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Allegro non troppo

  • 1976
  • Not Rated
  • 1h 15m
IMDb RATING
7.4/10
3.4K
YOUR RATING
Allegro non troppo (1976)
ParodySatireAnimationComedyFantasyMusicRomance

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply.The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply.The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply.

  • Director
    • Bruno Bozzetto
  • Writers
    • Bruno Bozzetto
    • Guido Manuli
    • Maurizio Nichetti
  • Stars
    • Maurizio Nichetti
    • Maurizio Micheli
    • Marialuisa Giovannini
  • See production info at IMDbPro
  • IMDb RATING
    7.4/10
    3.4K
    YOUR RATING
    • Director
      • Bruno Bozzetto
    • Writers
      • Bruno Bozzetto
      • Guido Manuli
      • Maurizio Nichetti
    • Stars
      • Maurizio Nichetti
      • Maurizio Micheli
      • Marialuisa Giovannini
    • 49User reviews
    • 20Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 2 wins & 1 nomination total

    Photos42

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    Top cast10

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    Maurizio Nichetti
    Maurizio Nichetti
    • The Animator
    Maurizio Micheli
    • The Presenter
    Marialuisa Giovannini
    • The Cleaning Girl
    Néstor Garay
    • The Orchestra Master
    Mirella Falco
    • Non-Exercising Orchestra Member
    Osvaldo Salvi
    • Man in gorilla costume
    Jolanda Cappi
    • Fallen Orchestra Member
    Franca Mantelli
    • Dancing Orchestra Member
    Bruno Bozzetto
    • Man in Rocking Chair
    • (uncredited)
    Angela Finocchiaro
    Angela Finocchiaro
    • Orchestra's Member
    • (uncredited)
    • Director
      • Bruno Bozzetto
    • Writers
      • Bruno Bozzetto
      • Guido Manuli
      • Maurizio Nichetti
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews49

    7.43.3K
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    Featured reviews

    9roman-15

    Fantasia with an European twist...

    I first saw Allegro non Troppo around 1985 in a VHS copy. I truly loved the film, since it was so different from standard Disney fare. Even the B&W interludes seemed wacky and added to the overall viewing pleasure.

    Specially great clips were the Sibelius Valse Triste and the Firebird Suite.

    Well, I recently bought the DVD version from this movie (after joining a list in Amazon, so they would edit a DVD version of the film) and I must say that this version is GREAT. Not only is the original film complete and in an excellent version, but there's also 10 additional Bruno Bozzetto shorts plus a documentary about him and his filmmaking.

    So I really got a wonderful deal and would truly reccommend this DVD to all animation fans.

    9/10!
    JonP

    Better than Fantasia

    Allegro non troppo is one of my all time favorite movies. I am somewhat unique in that I saw this movie before Fantasia. Frankly, once I saw Fantasia, I was sadly disappointed. The spoof was more intelligent, better crafted, and more thought provoking. I never cry at movies - except for the Valtzer Trieste (sad waltz) section of this movie. I know if I saw it again, I would well up. Hey, I even liked the gorilla suit.
    8guillaumegervais

    An Italian movie inspired from Disney's Fantasia, but more adult-oriented.

    "Allegro Non Troppo" is truly a great movie. The storyline, although sample and maybe awkward, is very, very funny.

    Animations are good, too. The second and third ones are my personal favorite, but the finales are good, too! The storyline can be offending and crude, but that's all the point of it : it's like "Fantasia", from Walt Disney, as it said in the beginning of the movie, but actions made by characters are more adult-oriented (i.e. : sexual connotation).

    Everybody who loves bizarre movies, animations, and stuff like that should love this movie. It is also posing a critical eye over the modern society, one made of consummation and things like that.

    Definitely, a must-have!
    10cafesmitty

    An Overlooked Classical Masterpiece of Sight and Sound

    Many many years ago, I saw this film and I was absolutely transfixed. This film cannot helped BUT be compared to Fantasia due to the fact that they mention this themselves. But what sets this film apart is its absolutely brilliant interpretations, in animated form, of these wonderful classical pieces that don't get as much attention as the ones Fantasia made popular amongst the general public. And there is one classical piece, above all, that was so brilliantly interpreted that it STILL stands out as one of the most moving pieces ever to be put on screen and that is the "Valse Triste" segment set to the music of Sibelius. Don't get me wrong, Disney's "clean" animation of Fantasia is a wonderful film, but none of its segment moved me as much as Valse Triste. And I think it's free form, scrubby, its understated color use and none heavy handed animation fits BRILLIANTLY here. You don't feel you are watching an animation, you feel as you are watching a painter, with each stroke, visualize the musical note of this wonderful classical piece. You get to see the abandon cat go from fantasy, reality, fantasy, that you wish you could adopt the poor cartoon kitty. If you are a teacher of music, especially classical, get this film and show it to your students, if they are not moved, then nothing will move them. This is the type of stuff that stays with you for YEARS and I guarantee you will be the better for it.
    10pkos

    The Italian "Fantasia"

    "Allegro non troppo" is the Italian answer to Disney's Fantasia. The movie is a parody of the well-known American counterpart, featuring a lousy orchestra (filmed in black and white), a slave animator (the Italian comedian Maurizio Nichetti) and an angry director. The live action part is filled with humor in the tradition of silent-movie comedy, relying mostly on visual gags and on the exceptional mimic of Nichetti. It is in stark contrast with Disney's pedantic and boring intermissions. But it's the animation that makes this movie a masterpiece. Every piece is animated with a different style, showing the best work of Italian animators.

    Guido Manuli interprets Debussy's Prelude to an Afternoon of a Faun, presenting us the sad story of an ageing satyr that desperately tries to attract some nymphs. The tragi-comic character is a perfect match for the music's mood.

    Ravel's Bolero is used for a piece on the origin of life on earth. In this stunning and imaginative sequence, life is born from a Coke bottle! Strange creatures crawl, swim, fly and metamorphose in dinosaurs, finally succumbing to the meanest creature of them all: man. The story of evolution from lowest forms to complex ones is seen as a violent tale of survival, as obsessive as Ravel music. The visuals are superb, with expressionistic colors and weird creature design reminiscent of Bosch.

    Another powerful metaphor is the Slavonic dance by Dvorak, a satire of the sheep mentality of modern masses. The cartoony style is appropriate for the fast paced and goofy music.

    One of the best pieces is probably the incredibly sad Valtzer Triste, about a kitty remembering his better days. This is technically the most impressive piece, with a mix of techniques used at the best to tell this tale through the cat's wide and moving eyes. Again, the music is powerfully brought to life, with such a precise timing and great emotional impact that you won't be able to hear this Vatzer without recalling the image of the poor animal.

    On a brighter note is the Concerto in C Minor by Vivaldi, starring a cute bee that has to survive two lovers rolling over her lawn. There is a subtle message here, when we see the supposedly romantic love play of the couple transformed in a deadly menace... is love not so innocent after all?

    Finally, Stravinsky's Firebird is the soundtrack for another satirical piece about an ideal world where Adam and Eve resist the snake temptation, and the snake himself has to suffer all the consequences of the original sin.

    Allegro non troppo is to Fantasia what Van Gogh is to Wyland. Ten times more imaginative and mature, it manages to be technically as impressive as Disney's masterpiece. There is more "fantasia" in each of the single pieces of this movie than in all Fantasia. Bozzetto shows how imagination can achieve results that no amount of money can buy. This is animation at its best.

    If you liked Fantasia, you'll love this movie.

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    Related interests

    Bill Pullman, John Candy, Joan Rivers, Daphne Zuniga, and Lorene Yarnell Jansson in Spaceballs (1987)
    Parody
    Peter Sellers in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
    Satire
    Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in Spirited Away (2001)
    Animation
    Will Ferrell in Anchorman: The Legend of Ron Burgundy (2004)
    Comedy
    Elijah Wood in The Lord of the Rings: The Fellowship of the Ring (2001)
    Fantasy
    Prince and Apollonia Kotero in Purple Rain (1984)
    Music
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Ward Kimball once called the "Bolero" sequence one of the greatest pieces of animation he had ever seen and would recommend it to students learning about the medium.
    • Goofs
      Since this film is a parody AND a cartoon, it's arguable whether anything can be legitimately considered a goof. However, at the end of the film, when the director sends Franceschini down to the archives, each time he pulls a finale off the pile the same animation is reused all three times. The effect is that Franceschini takes the same stage each time, only to have it reappear when he goes back for the next.
    • Quotes

      [last lines]

      The Orchestra Master: We're unemployed, then.

      The Presenter: Unemployed...until the next movie. I've already got an idea. A brand-new idea. We could do a love story.

      The Orchestra Master: A love story?

      The Presenter: But not the usual kind about men and women. Lots of men and lots of women.

      The Orchestra Master: Wife-swapping?

      The Presenter: No, not that same old stuff. Something different. I like asymmetry. Seven men and one woman.

      The Orchestra Master: That'll cost a lot.

      The Presenter: No, not at all. We'll get little tiny men and make the woman real tall. It'll be fantastic!

      The Orchestra Master: Sounds scary.

      The Presenter: What do you mean scary? Seven little workers, so you get the social context, too. A mine! They'll work in a min! I can see them now, singing happily.

      The Orchestra Master: Have you thought of a title?

      The Presenter: That'll be easy. Let's see..."Sleeping Beauty". Now keep it under your hat or some screenwriter hack might steal the idea. You can't trust anyone these days. He'll change the title, play up the sex. And give it some crazy name like "Snow White and the Seven Dwarfs. And then we'll be screwed.

    • Crazy credits
      L'orchestra rappresentata nel film non ha alcuna connessione con le orchestre sinfoniche che hanno realmente eseguito i brani musicali. [The orchestra represented in the film has no connection with the symphony orchestras who actually performed the music.]
    • Alternate versions
      There are two cuts to be found on home video. A 1985 release by RCA/Columbia Home Video on VHS and LD is English dubbed and edited for content. These edits appear only within the live-action interludes, a full 10 minutes worth though - this version is 75min run time. Interesting what they chose to remove, considering that much of the animation itself could be seen by some as rather risqué and probably intended for an adult audience. The removed bits generally are those containing abuse by the conductor upon the orchestra and animator. This is the version that was theatrically released in the U.S.. The video transfer (both tape and LD) is somewhat green throughout, unlike the current version available from HomeVision on DVD and VHS which is the original Italian w/English subtitles and appears to be uncensored.
    • Connections
      Featured in Le ciné-club de Radio-Canada: Film présenté: Allegro non troppo (1983)
    • Soundtracks
      Prélude à l'après-midi d'un faune
      Written by Claude Debussy

      Performed by the Berliner Philharmoniker (as Berlin Philharmonic Orchestra) conducted by Herbert von Karajan

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    FAQ15

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    Details

    Edit
    • Release date
      • July 27, 1977 (United States)
    • Country of origin
      • Italy
    • Language
      • Italian
    • Also known as
      • Det våras med musik
    • Production companies
      • Bruno Bozzetto Film
      • Ministero del Turismo e dello Spettacolo
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 15m(75 min)
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.66 : 1

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