Black Cobra

Quite simply a cinematic treasure that will never get the exposure it so richly deserves. Jack Palance gives quite simply his best ever performance by a country mile in the role of Judas. Palance breathes an awkward and devilishly creepy life into the snake obsessed sleaze Judas. His own fabulous performance crackles magically against Gabriele Tinti's Jules, his jealous and treacherous, even creepier, sociopathic brother.The film is intended as soft porn but works wonderfully as comedy, whenever I need a laugh this guarantee's it. It works woefully on just about any level. If you expect any kind of sexual excitement from Erotic Eva, look elsewhere. The superb score by Umiliani adds essential 70s style and character. The whole film centers around the brothers attempt to gain the affections of bisexual snake dancer Eva, played by the painfully skinny real life wife of Gabriele Tinti, Laura Gemser. The film is filled with magical dialogue, always involving Jack Palance. His spine twitchingly awkward seduction scenes with Gemser, and his subliminally hate filled smarm drenched chats with Jules are truly worthy of legendary status. Fast forward through the attempts at porn, except the scene with the prematurely ejaculating Japanese businessman. In short cheesier than a cheese puff factory, and as amusing and entertaining as cinema gets.

When Laura Gemser and Joe D'Amato team up to make a movie; you can bet that no matter what the movie is about or what character Gemser is playing that some of the alternate titles will include the word 'Emanuelle'. And this film is no exception, as it got branded with the unimaginative title 'Emmanuelle Goes Japanese'. Naturally, the film has nothing to do with Gemser's most famous character and thankfully the title Black Cobra Woman is generally the more accepted one - and the one that I saw the film under. From the plot description I was actually thinking that this film might be half decent...and it does at least get off to a decent start. The film focuses on Judas; a rich man who surrounds himself with exotic snakes but has little contact with people. One night, Judas goes with his brother to see an act at a nightclub that involves a beautiful woman dancing with a snake. Naturally, he is immediately taken in by this woman (she's played by Laura Gemser so this part of the film is quite realistic) and decides to take her back to his home...

Laura Gemser takes the lead role and spends most of the film either naked, getting it on with other women or both; which is all well and good, but anyone familiar with Gemser's filmography will have seen it all so many times before and it's particularly disappointing in this film as we actually have the basis for a decent plot here. One of the more bizarre casting decisions is represented by Jack Palance, who I guess was either not getting a lot of work around the time or just couldn't resist a starring role alongside the beautiful Laura Gemser. Naturally for a Joe D'Amato flick, it features plenty of sleaze and it's really all encompassing so there wouldn't really have been room to flesh out the story even if the director wanted to. The film does at least deliver on the title's implied promise of featuring snakes; and seeing Gemser dance with a big Cobra is worthwhile. A scene that sees a snake skinned alive and cooked was a bit needless, though. Overall, however, this film is not really worthwhile; it's better than some of the lesser Emanuelle flicks, but that's not really saying anything. I can't recommend tracking Black Cobra Woman down.

Black Cobra (1976)

* 1/2 (out of 4)

Joe D'Amato directed film about a shy, lonely man (Jack Palance) living in Hong Kong where his only friends are his pet snakes. One night his brother takes him to a strip joint where he sees a beautiful woman (Laura Gemser) putting on a dance with a snake. He moves the woman in but soon someone starts killing off her lesbian friends. The killer doesn't know the woman is a Goddess to snakes. Like many other D'Amato/Gemser films, this one here basically leaves the plot behind in favor of the beautiful actress walking around in the nude and carrying out various lesbian scenes. Gemser is also fun to watch (when she's naked) but the story here is pretty dull and lifeless. Palance must have really been down on his luck at the time.

Black Cobra is directed by filth king Joe D'amato, edited by fellow trashmeister Bruno Mattei, stars gorgeous Asian sexpot Laura Gemser, and even features future Oscar winner Jack Palance in a key role, and yet despite this massive potential (particularly for deviancy), the film blows it by being thoroughly bland for most of its running time. With a story revolving around poisonous snakes, erotic dancing, and revenge, this could and should have been so much more sleazy.

Naturally, the frequent full frontal nudity from Gemser prevented me from switching off in disgust (or rather, lack of disgust), but the soft-core action soon became rather tedious, with Gemser delivering loads of the self gratification and girl on girl action that we can always rely on, but nothing out of the ordinary (I find it hard to believe I'm saying this, but the copious bare flesh actually got boring).

Admittedly, there are a couple of scenes that manage to register slightly on the sleazeometer—a rather amusing strip scene in a lesbian bar that gets the clientele frisky, and a live snake being chopped up and fried for lunch—but most of the action falls way short of what I have come to expect from my Italian trash. The biggest cop-out is the finale—Gemser's revenge on the man who killed her lover—that involves the insertion of a cobra up the jacksy, but which is satisfied to simply suggest the nastiness.

Strangely, the film is also known as Emanuelle Goes Japanese, despite no character of that name going anywhere near Japan (Gemser's character is called Eva and the film is set entirely in Hong Kong).

I should have known better. I was actually expecting this film to be a combination of mystery, drama and horror. I knew from the box cover that there would be nudity. What I didn't know was that the nudity is the main feature of the movie. The movie has several nude women and many nude scenes. That would be OK if there was at least a stronger plot and a little bit more reason for making this movie other than showing skin. I know this type of film may have it's followers but even if viewed as a skin flick, it's boring and even a bit humorous. It was made in 1976. At that time it may have been exciting but compared to milder, soft porn movies of today, this would have to be classified as very mild, to the point of being almost dull. This movie was just too long for so few meaningful scenes. I can't think of any good reason for watching this film other than to have a nostalgic look at a 70s nudie flick.