Carrie

Carrie White (Sissy Spacek) is a misunderstood young high schooler with a freakishly obsessive Catholic mother (an amazing performance by Piper Laurie) who borders on Neo-Nazi. She is horribly bullied at her high school, especially by the sadistic Chris Hargenson (Nancy Allen), and basically ignored by every person who isn't putting her down. So when token nice girl Sue Snell (Amy Irving) decides she wants to build Carrie's confidence by giving up her place at the prom and telling her kind hearted jock boyfriend Tommy Ross (William Katt) to invite Carrie, Carrie's mentor Miss Collins (Betty Buckley) smells trouble. Sue promises all is well and Tommy ad Carrie run along to the prom. But when Chris and her dimwitted boyfriend Billy (John Travolta's second role) devise a horrible and humiliating prank, they don't take into account what has manifested inside of Carrie after all those years of torment, and how it will effect them in the films horrifying and very memorable climax.

Brian De Palma's famous horror film, adapted from Stephen King's chilling novel, is often noted as the ultimate in teenage revenge films. De Palma used his distinctive style to make a chilling and original horror film that really is the best example of 1970's horror, the style, music, clothes, acting, dialogue and pretty much everything in the film is like a time-warp. The editing very original and you can tell the makers of the film enjoyed creating it.

The acting is very fine, some of the best in any horror film out there. Sissy Spacek is great as the sympathetic freak, but at times you wanna slap her, she's so incredibly pathetic. Like when she's screaming about her period, running around nude. I can understand that she didn't realise what was happening, but running around like a lunatic, and bleeding on people through your vagina isn't gonna inspire sympathy from them. But since I read the book, I understand that was the intention. Piper Lurie was absolutely fantastic as the looney mother, and all the other performances were pretty passable. I have to mention PJ Soles. Her character was so awesome, I'd even go as far a to say that she was one of the (many) highlights of the film. Her character added a quirky charm the film that couldn't be matched by anybody else.

Some of the themes explored was Carrie's journey into adulthood, shown through the way she learnt to control her powers and discovering different parts of her body and different things she can do, most obviously her first period and her telekinesis.

Overall, CARRIE is an outstanding horror/drama. Any horror fan, or general film fan should check it out. 9/10

Perhaps one of the only genuinely good Stephen King adaptations, ‘Carrie' follows the tragic tale of Carrie White (Sissy Spacek), a young girl who is continually made to suffer at the hands of her bullying classmates and not helped by her overbearing, religious mother Margaret (Piper Laurie). Carrie, however, is not like regular teenagers as she has been blessed(?) with telekinetic powers and as the inner rage grows within Carrie so, it seems, do these potentially lethal abilities.

Brian De Palma directed this amazingly stylish adaptation of Stephen King's first novel which is arguably the best Stephen King adaptation ever to be made. Sissy Spacek's performance is one of the greatest to ever grace a horror film. Somehow managing to perfectly embody the typical school life of the usual high school outcasts, Spacek was able to bring to everyone the appalling life that so many teenagers are forced to tolerate. From the opening scenes where Carrie is utterly humiliated at the hands of her classmates after Carrie's hysterical reaction to her first menstruation, to the painfully wretched ending it becomes nigh on impossible not to sympathise with Spacek's character. Spacek was quite rightly Oscar-nominated for this performance. Spacek's performance was enhanced by fellow Oscar-nominee Piper Laurie in the role of the religious-nut Margaret White. In some ways the naivety shown towards Carrie and what is happening to her is amusing but at the same time it is terrifying to think that any mother could allow her daughter to go though such a generally horrendous life. Piper Laurie was able to make this all too abhorrent character her own with a thoroughly convincing and unsettling performance.

De Palma cleverly directs this movie. Instead of immediately introducing us to Carrie's powers he focuses on the torment (and the tormentors) of Carrie first. This allows the viewer to feel for Carrie and will her towards revenge while ensuring that she is not made into a one-dimensional killer. The movie is very well paced and is presented in a brutally clear fashion. De Palma refrains from using any visual effects with the exception of the infamous `Prom Night' scene which was incredibly well crafted and immersed the viewer in this horrifying display of rage. The final twenty minutes of Carrie are some of the most intense and gripping moments to have been portrayed in horror cinema. These scenes without a doubt helped to build one of the most artistic and and incredible climaxes in all of film.

‘Carrie' is not for those who just want to see people sliced up or prefer fast-paced horror as it is presented as a heart-breaking drama with a horrifying twist. The magnificent cast (which features John Travolta in an early role) was also graced with fantastic performances from Betty Buckley as the kindly gym teacher and Nancy Allen as Chris, the deplorable ring leader of this atrocious bullying. In my opinion ‘Carrie' is unquestionably worth a look for horror fans. 'Carrie' is very well directed, with a superb screenplay from Larry Cohen and featuring two of the greatest performances in horror. My rating for ‘Carrie' – 9/10.

Youthful energy. That's what this is -- and what it is about.

Spacek, King and Depalma are all at their most committed exuberance. Sometimes callow, but sometimes so rawly honest one often tingles quite apart from the story. See it on this basis alone. DePalma's camera has a sense of dance -- Scorcese does too, but DePalma's is more emotional. Spacek is so clean in her acting that her ability frightens. How strange it went away, like a poltergism.

The story has a haunting tone, also centered on youth and yearning. Menarche as a horror, the innocent acceptance/fear of the basest religion, the brash director intelligently spoofing Hitchcock. Odd mix that, so an odd and intriguing experience.

Carrie White (Sissy Spacek) is an introverted isolated girl. She gets picked on by all the other girls. Her mother (Piper Laurie) is a crazy religious type who locks Carrie in the closet. Lead girl Sue Snell (Amy Irving) tries to make amends by getting her hunky boyfriend Tommy Ross (William Katt) to take Carrie to the senior prom. Chris Hargensen (Nancy Allen) refuses to take the punishment and is banned from the prom. Chris plans revenge on Carrie with the help of her boyfriend Billy Nolan (John Travolta). The plan triggers Carrie's supernatural powers.

Director Brian De Palma makes this Stephen King story into a prom epic. The scene is iconic. However this movie is more than just one scene. This is about the great Sissy Spacek. She is absolutely perfect as the shy insecure Carrie. This is about her character. This is about the awkward years. This is a horror, a thriller and so much more.

Now this Stephen King's horror classic has been confirmed for a remake which stars Chloë Grace Moretz and my diva Julianne Moore (highly likely to take on the role of the religion- maniac mother), both reinterpret two Oscar-nominated performances from Spacek and Laurie, with the juicy fodder, a belated Oscar finally seems to be approaching for my goddess (finger crossed). So it seems to be a properly perfect time for me to watch the original version for the very first time.

Brian De Palma, has been considered Hitchcock at his time by his devotees, the similarity is both haven't received much awards-crammed recognition, but arguably De Palma is a lesser player as his oeuvre encompasses more run-of-the-mills, but CARRIE is by any standards not among them, and it could be his PSYCHO (1960) because De Palma shows off his artistry in a full-fledged sweep. For instance, there are many eye-dropping stunts: the opening credit, slow-motion of volleyball girl's changing room until Carrie's first bloody period running through her fingers; the multi-prisms perspective images after the blood splattering all over Carrie after a long-stewed happiness-hanging-by-a-thread preparation; the havoc of massacre at the prom is more supernaturally gratifying than scary.

The mother-daughter face-off and subsequent house caving into debris scenes may be attributed to produce a more crowd-please impression (despite of its low-budget SFX and the well-expected surprise at the coda), the film could hardly be pigeonholed as a horrorfest, as Carrie is ubiquitous in every school, every class, a bully-defying story has much more drama empathy even after 35 years after its debut, which could nicely explain the ground for a remake now.

Sissy Spacek is against the grain to portray a teenage girl due to her actual 27 years old age, the immense age difference is rarely perceivable if one doesn't know it before and Ms. Spacek is on fire in it, renders an extraordinary transformation from vulnerability to malice. Piper Laurie as well doesn't betray her Oscar nomination to give birth to a conflicting mother role which is hauntingly unforgettable. All in all, thanks to Stephen King's story to surmount many genre clichés and continue to stagger us with the rosy remake in 2013.