The Thirsty Dead

This movie's main flaw seems to be that it takes itself too seriously. Its skirting around camp, taken in consideration with some moments that seem quite earnestly acted and scripted (however poorly it worked out), becomes an unintentional side-effect. This negates 90% of the reason to watch this movie. It is cheaply made on top of this which detracts even further in that rather than go for a more natural look, they tried for some sort of sci-fi exotica kind of thing and ended up with a office dress party.

The plot works fair enough, though it probably would have worked more had they dropped the horror pretenses and moved straight into action/adventure style territory. There is no new ground here.

The acting is not always wooden, and has some okay moments, but is largely inconsistent. Signs of grief or panic are often achieved by a far off look or a hand biting scene.

All in all, the biggest flaw here (besides a low budget, which they could have worked around, I have seen too many good low budget movies) is that they are tapping into a 1950's era schlock flick flavor, and somehow trying to keep it fresh and end up with a poor mix altogether.

This was included in the "Living Dead" 9-film collection I rented; however, there are no zombies here – and the title itself isn't a reference to anything in particular! The Widescreen print of this one was the best-looking from the four titles I watched – but the same can't be said of the film, which is perhaps the least of them (certainly the campiest, particularly where costumes are concerned)!

Starting off with a White Slavery-type plot, it soon falls into formulaic "She" territory – involving a lost civilization who has achieved immortality (presided over by a disembodied living head preserved in a block of ice!). This gives it an old-fashioned air (the film is remarkably chaste) and makes the whole incongruous alongside the permissiveness prevalent in exploitation/horror fare of the time (though, at least, three of its female protagonists look good in skimpy jungle attire).

One of the women happens to look just like the painting of a blonde who had appeared to these enlightened people in a vision – so, instead of draining her slowly of blood, they want her to join their fold and be initiated into their lifestyle (which doesn't sit well with one of the girl's companions, a go-go dancer, who would love to exchange places with her…especially since the heroine will have no part of this deal!). A high priest falls for her and, eventually, helps the survivors escape (and liberates the imprisoned old hags, remnants of their 'experiments' over the centuries) – except that, once he gets near to the modern world, starts reverting to his real decrepit age!

The film offers no surprises whatsoever but, what really gets it down, is a serious pacing problem – being not so much slow-moving as ineptly-handled, the direction showing a distinct lack of judgment with respect to cutting where it could benefit story and suspense the most! For the record, I followed this with a bunch of trailers included on another disc in the set: I was particularly enticed by the ones for THE ASTRO-ZOMBIES (1968) – for how bad it appears to be, not to mention the momentous pairing of John Carradine and Tura Satana! – and THE CHILD (1977) – yet another EXORCIST clone.

A cult of the undead abducts beautiful young women in order to drink their blood.

As luridly wonderful as this may sound, THE THIRSTY DEAD is actually just a terrible movie with a great title. It's as though the filmmakers were intent on creating a movie that's as loopy and as brain-crushingly boring as possible.

You'll stare agog waiting for something, anything interesting to occur. Nope, just silly people wandering around in 1960's Star Trek outfits for the better part of 88 minutes.

This is true pain...

Beautiful young girls are kidnapped off the streets of Manila by a death cult that needs their blood to remain immortal.

Apparently, back in the 70's the dark streets of Manilla were littered with hot blonde white chicks. They get captured by crimson hooded guys and offer no resistance whatsoever.

The movie is fairly typical of these Philippine 70's films. Dark, little real action and the same music over and over, all filmed on grainy high speed over saturated 35 mm.

There was a documentary made about these movies recently and apparently, there was little safety on the sets and sometimes stunt men died! I guess Marcos made it very advantageous to make movies here back then because so many cheapo horror/girls in prison films were made there.

This movie follows the same format and if you are a fan of the genre because the films are so bad, you'll probably like it. It's a fun midnight movie to laff at.

Shot in the Philippines, Z-grade horror The Thirsty Dead opens with voluptuous go-go dancer Claire (Judith McConnell) gyrating wildly in a cage as drunken sailors ogle admiringly. Shortly after her entertaining routine, the woman is abducted by hooded assailants, and the film goes rapidly downhill from thereon in.

Together with three other women—blonde beauty Ann (Fredricka Meyers), Filipino cutie Bonnie (Chiqui da Rosa), and Laura (Jennifer Billingsley), who ain't so attractive—Claire is transported to the remote jungle headquarters of a strange cult who drink a potion consisting of human blood and leaves that keeps them eternally young. Imprisoned in a papier-mâché cave, the girls are forced to wear sexy bikinis and are drugged for the bleeding ritual, all except for Laura, who is given the opportunity to enjoy immortality thanks to her resemblance to a painting by cult member Baru (John Considine). However, Laura isn't wild on the idea of eternity in a cave and refuses to drink the potion; together with the other three girls, she makes a bid for freedom.

As attractive as Claire, Ann and Bonnie are in their skimpy get-ups, The Thirsty Dead is still extremely hard going, a dreadfully sluggish pace, boring dialogue, a distinct lack of action, wooden performances, and lousy production values all taking their toll on the viewer. Not-so-special effects include the slicing of one of the girl's neck with a knife and the subsequent healing of the wound using a special leaf, a disembodied living head in a glass box (around which bucktoothed cult priestess Ranu, played by Tani Guthrie, does a tribal dance), and the rapid ageing of Baru as he goes beyond the cult's 'Ring of Age' in a bid to help the women escape (after a surprising change of heart).