people, and a man who would do anything to avenge the people he loved more than anything. Some scenes are incredibly violent and we can only imagine the atrocities people have gone through during the war. Atrocities that like in this movie make Philippe Noiret's character flip.

Romy Schneider and Philippe Noiret are both magnificent in their roles.

Strong War/drama set in France during WWII with marvelous main cast as Philippe Noiret and Romy Schneider . Montauban in 1944, Julien Dandieu (Philippe Noiret) is a doctor in the local hospital. Frightened by the Nazi army coming Montauban, and occupying the little town , he asks his partner Francois (Jean Bouise ) to led his spouse (Romy Schneider) and daughter in the back country villa where Julien owns an old mansion . Some days later, Julien decided to meet then for the weekend, but the Nazis are already taking the village and the castle . He turns into Revenger Angel when his family is attacked by furious Germans (Joachim Hansen , Robert Hoffman ) , as his wife is fired and daughter is shot. Then he stalks the Nazis and takes the law into his own hands, searching vengeance .

This exciting film contains romantic elements , brooding drama ,suspense , intrigue, thrills and lots of violence. Noiret is top-notch in a fully-formed main role as grief-plagued surgeon becoming avenger and he displays efficiently his old rifle killing mercilessly nasties .It's certainly thrilling , though the morality may be questionable , even in this time, as the spectators were clearly on the Noiret-Julien's side . It has a complex pace by means flashbacks in which are narrated the lovely relationship between the amiable surgeon and the attractive Romy Schneider . Colorful cinematography by Becker , being correctly remastered . Enjoyable musical score including a sensible leitmotif is composed and conducted by Francois De Roubaix .The motion picture is stunningly written and directed by by Robert Enrico . He was a good professional who directed interesting films as ¨Jailsbird vacation¨ , ¨Rum Runners¨, ¨The wise guys¨ and his masterpiece ¨The adventurers¨ and of course ¨The old fusil¨ . Rating : 7,5 , better than average. The film will appeal to French cinema lovers

When Bruce Willis's Die Hard, the Marine GI wants to settle scores with the Nazis who ruined his wife's life, brief but essential presence; the shadowy, brown shapes are sadistic, we know, we know, I won't argue, it's the story of the Second World War, a violent struggle: history versus denialism, which doesn't exist, hasn't lived through, and those who say what they want to hear, hear and are heard.

It's a sad story, unreal even in every sense of the word. The doctor was doing his job, continuing his daily routine-healing, caring, operating-even amputating, looking after war victims, alongside the bombings, far away in a bubble, every normal journey from home to hospital. Then comes the news, a pain, a saddening reaction; it's his turn to be like his patients, until now, whom we couldn't care less about.

He finds himself in the church, in the very devout Catholicism of 1940s France, his sorrow, which asked for nothing and will never water the heavens for him, never in his life, that's where it comes down to, action, karma, intervention to strike, revenge, beating up the monster enemy of war, one by one, massacre as a response committed by the Nazis, not the Germans, making it a general dish and a generic term, excellent, not that it's okay.

The Allies are closing in on their small town, but not quite quickly enough for the liking of local surgeon "Dandieu" (Philippe Noiret) so he relocates his wife and daughter to their remote castle, well off the beaten track, in the hope that they can sit out the rest of the war safely. When he takes a drive out to see them some time after, he arrives at it's small chapel to be met by a vision of carnage. Racing to the castle, he gets there just in time to see the brutality of the Nazis at their worst and immediately vows revenge. Just how, though, can this civilised old gent possibly inflict any sort of vengeance on this well armed troop? Well, for a start he has an old shotgun that had been carefully hidden amidst the tunnels beneath the building. Then there are these particularly useful tunnels themselves; there's a secret passageway up into the salon and finally, he's an ingenious chap who considers that he now has very little left to lose. Fuelled by some intermittent reminiscences of life with his wife (Romy Schneider) and nimble on his feet, Noiret now proceeds to present us with an almost entertaining rabbit-shoot of a scenario before a denouement that is entirely fitting and yet touching, too. There's not a great deal of dialogue: the imagery does enough of the speaking, and the whole scenario paints quite a potent picture of the dangers faced by many decent people whose lives were terrorised by these brutes during WWII. It also touches, slightly, on the psychological effects of what he witnessed and their aftermath: his sense of purpose serving to divert his realisation of just what had happened long enough to get the job done. Schneider doesn't feature so often, but when she does she not only lights up the production but her character's brief appearances emphasise just how ghastly and inhumane their occupiers really were, and that presence is also well epitomised by Joachim Hansen's SS officer. Some attention has gone into the look of the film and with a Noiret very much on-form, it's well worth a watch.