Beautiful young girls are kidnapped off the streets of Manila by a death cult that needs their blood to remain immortal.Beautiful young girls are kidnapped off the streets of Manila by a death cult that needs their blood to remain immortal.Beautiful young girls are kidnapped off the streets of Manila by a death cult that needs their blood to remain immortal.
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This was included in the "Living Dead" 9-film collection I rented; however, there are no zombies here and the title itself isn't a reference to anything in particular! The Widescreen print of this one was the best-looking from the four titles I watched but the same can't be said of the film, which is perhaps the least of them (certainly the campiest, particularly where costumes are concerned)!
Starting off with a White Slavery-type plot, it soon falls into formulaic "She" territory involving a lost civilization who has achieved immortality (presided over by a disembodied living head preserved in a block of ice!). This gives it an old-fashioned air (the film is remarkably chaste) and makes the whole incongruous alongside the permissiveness prevalent in exploitation/horror fare of the time (though, at least, three of its female protagonists look good in skimpy jungle attire).
One of the women happens to look just like the painting of a blonde who had appeared to these enlightened people in a vision so, instead of draining her slowly of blood, they want her to join their fold and be initiated into their lifestyle (which doesn't sit well with one of the girl's companions, a go-go dancer, who would love to exchange places with her especially since the heroine will have no part of this deal!). A high priest falls for her and, eventually, helps the survivors escape (and liberates the imprisoned old hags, remnants of their 'experiments' over the centuries) except that, once he gets near to the modern world, starts reverting to his real decrepit age!
The film offers no surprises whatsoever but, what really gets it down, is a serious pacing problem being not so much slow-moving as ineptly-handled, the direction showing a distinct lack of judgment with respect to cutting where it could benefit story and suspense the most! For the record, I followed this with a bunch of trailers included on another disc in the set: I was particularly enticed by the ones for THE ASTRO-ZOMBIES (1968) for how bad it appears to be, not to mention the momentous pairing of John Carradine and Tura Satana! and THE CHILD (1977) yet another EXORCIST clone.
Starting off with a White Slavery-type plot, it soon falls into formulaic "She" territory involving a lost civilization who has achieved immortality (presided over by a disembodied living head preserved in a block of ice!). This gives it an old-fashioned air (the film is remarkably chaste) and makes the whole incongruous alongside the permissiveness prevalent in exploitation/horror fare of the time (though, at least, three of its female protagonists look good in skimpy jungle attire).
One of the women happens to look just like the painting of a blonde who had appeared to these enlightened people in a vision so, instead of draining her slowly of blood, they want her to join their fold and be initiated into their lifestyle (which doesn't sit well with one of the girl's companions, a go-go dancer, who would love to exchange places with her especially since the heroine will have no part of this deal!). A high priest falls for her and, eventually, helps the survivors escape (and liberates the imprisoned old hags, remnants of their 'experiments' over the centuries) except that, once he gets near to the modern world, starts reverting to his real decrepit age!
The film offers no surprises whatsoever but, what really gets it down, is a serious pacing problem being not so much slow-moving as ineptly-handled, the direction showing a distinct lack of judgment with respect to cutting where it could benefit story and suspense the most! For the record, I followed this with a bunch of trailers included on another disc in the set: I was particularly enticed by the ones for THE ASTRO-ZOMBIES (1968) for how bad it appears to be, not to mention the momentous pairing of John Carradine and Tura Satana! and THE CHILD (1977) yet another EXORCIST clone.
Beautiful young girls are kidnapped off the streets of Manila by a death cult that needs their blood to remain immortal.
Apparently, back in the 70's the dark streets of Manilla were littered with hot blonde white chicks. They get captured by crimson hooded guys and offer no resistance whatsoever.
The movie is fairly typical of these Philippine 70's films. Dark, little real action and the same music over and over, all filmed on grainy high speed over saturated 35 mm.
There was a documentary made about these movies recently and apparently, there was little safety on the sets and sometimes stunt men died! I guess Marcos made it very advantageous to make movies here back then because so many cheapo horror/girls in prison films were made there.
This movie follows the same format and if you are a fan of the genre because the films are so bad, you'll probably like it. It's a fun midnight movie to laff at.
Apparently, back in the 70's the dark streets of Manilla were littered with hot blonde white chicks. They get captured by crimson hooded guys and offer no resistance whatsoever.
The movie is fairly typical of these Philippine 70's films. Dark, little real action and the same music over and over, all filmed on grainy high speed over saturated 35 mm.
There was a documentary made about these movies recently and apparently, there was little safety on the sets and sometimes stunt men died! I guess Marcos made it very advantageous to make movies here back then because so many cheapo horror/girls in prison films were made there.
This movie follows the same format and if you are a fan of the genre because the films are so bad, you'll probably like it. It's a fun midnight movie to laff at.
I rented this under suspicion. First of all, it was PG. A PG horror movie doesn't promise much. But I gave it a chance.
It was...okay....
The movie is about four women--Laura, Claire, Ann, and Bonnie--who are captured and taken to a cave in the jungle. They see they that there is a large cult-like group there, but they don't know why they are there. Soon Laura realizes that they have been brought here for a terrible reason. She, inparticular, is portrayed as a great queen, and the other three, with many other captives, are kept there for their blood, which keeps the would-be dead cult alive and young. The four must escape.
It isn't a terrible movie, but it isn't really scary. It's somewhat interesting, and if you're looking for a very mild horror movie, then I suggest this. There is barely any blood, no profanity, and no nudity. The acting isn't terrible. (What a surprise! Most movies like this have the worst of actors.) And there is a lot of action towards the end. If you are into softcore horror movies, check this out. If you want something more, pass it.
It was...okay....
The movie is about four women--Laura, Claire, Ann, and Bonnie--who are captured and taken to a cave in the jungle. They see they that there is a large cult-like group there, but they don't know why they are there. Soon Laura realizes that they have been brought here for a terrible reason. She, inparticular, is portrayed as a great queen, and the other three, with many other captives, are kept there for their blood, which keeps the would-be dead cult alive and young. The four must escape.
It isn't a terrible movie, but it isn't really scary. It's somewhat interesting, and if you're looking for a very mild horror movie, then I suggest this. There is barely any blood, no profanity, and no nudity. The acting isn't terrible. (What a surprise! Most movies like this have the worst of actors.) And there is a lot of action towards the end. If you are into softcore horror movies, check this out. If you want something more, pass it.
This imaginative horror take on "Lost Horizon" fails to engage due to poor acting, low-budget and pacing which is too slow. The only memorable performance is that of John Considine in the role of Baru, the sensitive and loving male leader of the Blood drinkers who never age. When he makes the mistake of falling in love with one of the cult's unwilling donors he must pay the ultimate price for leaving his heritage. Considine acts this part well, and it's too bad there wasn't more development of his part and better pacing. His presence creates the only interest in the film.
Beautiful young women are captured by a cult of vampires for their youthful blood in a hellish version of Shangri La from "Lost Horizon.". This crew's hair, make-up and lingerie look straight out of "Valley of the Dolls" here in the Filipino jungle, and the production values look straight out of a cheap episode of "Star Trek".. It's rich to see a blown-out bleach blonde bubble head conduct a philosophical discussion of morality with a voodoo priest
Tacky.
Tacky.
Did you know
- Alternate versionsThe VHS video release under the title Blood Hunt is missing 25 seconds during the 1st escape scene in the hut.
- ConnectionsEdited into FrightMare Theater: The Thirsty Dead (2018)
- How long is The Thirsty Dead?Powered by Alexa
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