Charlie's Angels

This is an enjoyable pilot TV-movie for the famous series. The plot is fairly elaborate, and in fact, it works much like a Mission Impossible episode, but with a totally different emphasis.

At the time this series aired, and for years afterwards, there was a huge amount of blather and tsk-tsking disapproval expressed in the media about this series, because the premise was three beautiful young women as detectives. There were plenty of tougher. Much grittier series around the same time, such as Police Woman with Angie Dickinson, or Hawaii 5-0; lots of shows. Charlie's Angels took a different approach: it didn't try to make the women seem like tough gun-wielding types. They were all attractive; but frankly, so were nearly all the women portrayed in TV series at the time!

Looking at the show now, in 2023, 47 years after this pilot was made, it strikes me as perfectly pleasant, light entertainment. And to me it stands the test of time: I watched it tonight, and it held my interest.

The guest cast are good. One of the actors is a very young Tommy Lee Jones! I thought it looked like him, but I didn't believe it until I saw the credits. That's part of the fun of these old TV series, the surprises you get as you watch them. I look forward to watching all the rest of the episodes on dvd.

You must wonder about the intelligence of TV viewers during the seventies when this gibberish was on top. I saw my first episode last week and was totally amazed at the amateur hour presented therein. A sixth grade dialogue, extremely emaciated plot, downright silly action scenes as the "girls" took on ruthless drug lords with their pipsqueak snubbies, absolutely pathetic performances, and the list goes on and on. But who could give a good performance when asked to do mindless garbage like this? No wonder I prefer books to television.

Unfortunately I have to agree with helpless_dancer, one of the other reviewers here. Yeah, of course this was way back then, but really, it was bad. I mean, this story is slow and ponderous and nothing exciting happens. Really, that it lifted off AT ALL after this... what a bummer of a TV movie. There was only one high point, right at the end, Farrah Fawcett-Majors cooing "be sure to call if you need us, you hear?" or something like that. The episode itself is way, way, way below later standard. And this criticism comes from The Raven, who usually goes all out to bestow compliments on pretty actresses.

This... bland. Argh. One and a half hours, gah!

Hard to believe now that this middling TV Movie/Pilot, with a needlessly convoluted plot, would spark a phenomenon. Caught this on Starz Mystery Channel on satellite.

Seeing it for the first time in nearly 30 years, a few retrospective thoughts:

1. Interesting that Jaclyn Smith was front and center for the first act since she had the least amount of acting experience going in. Apparently, Kate Jackson (who was promised the lead) switched roles with her. Farrah is the 3rd banana here - history changed that.

2. It isn't surprising that the David Ogden Stiers character was dropped after the pilot. Originally added so that there would be a man who could "bail out" the Angels, he was really too stuffy for the show's fluff. David Doyle hit the notes perfectly.

3. I liked the jazzier sounding "main theme" as played in the movie. The rest of the score is typical 70's TV waka waka electronics.

4. Aside from a brief shot of Jacklyn Smith in a bikini and the requisite "Charlie Girl" snippets, there was little of the cheesy T&A exploitation that the show became known for (particularly in its first season).

And to think that this was hot stuff at the time. sigh.

First there was Police Woman. Two years later, there are a trio of women who are sick and tired doing menial tasks as police women.

To their rescue comes the mysterious Charlie (John Forsythe.) He runs his own assignments where he weeds out nasties.

This mission has Kelly Garrett (Jaclyn Smith) pretending to be Janet, the long lost daughter and the legitimate heiress of a vintner who has also vanished.

Standing in her way is Rachel LeMaire (Diana Muldaur) the stepmother and her squeeze Beau Creel (Bo Hopkins) who fixes things. It looks like he has also fixed Rachel's husband.

Later Sabrina Duncan (Kate Jackson) shows up as a true heir and then a plan is hatched with Jill Munroe (Farrah Fawcett-Majors) to extract money from Rachel and Beau over some undiscovered oil in some swampland.

Along for the ride is Tommy Lee Jones as Aram, an old friend who can't seem to drive his pick up properly. He needed to put on a seat belt on his dog.

Serving as a pilot to the television series. The thin story is stretched. It looks cheap with all that blue screen. The incidental music gets tiring from overuse of the same notes.

The series returned with more glam and two of the main cast showing off more of their assets.