Jonah Who Will Be 25 in the Year 2000

And I thought I was a radical activist in my student years of the late 60's. I was aware of rising social consciousness, rebellion against materialism and corporate greed. I was not aware back then how world wide the phenomenon was. I am still surprised when I find evidence that breaks with tradition and convention were going on in Poland, France, and well, yeah, Switzerland? And from the mid 70's on, I can relate to the pressures to find our place in a world of work - constantly seeking meaningful employment in a system that rarely reflects our new values. These characters, Organic Farmers, Creative History Professor, Sketcher of Animals, Proofreader, Grocery Cashier, and more are still seeking meaningful lives and relationships. Even in unorthodox sexual experimentation they seek meaningful respectful relationships. I am Labor. With my intellectual pursuits, study of French Language and foreign Cultures, Humanitarian Concerns, Respect for Nature - I thought I would be so much more in my life. As these characters, who seem to slowly accept the existential realities of that post 60's burst of Hope - we now pass those hopes on silently to our children.

This movie may seem an essay on political realities of 70's, but in fact it's so much more. It's like a flower blooming, I enjoyed every moment of it - because it's about life, and eternal questions, and existence. Seventies were a golden age of cinema, I believe - not as naive as sixties already, not yet too commercialised as eighties. Directors had an opportunity of discussing profound questions, and taking their time to do it. The movie is not a bit outdated, and it never will. Tanner is a genius of drawing a picture of ordinary people everyday lives, through which an eternal light shines. It's true to the core - a real art. A movie that makes you better.

While Jonah is generally referred to as a comedy, it is not. It does have some, perhaps many, funny moments. Comedy is certainly a part of it. But the film is a serious and almost perfect meditation on the post-revolutionary era and what's in store for the future. It is also a document on the passage of time, the ways in which the world changes around us, the ways in which we as individuals evolve, or devolve. The different characters negotiate their existences in different ways, with different philosophies. The mood of the film is very sad, but in the gentlest way possible. There's a hope for the future, but it's not a big one. It's quite pessimistic. The musical score, by Jean-Marie Senia, is exquisite, one of the best ever written for the cinema. The camera moves beautifully. 10/10.

Nice, small, intellectual film that criticizes the political system of its time. Even though the situation hasn't changed much yet. It even more criticizes the consumer society and economy for its lack of humanity. It makes clear, that the government has complete control over the masses, over me and over you - we have nothing.

Economy is going to eat itself up until chaos will rule again and nobody has control anymore.

The characters in the film try to change something, but it seems to go nowhere. They have good intentions, but simply lack the power. Just as these characters, we also get suppressed by our government. This film is not just about Switzerland of France. It's about democracy and free market economy. The film can make people realize how hopeless our existence is. How decadent our lives are...

Watching this film certainly isn't a waste of time. If you like your films a little more ambitious, it doesn't fail to entertain. And even if you can't begin "doing" anything with its message, the film is full of interesting facts about society and simply about the way it is.

9/10 for a smart, critical film that is able to change opinions and views.

PS: If you ask yourself whether you should watch it on TV today, or not...DON'T MISS IT! BECOME SOMEONE ELSE!

How was this film ever made? It presents many aspects of the left wing of politics genuinely, as they see themselves; not as reinterpreted through a capitalist middle-class filter or stereotype. Film has been such a capital intensive medium that it seems none ever get made without the approval of some millionaire or corporate backer, and that all structure themselves, and the worldviews they express, to win this approval; consequently people on the left get used to caricature or demonization as their only screen presence. Not so in "Jonas...". In a way the characters are archetypes, representing: sexual freedom, generosity and social consideration, intellectual expansiveness instead of reductionism, atheism, naturalistic identification, communality in spirit, stoicism etc; but I find identification with the characters easy. But it is not Utopian; the consequences for generosity of spirit in a greedy context are dramatized in the story of imprisonment and persecution. As with all good politics, the underlying message is not a mere power squabble; but a reflection on cosmic order, what the right tends to call "spiritual" concerns. The inflowing of people into the energy of the birth of Jonas and the disintegration of that unity after the event has transpired makes "Jonas..." a profoundly philosophic and satisfying story. After 30 years this is still one of my favourite movies.