Carrie

Watching the TV remake of Carrie last week just made me miss the original version all the more. There were so many elements that made the 1976 movie a classic, but I will try to name just a few...

First of all, the original actresses could never be replaced. Sissy Spacek as Carrie White goes without saying. Sissy gave Carrie a child-like quality that no other actress can touch. You not only root for Spacek's Carrie, but you want to reach in and hug her. Equally irreplacable was Piper Laurie who brings a manic energy to her role as the religious-wacko Mrs. White. I loved how Piper and Sissy's southern accents enhanced their characters. I don't know if it was Stephen King's intention or not, but the way Carrie said "Momma" was just so southern. It was fun seeing Piper and Sissy reunited onscreen as southern sisters in the Grass Harp.

Two supporting actresses in the film who get little credit are Amy Irving and Betty Buckley. Irving brought an intelligent, thoughtful depth to the character of Sue Snell. Buckley as the caring gym teacher stole every scene she was in. One of the most touching moments was Miss Collins taking Carrie in front of the mirror and telling her that she is a pretty girl. Then the terrible realization on her face as she wonders if it is another cruel joke. And who didn't love it when Buckley slapped Nancy Allen's face?

Maybe the single most important element in Carrie is the suspense-building music. I can't express how perfectly the music framed every scene. It should have won an oscar for the soundtrack alone. The two beautiful themes still stick in my mind, "Born To Have It All" which was playing in the shower scene and "I Never Dreamed Someone Like You (Could Love Someone Like Me)" which Carrie and Tommy danced to at the prom. Even the cheesy band playing at the prom fit the mood just right with the lyrics, "The Devil's Got a Hold Of Your Soul".

Carrie is campy nostalgia. It really is a time capsule of that era in history. The polyester, the gym shorts and knee socks, the afros and farrah-hair just take you back to 1976. Where else can you see the stars of Welcome Back Kotter and Eight Is Enough in the same movie?

Now this Stephen King's horror classic has been confirmed for a remake which stars Chloë Grace Moretz and my diva Julianne Moore (highly likely to take on the role of the religion- maniac mother), both reinterpret two Oscar-nominated performances from Spacek and Laurie, with the juicy fodder, a belated Oscar finally seems to be approaching for my goddess (finger crossed). So it seems to be a properly perfect time for me to watch the original version for the very first time.

Brian De Palma, has been considered Hitchcock at his time by his devotees, the similarity is both haven't received much awards-crammed recognition, but arguably De Palma is a lesser player as his oeuvre encompasses more run-of-the-mills, but CARRIE is by any standards not among them, and it could be his PSYCHO (1960) because De Palma shows off his artistry in a full-fledged sweep. For instance, there are many eye-dropping stunts: the opening credit, slow-motion of volleyball girl's changing room until Carrie's first bloody period running through her fingers; the multi-prisms perspective images after the blood splattering all over Carrie after a long-stewed happiness-hanging-by-a-thread preparation; the havoc of massacre at the prom is more supernaturally gratifying than scary.

The mother-daughter face-off and subsequent house caving into debris scenes may be attributed to produce a more crowd-please impression (despite of its low-budget SFX and the well-expected surprise at the coda), the film could hardly be pigeonholed as a horrorfest, as Carrie is ubiquitous in every school, every class, a bully-defying story has much more drama empathy even after 35 years after its debut, which could nicely explain the ground for a remake now.

Sissy Spacek is against the grain to portray a teenage girl due to her actual 27 years old age, the immense age difference is rarely perceivable if one doesn't know it before and Ms. Spacek is on fire in it, renders an extraordinary transformation from vulnerability to malice. Piper Laurie as well doesn't betray her Oscar nomination to give birth to a conflicting mother role which is hauntingly unforgettable. All in all, thanks to Stephen King's story to surmount many genre clichés and continue to stagger us with the rosy remake in 2013.

I just came back from a special showing of Carrie in the student's cinema of my university and I must say one thing: THANK YOU to the director, for this is one of the best, most moving films I've ever seen. I honestly don't understand the "it's not scary" mentality!

Now, whether you want to call this horror film or thriller or whatever else is up to you, but I think Carrie's scope cannot reaches beyond just one genre! It is a thriller, but at the same time a very humane movie. You can feel the girl hurting, you hate her mother, you dislike her friends! This movie wasn't made for cheap scares: every scene is brilliantly captured. The scary parts may be rare but when they are there you just can't move from your seat!

The acting is also excellent, Sissy Spacek of course deserving most of the credit, but that is not to say that the other actors aren't great too.

Concerning the script, all the credit goes of course to Stephen King. When you see this movie you can really tell the difference between an artist like him an some cheap Hollywood writer (Scream?). There is so much more to the story than: -Booooo! -Aaaaaa!

So, if you want to see a "scary movie", go see Scream or some other shallow horror film. However if you are looking for a terrifying but also moving film, Carrie is just right for you. And please, if you must put this work of art into one genre, its better if you put it in social drama rather than horror film. Of course it's not scary! It's MUCH more than just that.

Carrie White (Sissy Spacek) is a misunderstood young high schooler with a freakishly obsessive Catholic mother (an amazing performance by Piper Laurie) who borders on Neo-Nazi. She is horribly bullied at her high school, especially by the sadistic Chris Hargenson (Nancy Allen), and basically ignored by every person who isn't putting her down. So when token nice girl Sue Snell (Amy Irving) decides she wants to build Carrie's confidence by giving up her place at the prom and telling her kind hearted jock boyfriend Tommy Ross (William Katt) to invite Carrie, Carrie's mentor Miss Collins (Betty Buckley) smells trouble. Sue promises all is well and Tommy ad Carrie run along to the prom. But when Chris and her dimwitted boyfriend Billy (John Travolta's second role) devise a horrible and humiliating prank, they don't take into account what has manifested inside of Carrie after all those years of torment, and how it will effect them in the films horrifying and very memorable climax.

Brian De Palma's famous horror film, adapted from Stephen King's chilling novel, is often noted as the ultimate in teenage revenge films. De Palma used his distinctive style to make a chilling and original horror film that really is the best example of 1970's horror, the style, music, clothes, acting, dialogue and pretty much everything in the film is like a time-warp. The editing very original and you can tell the makers of the film enjoyed creating it.

The acting is very fine, some of the best in any horror film out there. Sissy Spacek is great as the sympathetic freak, but at times you wanna slap her, she's so incredibly pathetic. Like when she's screaming about her period, running around nude. I can understand that she didn't realise what was happening, but running around like a lunatic, and bleeding on people through your vagina isn't gonna inspire sympathy from them. But since I read the book, I understand that was the intention. Piper Lurie was absolutely fantastic as the looney mother, and all the other performances were pretty passable. I have to mention PJ Soles. Her character was so awesome, I'd even go as far a to say that she was one of the (many) highlights of the film. Her character added a quirky charm the film that couldn't be matched by anybody else.

Some of the themes explored was Carrie's journey into adulthood, shown through the way she learnt to control her powers and discovering different parts of her body and different things she can do, most obviously her first period and her telekinesis.

Overall, CARRIE is an outstanding horror/drama. Any horror fan, or general film fan should check it out. 9/10

Youthful energy. That's what this is -- and what it is about.

Spacek, King and Depalma are all at their most committed exuberance. Sometimes callow, but sometimes so rawly honest one often tingles quite apart from the story. See it on this basis alone. DePalma's camera has a sense of dance -- Scorcese does too, but DePalma's is more emotional. Spacek is so clean in her acting that her ability frightens. How strange it went away, like a poltergism.

The story has a haunting tone, also centered on youth and yearning. Menarche as a horror, the innocent acceptance/fear of the basest religion, the brash director intelligently spoofing Hitchcock. Odd mix that, so an odd and intriguing experience.