Joshua

Someone, even if the star of the film Williamson himself, should have never allowed this film to reach the public with the simplistic kindergarten theme song played in the opening credits as well as various times through the film. No one would be expecting the music editor to make a monumental catchy theme along the lines of the Bonanza theme or Issac Hayes' Shaft. With such a humble production, the task of the music department would be to merely stay out of the way and not detract from the overall end product. Unfortunately, the music in this film fails miserably and detracts from any momentum that the average acting gains. Williams is pretty good in the lead role and his stoic approach is in tune with the Western gunslinger theme. A prologue showing Abraham Lincoln's picture is mumbled and difficult to hear so seeing as it doesn't add to the film it should have been left out all together. Williamson appears to struggle at times on the horse, having to kick it too many times then winding up with his hat falling around his neck and sending him bobbing too harshly. The real sin here remains the theme song. With three seconds of effort my "Anty Up, Black horse, black hat, black rider...cowboy...Whew Whew" "Move along Black hat, black horse, black rider, go go " would be annoying, but less so than the instrumental that was settled for. Also it is not as if 1975 did not have a dearth of talent to make a worthy theme at a low budget price. While Quincy Jones and Stevie Wonder would be unaffordable, an even exchange of exposure for talent could have been worked out with someone like Billy Preston, Bob Grusin or Randy Crawford churning out a passable theme track.

Joshua starring Fred Williamson in the title role tells the story of a returning black civil war veteran who finds his mother murdered and some other woman abducted by this gang of some really loathsome cretins. Of course Williamson's duty is clear.

The film was shot in the sacred John Ford country of Monument Valley, Arizona which as a tourist spot boasts of its fame as a location for some of the best westerns ever done. This however was not one of them.

The story of Patty Hearst was fresh in people's minds and the woman abducted decides she likes it with the gang. Let's say she becomes less and less inhibited in her sexual relations with the gang and she's more like an outlaw groupie by the time the film ends.

Unless you're a fan of Fred Williamson, pass this one by.

This film I consider a very good example of how a film may elicit a variety of responses. I have learned not to take too seriously the comments by others or I may miss a real gem. Not that I would put this film in the gem category but definitely the good side of in-between. I am amazed to read how some abhorred the music. I recall how the music in Keoma drove some people crazy while others (like me) liked it. In Joshua the music fit the film perfectly, especially the low growl when the camera turned to the black rider. So (as we well understand) people's tastes vary. I went for the acting in this one also. I even liked the bad teeth on those ugly bad guys. Though I prefer an unpredictable story line, this film can be good when one prefers sometime something simple. Credibility got stretched for my taste but the music saved it for me. Not bad. I won't forget this one.

This really isn't as bad as the other review makes it sound. It does have a simple plot, and actually moves along fairly quick. Not much time is spend on any sort of character development, but we've all seen these types of characters in every other western anyhow. It's true that there is not a lot of dialog from Fred Williamson, but his character (Joshua) is a lone cowboy sneaking along quietly through the desert. What would he say? And to who? The film has a real nice gritty Italian look to it and its starkness works fairly well with the story. It's not going to be the greatest movie you've ever seen but it's interesting enough to watch once. I saw this on DVD which was made for a letter boxed version. They didn't shrink the image or pan and scan etc. So sometimes the picture is cut off a little. It was slightly annoying to watch.

We've seen the vengeance-chase thing, the silent hero thing so many times and, with "Joshua" it's a case of here we go again, this time with lesser results.

Fred Williamson acquited himself well, but the rest of the cast could have used some bad guy acting lessons.

The music could have used less excess. At one point it sounded like somebody was just learning to play "Chopsticks."

Also unnecessary was the 'bosom' scene. We all knew she had one. Jeez! I must say they were more 'bazoom' than your everyday bosom.

The fight scene was quite something with sound effects unlike any ever heard before. It was weird. When they bonked each other it sounded like a symphony ocrchestra bass drum. By the way, every now and then it looked like they came close to connecting.

The scenery was excellent, the horses were pretty. "Joshua" did well when he fought the battle of Jericho. This Joshua had more of a struggle, minus God in his corner.