- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
José Mojica Marins (a.k.a. Coffin Joe) is something of a hit and miss director for me. Sometimes his brand of low budget horror surrealism works pretty well but on other occasions the results are somewhat tedious. Strange Hostel of Naked Pleasures falls into this latter category sadly. It begins brightly enough though with an extended scene of a strange ceremony where Marins character is resurrected from the dead. There are dancing women, drumming men, weird imagery and avant-garde music throughout. The whole segment has a real demented rhythm to it. It turns out, however, that this opening sequence is the best part in the entire movie. After it, the action shifts to a hostel run by Marin's character. More specifically to events surrounding one stormy night. The hostel takes in several guests, including a group of hippies, corrupt gambling businessmen and an adulterous couple. It seems that uncle Joe is some kind of extreme supernatural moralist and he sets about killing his amoral guests.
This sounds all well and good but the problem is that it's all a bit tiresome in reality. Sure it's weird and surreal but it's also dull. It's the latter factor that's the big problem here. The pacing's not too great, which is admittedly a Marins trait in general but there is a lot of unnecessary repetition such as the silly hippy orgy where the same shots are seen over and over and the chant 'Everybody naked! Great!' is repeatedly seemingly endlessly. Otherwise, scenes drag out and the constant atonal music makes it even more unbearable. It's got its moments but overall it's hard work getting through this one.
This sounds all well and good but the problem is that it's all a bit tiresome in reality. Sure it's weird and surreal but it's also dull. It's the latter factor that's the big problem here. The pacing's not too great, which is admittedly a Marins trait in general but there is a lot of unnecessary repetition such as the silly hippy orgy where the same shots are seen over and over and the chant 'Everybody naked! Great!' is repeatedly seemingly endlessly. Otherwise, scenes drag out and the constant atonal music makes it even more unbearable. It's got its moments but overall it's hard work getting through this one.
While watching this movie, my doorbell rang. I ran to the door, hoping it was Coffin Joe there to show me MY death, thereby saving me from watching the rest of this awful movie. Alas, it was the pizza guy, and he didn't have a gun that shot sparkles. I gave him a twenty and told him to keep the change, but he didn't say anything profound like "the change shall be kept, but the change kept within your soul will be your change", or anything. He just said, "thanks." What a bummer. Last time I order from that place.
Anyway, I wanted to watch until the end, but that orgy scene - the LEAST erotic scene ever shown on film (unless skinny, pale, hairy Brazilian guys in bikini briefs swilling vodka and saying sexy things like "let's make love" turns you on) - caused me to switch off. Honestly, this movie is a LITTLE bit funny...but it drags on for so long that the camp/humor is drained. And it's only 80 minutes! Just awful.
Anyway, I wanted to watch until the end, but that orgy scene - the LEAST erotic scene ever shown on film (unless skinny, pale, hairy Brazilian guys in bikini briefs swilling vodka and saying sexy things like "let's make love" turns you on) - caused me to switch off. Honestly, this movie is a LITTLE bit funny...but it drags on for so long that the camp/humor is drained. And it's only 80 minutes! Just awful.
The Strange Hostel of Naked Pleasures, directed by Brazilian horror filmmaker José Mojica Marins (also known as Zé do Caixão), presents a perplexing and disjointed narrative. Although it features many typical elements of Marins' horror cinema, such as macabre monologues, twisted sexual scenes, and sadistic violence, the execution falls short. Let's delve into the eerie inn where time stands still and guests face their eternal torment.
The film opens with a surreal sequence: dancing women, monkey-like figures, and native Brazilian drummers. An old man chants over a closed coffin, and a mysterious man rises from it-top hat, cape, and long fingernails in tow. At the isolated "Hospedaria dos Prazeres" (Hostel of Pleasures), the proprietor invites guests to stay during a tempestuous storm. Among them are drunken bohemian motorcyclists, an adulterous couple, a suicidal man, and more. As the night unfolds, they discover their watches all display midnight, and the proprietor reveals gruesome scenes of their deaths before midnight-a chilling punishment where time ceases to exist.
Despite its intriguing premise, The Strange Hostel of Naked Pleasures disappoints. The film lacks coherence, dragging with repetition and a slow pace. Practically nothing happens until the final revelation, leaving viewers wondering why such an inexplicable establishment exists. While I appreciate some aspects, including the atmospheric setting, the overall experience falls flat.
The film opens with a surreal sequence: dancing women, monkey-like figures, and native Brazilian drummers. An old man chants over a closed coffin, and a mysterious man rises from it-top hat, cape, and long fingernails in tow. At the isolated "Hospedaria dos Prazeres" (Hostel of Pleasures), the proprietor invites guests to stay during a tempestuous storm. Among them are drunken bohemian motorcyclists, an adulterous couple, a suicidal man, and more. As the night unfolds, they discover their watches all display midnight, and the proprietor reveals gruesome scenes of their deaths before midnight-a chilling punishment where time ceases to exist.
Despite its intriguing premise, The Strange Hostel of Naked Pleasures disappoints. The film lacks coherence, dragging with repetition and a slow pace. Practically nothing happens until the final revelation, leaving viewers wondering why such an inexplicable establishment exists. While I appreciate some aspects, including the atmospheric setting, the overall experience falls flat.
The Strange Hostel of Naked Pleasures opens with a bizarre ritual: a coffin, some bongo players, topless men in a mosh pit, several women in their underwear performing crap dance moves, and deformed creatures (men in unconvincing rubber masks) wailing like banshees while lightning strikes. After what seems like an eternity, the coffin opens and out pops Zé do Caixão (José Mojica Marins), who stands there while his cape and hat (a natty bowler, rather than a top hat) appear out of thin air. Then Zé begins to spout his usual line of dreary philosophy while balls of black modelling clay on wires pass by, and the viewer asks themselves 'Why did they have to bring him back?' and 'What am I doing wasting my life watching this rubbish?'.
So what does Zé do next? Why, he enters the hospitality industry of course, setting up an inn for passing strangers, of which there seems to be plenty: before long, his rooms are full of gamblers, hippies, corrupt businessmen, jewel thieves and lovers, none of whom are put off by their creepy host. The gamblers gamble, the lovers get smoochy, the businessmen make dodgy deals, the jewel thieves check out their haul, and the hippies conduct an orgy just like the one in Marins' earlier surreal oddity End of Man, repeatedly chanting 'Everybody naked, great!' while they strip off—all of which proves tedious in the extreme.
After much surreal strangeness (animals and insects dying, a clock with a beating heart, a burning veil over the camera lens), the not-entirely-unexpected twist ending reveals that all of the guests are actually ghosts, having met with violent deaths before they arrived, that the inn is, in reality, a cemetery, and that the innkeeper is Death (Zé's face transforming into a skull with blood dripping from the eye sockets). Yawn!
3/10 for Marins' hilarious pearls of wisdom, which include: 'There is no redemption for those who want to be blinder than the blind one having his sight to see' and 'The one who searches for the beginning of the end will find an end with no beginning'. Right you are!
So what does Zé do next? Why, he enters the hospitality industry of course, setting up an inn for passing strangers, of which there seems to be plenty: before long, his rooms are full of gamblers, hippies, corrupt businessmen, jewel thieves and lovers, none of whom are put off by their creepy host. The gamblers gamble, the lovers get smoochy, the businessmen make dodgy deals, the jewel thieves check out their haul, and the hippies conduct an orgy just like the one in Marins' earlier surreal oddity End of Man, repeatedly chanting 'Everybody naked, great!' while they strip off—all of which proves tedious in the extreme.
After much surreal strangeness (animals and insects dying, a clock with a beating heart, a burning veil over the camera lens), the not-entirely-unexpected twist ending reveals that all of the guests are actually ghosts, having met with violent deaths before they arrived, that the inn is, in reality, a cemetery, and that the innkeeper is Death (Zé's face transforming into a skull with blood dripping from the eye sockets). Yawn!
3/10 for Marins' hilarious pearls of wisdom, which include: 'There is no redemption for those who want to be blinder than the blind one having his sight to see' and 'The one who searches for the beginning of the end will find an end with no beginning'. Right you are!
This film was my introduction to José Mojica Marins. I don't know that I'm interested in seeing any of his other works after watching this one. My understanding is that the coffin Joe movies might be worth a watch, but unless I really have nothing better to do, I will likely pass.
In this movie, the uni-browed proprietor of the hostel also is a philosopher, but not a good one unfortunately. It got rather old quickly. He likes to talk in riddles. He has a variety of guests show up at his hotel, including gamblers, couples, biker hippies and others. The hippies decide to have an orgy, however, I will say that those are some of the ugliest women I have ever seen - everybody naked, not so great.
"The Strange Hostel of Naked Pleasures' is not really a horror film although parts have a horror feel. It doesn't really have a plot per se, and it seems that it was going for some sort of arty feel. To me, it was just strange. If IMDb had ratings for absolute weirdness, this one would get a 10 for sure. If close ups of eyeballs is your thing, you'll find plenty of that here. The soundtrack was also odd and quite jarring in places (Hallelujah Chorus, anyone?).
The print I saw was choppy, however, this might have been intentional when taken in context with the rest of the movie. It is also subtitled, but it appears that some lines didn't translate over well. They didn't make any sense but that might be intentional too.
I'd recommend a pass unless you are looking for a truly weird and rather boring film - even then, you may not find it worth your while. If you are looking for a good horror film, for sure give it a pass.
In this movie, the uni-browed proprietor of the hostel also is a philosopher, but not a good one unfortunately. It got rather old quickly. He likes to talk in riddles. He has a variety of guests show up at his hotel, including gamblers, couples, biker hippies and others. The hippies decide to have an orgy, however, I will say that those are some of the ugliest women I have ever seen - everybody naked, not so great.
"The Strange Hostel of Naked Pleasures' is not really a horror film although parts have a horror feel. It doesn't really have a plot per se, and it seems that it was going for some sort of arty feel. To me, it was just strange. If IMDb had ratings for absolute weirdness, this one would get a 10 for sure. If close ups of eyeballs is your thing, you'll find plenty of that here. The soundtrack was also odd and quite jarring in places (Hallelujah Chorus, anyone?).
The print I saw was choppy, however, this might have been intentional when taken in context with the rest of the movie. It is also subtitled, but it appears that some lines didn't translate over well. They didn't make any sense but that might be intentional too.
I'd recommend a pass unless you are looking for a truly weird and rather boring film - even then, you may not find it worth your while. If you are looking for a good horror film, for sure give it a pass.
Did you know
- Quotes
[first lines]
Zé do Caixão: Live to die or die to live? Is there an answer? No! Only doubts! Only deductions... Only the conviction of emptiness... of loneliness... the desperate search for the whole and the nothing in the vastness of the dark. The unveil of this enigma would be the end of the mystery. The end of the secret of eternity. The apogee of happiness. The mission is accomplished! Men would be facing his biggest conquest... the awakening of his own origin.
- ConnectionsFeatured in The Universe of Mojica Marins (1978)
Details
- Release date
- Country of origin
- Language
- Also known as
- Странный хостел для удовольствий
- Production company
- See more company credits at IMDbPro
Contribute to this page
Suggest an edit or add missing content