IMDb RATING
6.6/10
1.5K
YOUR RATING
Alice leaves husband, car breaks down, spends night at manor. Next day car fixed but owners missing, she's trapped in walled estate, increasingly worried by strange discoveries.Alice leaves husband, car breaks down, spends night at manor. Next day car fixed but owners missing, she's trapped in walled estate, increasingly worried by strange discoveries.Alice leaves husband, car breaks down, spends night at manor. Next day car fixed but owners missing, she's trapped in walled estate, increasingly worried by strange discoveries.
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- 1 nomination total
Jean Le Boulbar
- Le Premier Homme
- (as Jean le Boulbar)
- Director
- Writers
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Featured reviews
Excellent, unjustly unknown film
Saw this by chance late one evening.
Was attracted by the ambiance, which I found very Tarkovsky-esque, before I was attracted by Sylvia Kristel (she was not on screen during the first minutes I saw ;-)
Was surprised to see her act. Really loved the pace and the suspense. Found the conclusion wonderful, though-provoking, unexpected.
In my view this is clearly in the top 10 percent of Chabrol's production. I don't understand why this film is not well-known - maybe because it has an ex-erotic film actress in it?
A very good surprise.
Was attracted by the ambiance, which I found very Tarkovsky-esque, before I was attracted by Sylvia Kristel (she was not on screen during the first minutes I saw ;-)
Was surprised to see her act. Really loved the pace and the suspense. Found the conclusion wonderful, though-provoking, unexpected.
In my view this is clearly in the top 10 percent of Chabrol's production. I don't understand why this film is not well-known - maybe because it has an ex-erotic film actress in it?
A very good surprise.
3plex
Huh?
I'm not sure I have watched the same movies as the others, who give this film glowing reviews, pretty much across the board.
Most of us are aware of Sylvia Kristel's work: she's one of the few Euro-actors who have found relative success in the Hollywood mainstream. But to be fair, most of he notoriety and success comes from the soft-core Emmanuelle franchise which are staged in various parts of the world. Kristel is easy-on-the-eyes for most, looks fine in full frontal nudity, which to be honest, (and with no negating criticism) is largely what she is known for. And on that same level of honesty is a better actress than most who come from other countries ( in this case, the Netherlands) aside from England.
To say this film plods along at a snail's pace is an insult to snails. This isn't Kubrick/Kurosawa-esque deliberate slow-pacing, its simply SLOOOWW. There's vey little dialogue, especially from our lead protagonists, and on that note, there's very little story-line or plot.
Kristel does a lot walking around in the "spooky manor" she finds herself "pseudo" imprisoned, sometime it allows her to venture outside where she does some more walking around, and after about an hour into the film she somehow escapes the manor to drive around for a while. There's a lot of dramatic musical underscoring to make-up for a lack of basic drama in the film. Of course, Sylvia does appear full frontal one time in the film, with style hair and make-up. The rest of the time she magically has all of these nice stylish outfits to wear, but I'm still not clear to why she was wearing them and for whom. I still have not figured out the point of this sleepy film that nearly put me in a coma.....
Most of us are aware of Sylvia Kristel's work: she's one of the few Euro-actors who have found relative success in the Hollywood mainstream. But to be fair, most of he notoriety and success comes from the soft-core Emmanuelle franchise which are staged in various parts of the world. Kristel is easy-on-the-eyes for most, looks fine in full frontal nudity, which to be honest, (and with no negating criticism) is largely what she is known for. And on that same level of honesty is a better actress than most who come from other countries ( in this case, the Netherlands) aside from England.
To say this film plods along at a snail's pace is an insult to snails. This isn't Kubrick/Kurosawa-esque deliberate slow-pacing, its simply SLOOOWW. There's vey little dialogue, especially from our lead protagonists, and on that note, there's very little story-line or plot.
Kristel does a lot walking around in the "spooky manor" she finds herself "pseudo" imprisoned, sometime it allows her to venture outside where she does some more walking around, and after about an hour into the film she somehow escapes the manor to drive around for a while. There's a lot of dramatic musical underscoring to make-up for a lack of basic drama in the film. Of course, Sylvia does appear full frontal one time in the film, with style hair and make-up. The rest of the time she magically has all of these nice stylish outfits to wear, but I'm still not clear to why she was wearing them and for whom. I still have not figured out the point of this sleepy film that nearly put me in a coma.....
Has nothing to do with the Lewis Carrol story, but good enough.
The Disney cartoon is one of my favorite movies and while looking into other adaptations of the story I stumbled across this.
The beginning of the movie feels cliche and it drags a little. When she gets to Wonder/Horrorland the movie began to pull me in. The eerie infinite looping Mansion, with freaky characters and bizarre happenstances work well to build an unpredictable world that you alongside Alice get stuck in. Towards the end of the movie, keeping it spoiler free, Alice made a decision that I really don't understand. And the conclusion is something I had seen before in a Twilight Zone episode.
As an adaptation of Alice In Wonderland/Looking-Glass it's a flop. There is no Wonderland. None of the characters are there. The story is original. It's not complete non-sense. It's adult oriented. And aside from a couple of vague novel references it has nothing to do with Carrol's Story.
As a stand alone I think it's a hidden gem. With dozens of movie renditions, Alice doesn't always need to be true to the book. This movie has a great atmosphere, and in its own right a good sense of world building. Sure it's flawed and is clearly put together with time constraints and a low budget. But I do think it's worth checking out, and it's among the better horror movies that I have seen.
The beginning of the movie feels cliche and it drags a little. When she gets to Wonder/Horrorland the movie began to pull me in. The eerie infinite looping Mansion, with freaky characters and bizarre happenstances work well to build an unpredictable world that you alongside Alice get stuck in. Towards the end of the movie, keeping it spoiler free, Alice made a decision that I really don't understand. And the conclusion is something I had seen before in a Twilight Zone episode.
As an adaptation of Alice In Wonderland/Looking-Glass it's a flop. There is no Wonderland. None of the characters are there. The story is original. It's not complete non-sense. It's adult oriented. And aside from a couple of vague novel references it has nothing to do with Carrol's Story.
As a stand alone I think it's a hidden gem. With dozens of movie renditions, Alice doesn't always need to be true to the book. This movie has a great atmosphere, and in its own right a good sense of world building. Sure it's flawed and is clearly put together with time constraints and a low budget. But I do think it's worth checking out, and it's among the better horror movies that I have seen.
An almost real "cauchemare"
I saw this movie on TV when I was 11 years old and it had a deep impression on me. Watching it again, I can identify many elements which are (and already were in the 1976) very conventional, or even outdated: the existentialist/ nouveau roman-plot, the Margritte-aesthetics, the "Psycho"-allusions...
The portrait of Alice (Kristel, sensuous as ever) and of her fate is sometimes of a certain merciless quality (misogynous tendencies?), but this movie is emulating the scenario of a real "cauchemare" far better than any other "Splatter" or "Horror"-Movie.
The portrait of Alice (Kristel, sensuous as ever) and of her fate is sometimes of a certain merciless quality (misogynous tendencies?), but this movie is emulating the scenario of a real "cauchemare" far better than any other "Splatter" or "Horror"-Movie.
Intriguing and leaves you wanting more. And isn't that the point?
I stumbled upon Alice and was drawn in by the blurb of young woman, Alice Caroll (Sylvia Krystel), who leaves her husband one dark and stormy night to enter a world other than what we know.
So, after leaving her husband, Alice is driving through a rain storm when her windshield cracks and she needs to pull over. Where else does this happen but at some derelict, spooky chateau in the French countryside. An old man and his servant take Alice in, let her dry off, feed her and giver her a room for the night. The next morning, no one is around yet her car is fixed. Alice leaves - but she can't. And thus, Alice's strange journey entrapped in this mysterious chateau begins.
First, Alice is a French film so you get the much more subtle play of Alice's sense of entrapment rather than an American film where they would hit you over the head with her terror and the nightmare she entered. The movie plays out slow - and at times boring - and it does resolve itself, which I won't give away, in a somewhat expected yet unsatisfactory manner.
Alice will be far from appealing to everyone's taste, yet it is enjoyable and thought provoking to watch, especially if French films are your interest.
So, after leaving her husband, Alice is driving through a rain storm when her windshield cracks and she needs to pull over. Where else does this happen but at some derelict, spooky chateau in the French countryside. An old man and his servant take Alice in, let her dry off, feed her and giver her a room for the night. The next morning, no one is around yet her car is fixed. Alice leaves - but she can't. And thus, Alice's strange journey entrapped in this mysterious chateau begins.
First, Alice is a French film so you get the much more subtle play of Alice's sense of entrapment rather than an American film where they would hit you over the head with her terror and the nightmare she entered. The movie plays out slow - and at times boring - and it does resolve itself, which I won't give away, in a somewhat expected yet unsatisfactory manner.
Alice will be far from appealing to everyone's taste, yet it is enjoyable and thought provoking to watch, especially if French films are your interest.
Did you know
- TriviaSylvia Kristel said in a 1981 interview that she feels this movie bombed because she only had one nude scene. She said "For some reason the roles in which I keep my clothes on never become successful movies."
- ConnectionsFeatures Des chiffres et des lettres (1972)
- SoundtracksLe 24ème concerto en ut mineur
by Wolfgang Amadeus Mozart (as Mozart)
Performed on piano by Paul Von Schilhawski
Conducted by Rudolf Albert
Disque MUSIDISC.
- How long is Alice or The Last Escapade?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Аліса, або остання втеча
- Filming locations
- Chateau des Migneaux, Villennes sur Seine, France(Mansion of Henri Vergennes)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 33m(93 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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