Bittersweet Love

Though an interesting premise, Bittersweet Love is kind of a mess. Lana Turner was a very beautiful woman, and certainly in her younger years had an undeniable charm and lightness, as in "Slightly Dangerous." By 1976, that girl is gone.

Lana's name is used strictly as a gimmick to get people to watch - she doesn't do much except overact and wear that babushka she often wore with a fur coat. I can't remember if she wore sunglasses, but she usually did in that getup.

The story is intriguing if the stuff that soaps are made of. Without realizing it, a half-brother and sister fall in love, get married, and the woman (Meredith Baxter-Birney) becomes pregnant. It turns out that Birney was the product of a fling that Turner had with Scott Hylands' father.

Once this is revealed, some tough choices need to be made. Incest is very repulsive to females, so sayeth one of the pundits in the story; the baby's father, however, wants to have the baby and continue the relationship.

Celeste Holm and Robert Lansing are also in the cast, playing husband and wife. Bad mismatch. And, alas, not the only thing bad about "Bittersweet Love."

Over the opening credits, an attractive young couple appears glum. The woman is pregnant. After the credits, we flashback to the meeting of teacher Meredith Baxter (as Patricia "Pete" Peterson) and architect Scott Hylands (as Michael Lewis). The two seem as close as "made for each other" as two can get. Because they are away on a cruise, Ms. Baxter's parents Lana Turner (as Claire) and Robert Alda (as Ben) are unable to attend the impending wedding. Happily, Mr. Hylands' parents Robert Lansing (as Howard) and Celeste Holm (as Marian) are present. But something is not right...

While showing off her wardrobe, Ms. Turner begins having dramatic moments. Soon, a family secret is revealed. Now, we know why Baxter and Hylands were looking glum in the opening. In the production style of a TV movie, "Bittersweet Love" brings up an interesting topic and takes it nowhere. Most obviously, Baxter and Hylands should have accepted an apparent lucky incident and take precautions to avoid future problems. That Baxter's character can't accept this is perfectly understandable, but not sufficiently explained; the problem is slighted and the outcome unsatisfactory.

**** Bittersweet Love (10/76) David Miller ~ Meredith Baxter, Scott Hylands, Lana Turner, Robert Lansing

All are saying that the movie is kind of lame, but the idea is pretty interesting. Anyone in this situation would probably do a lot of talking, thinking, moping...The acting is fine. Makes one wonder with all the affairs that happen, if this hasn't occurred but the two people never found out and are living as husband and wife, when they may be siblings.

Boy, I'd sure watch a lot more TV movies if they were as crazy as this one! Meredith Baxter Birney and Robert Alda are a young couple who become pregnant and are happy to share the good news with their parents, some of which who are played by Lana Turner and Robert Lansing, who are put into the uncomfortable position of having to tell the young couple they are in fact half-brother and sister. AWKWARD! They love each other, so should they stay together? Should they get an abortion? And how would they explain what they do to their friends and neighbors? This is about as over-the-top of a melodramatic situation as possible, but it's treated with genuine sincerity which makes the film interesting beyond a simple Jerry Springer freak show of a situation. The film is nothing brilliant, but I honestly did not know how it was going to end, which is more than I can say for most films.

Lana Turner, Robert Lansing, Celeste Holm, Robert Alda, Meredith Baxter Birney, and Scott Hylands star in this film about a young couple who meet, fall in love, get married, and, after the news of a baby, they find out they are related. How, you ask? They are brother and sister, because his father had an affair years ago with her mother and she, the daughter, just happens to meet her brother years later. I might would have liked the film more, had it not been for two things: one, Scott Hylands (who?) didn't do much for me and two, the film just lies there. Despite Robert Lansing's thoughtful performance and Lana's gutsy presence in this humdrum film, this film offers really nothing to the plot and this no-win situation. It takes the usual, predictable concerns they'd have in conversations and bore you with more and more and more talking. What starts out as just an unbelievable film becomes a morgue with despondent and lost people by the end and you feel really, really good after wards. Yeah right. You're wondering, where's the dead horse they were beating? I can only imagine that someone came up with this idea from "The Parent Trap," and putting a twist on it. But, aside from curiosity of the veteran actors' performances seen here, this film should have been put in a time capsule of the 1970s and left there.