Find the Lady

I found this online recently. I'm a John Candy fan and had never heard of this one before. He looks to be in his early to mid 20's. If you're a fan of the zany Naked Gun/Airplane movies, you'll probably like this one. If you're not, you probably won't. It's a slapstick humor kind of movie. I enjoyed it for what it was.

This isn't the worst comedy of all-time, but that is about the best thing that I can say about this pathetic film. I didn't laugh once, or even smile once during this bomb. There was usually something going on on-screen, so I didn't get TOO bored, but most of the jokes here were simply awful. The final sequence is nothing more than a long series of people falling through doors and stumbling all over the place. Needless to say, it was a fitting way to end a movie that was impossible for me to like.

It's generally the case that putting together a great international cast does not a great movie make. This is borne out by this dire 'comedy' that, on paper, looks like a winner but on screen is tired, dull and yields zero laughs. The comedy element relies on lots of people falling over, especially John Candy, and a script that contains no jokes whatsoever. It's embarrassing to see the likes of Peter Cook walking through the film almost comatose. One would think the producers were trying to cash in on the 'Pink Panther' movies, with many similarities in the style and story, heavy reliance on slapstick humour, and the two bungling detectives. They don't even come close. Perhaps the only interest is to see the bizarre pairing of Mickey Rooney and Dick Emery as the films' gangster villains.

This amiably scattershot British-Canadian Co-production sadly remains one of future comedy icon, John Candy's lesser known features. The chaotically pratfall-laden, proto-Police Academy, bungled kidnapping farce 'Find The Lady' is brought to witheringly noisome life by a remarkably ecclectic cast of entertainingly larger-than-life Thespians: Peter Cook, Mickey Rooney, Lawrence Dane, Alexandra Bastedo, Dick Emery, and a very young, effortlessly likeable, John Candy is a dunderheaded delight as the catastrophically inept, perpetually blundering cop, Kopek!

John Trent's overblown screwball comedy is an energetic, frequently misfiring, palpably unsophisticated 70s celluloid curiosity, and some may well find themselves immune to this gaudy lady's crudely comedic charms, but, to be fair, I sporadically enjoyed all the unrelentingly stupid slapstick shenanigans displayed so giddily herein! Peter Cook is miscast, the splendid, Dick Emery is sadly underused, Alexandra Bastedo is a distractingly beautiful kidnapee, and, frankly, it's all very, VERY silly indeed, but the hyperbolic, slapstick-on-acid finale in the fun house is arguably worth the price of admittance alone! As much as I hate to admit it, Mickey Rooney was a hoot as the anachronistic hood 'Trigger', and charismatic Canadian actor, Richard Monette, glistered no less gaudily than his sequinned bustier as serially quipping drag artiste, Bruce la Rousse.

Seeing John Candy on the video cover might give you a sense this movie would be a hilarious comedy, but it isn't the case for this one. This is an early acting appearance for Candy, who plays a bumbling detective named Kopek who, along with partner Broom (Lawrence Dane) tries to solve a complicated kidnapping case involving a businessman's daughter. These two characters reprise their roles from It Seemed Like A Good Idea at the Time, released the previous year, though their screen time was somewhat limited.

The casting is appropriate, though, confusing: Peter Cook, Mickey Rooney, and Dick Emery as the bad guys and plenty of product placement for the Canadian pizza chain Pizza Pizza. There's not too many laugh-out-loud moments in this film, aside from a few instances of physical slapstick, especially the first ten minutes of the film, but it's, at least, watchable.