A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to tr... Read allA black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.
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This really isn't as bad as the other review makes it sound. It does have a simple plot, and actually moves along fairly quick. Not much time is spend on any sort of character development, but we've all seen these types of characters in every other western anyhow. It's true that there is not a lot of dialog from Fred Williamson, but his character (Joshua) is a lone cowboy sneaking along quietly through the desert. What would he say? And to who? The film has a real nice gritty Italian look to it and its starkness works fairly well with the story. It's not going to be the greatest movie you've ever seen but it's interesting enough to watch once. I saw this on DVD which was made for a letter boxed version. They didn't shrink the image or pan and scan etc. So sometimes the picture is cut off a little. It was slightly annoying to watch.
I remember seeing this movie years ago, and my memories of it were that it was a pretty decent western. So when I got the chance to see it again I took the opportunity. Sadly, time had faded the negative things about this movie.
To be sure, there are a few positive things I can say. Williamson is an imposing figure, dressed in black. The scenery, often covered in packs of snow, is impressive. Combining the scenery with the musical score makes for some haunting sequences.
But most of the movie doesn't work. To begin with, the characters. Williamson's character isn't well developed; he doesn't have that many chances to speak, or have an opportunity to make a character. The bad guys are even thinner characters, all of them seemingly alike.
There is also a lot of poor direction. Take the scene with the rattlesnake, for instance. There should be some tension and suspense with such a deadly animal, but there is NO feeling at all! It's presented in the dullest way possible, a feeling that keeps coming up in the rest of the movie.
Although some of the music is haunting, the low budget of the movie means that the same bars of music are played over and over, which becomes annoying. But a bigger problem (and the main problem I had with the movie) is that this movie is VERY slow and padded. Although it runs only about 82 minutes, a good chunk of this could easily been taken out with a snappier pace and some wise editing. Though this would probably resulted in a running time not qualifying for a feature-length movie.
One last thing I would like to bring up: The pan-and-scanning of this widescreen movie is TERRIBLE. You can't properly read the opening and closing credits, and when there is more than one character on screen, one of them is often cut off (sometimes ALL of the characters are chopped offscreen!) This movie needs to be seen in its full widescreen glory, but since the movie is now in the public domain, it seems very unlikely anyone would spend the expense to release this movie on DVD restored.
To be sure, there are a few positive things I can say. Williamson is an imposing figure, dressed in black. The scenery, often covered in packs of snow, is impressive. Combining the scenery with the musical score makes for some haunting sequences.
But most of the movie doesn't work. To begin with, the characters. Williamson's character isn't well developed; he doesn't have that many chances to speak, or have an opportunity to make a character. The bad guys are even thinner characters, all of them seemingly alike.
There is also a lot of poor direction. Take the scene with the rattlesnake, for instance. There should be some tension and suspense with such a deadly animal, but there is NO feeling at all! It's presented in the dullest way possible, a feeling that keeps coming up in the rest of the movie.
Although some of the music is haunting, the low budget of the movie means that the same bars of music are played over and over, which becomes annoying. But a bigger problem (and the main problem I had with the movie) is that this movie is VERY slow and padded. Although it runs only about 82 minutes, a good chunk of this could easily been taken out with a snappier pace and some wise editing. Though this would probably resulted in a running time not qualifying for a feature-length movie.
One last thing I would like to bring up: The pan-and-scanning of this widescreen movie is TERRIBLE. You can't properly read the opening and closing credits, and when there is more than one character on screen, one of them is often cut off (sometimes ALL of the characters are chopped offscreen!) This movie needs to be seen in its full widescreen glory, but since the movie is now in the public domain, it seems very unlikely anyone would spend the expense to release this movie on DVD restored.
This film I consider a very good example of how a film may elicit a variety of responses. I have learned not to take too seriously the comments by others or I may miss a real gem. Not that I would put this film in the gem category but definitely the good side of in-between. I am amazed to read how some abhorred the music. I recall how the music in Keoma drove some people crazy while others (like me) liked it. In Joshua the music fit the film perfectly, especially the low growl when the camera turned to the black rider. So (as we well understand) people's tastes vary. I went for the acting in this one also. I even liked the bad teeth on those ugly bad guys. Though I prefer an unpredictable story line, this film can be good when one prefers sometime something simple. Credibility got stretched for my taste but the music saved it for me. Not bad. I won't forget this one.
Joshua starring Fred Williamson in the title role tells the story of a returning black civil war veteran who finds his mother murdered and some other woman abducted by this gang of some really loathsome cretins. Of course Williamson's duty is clear.
The film was shot in the sacred John Ford country of Monument Valley, Arizona which as a tourist spot boasts of its fame as a location for some of the best westerns ever done. This however was not one of them.
The story of Patty Hearst was fresh in people's minds and the woman abducted decides she likes it with the gang. Let's say she becomes less and less inhibited in her sexual relations with the gang and she's more like an outlaw groupie by the time the film ends.
Unless you're a fan of Fred Williamson, pass this one by.
The film was shot in the sacred John Ford country of Monument Valley, Arizona which as a tourist spot boasts of its fame as a location for some of the best westerns ever done. This however was not one of them.
The story of Patty Hearst was fresh in people's minds and the woman abducted decides she likes it with the gang. Let's say she becomes less and less inhibited in her sexual relations with the gang and she's more like an outlaw groupie by the time the film ends.
Unless you're a fan of Fred Williamson, pass this one by.
Joshua (Fred Williamson) tracks the band of cutthroats who shot down his defenseless mother (not a good thing to do to a strong black man) through the desert and into an implicitly racist town where things really heat up.
Great location photography makes this low-budget blaxploitation/western look better than it's dollar figure would suggest.
This is a minimalist viewing experience where the story (like a silent picture) is told primarily in pictures with most of the sparse dialog inconsequential, which I think explains the mixed reviews.
Personally, I thought it was an okay movie but I'd wish that the filmmakers would have beefed up the script with more dramatics and emotions, playing up the racism in the town and forcing Williamson to fight to extract the despicable villains.
Also, It would have been nice to see a recognizable character actor (Aldo Ray or Cameron Mitchell anyone? Slim Pickens maybe?) as the heavy.
The repetitive score was a minus.
Great location photography makes this low-budget blaxploitation/western look better than it's dollar figure would suggest.
This is a minimalist viewing experience where the story (like a silent picture) is told primarily in pictures with most of the sparse dialog inconsequential, which I think explains the mixed reviews.
Personally, I thought it was an okay movie but I'd wish that the filmmakers would have beefed up the script with more dramatics and emotions, playing up the racism in the town and forcing Williamson to fight to extract the despicable villains.
Also, It would have been nice to see a recognizable character actor (Aldo Ray or Cameron Mitchell anyone? Slim Pickens maybe?) as the heavy.
The repetitive score was a minus.
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- Joshua - O Cavaleiro Negro
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