Midway

The film Midway shows in graphic documentary style, the battle that did nothing less than save America and ultimately allow us to win World War II. If the Japanese had prevailed at Midway, they might very well have taken Hawaii and been blockading our continental Pacific coast. We might have had to declare a truce and hope that public opinion would allow us to continue the European and North African war. Remember the USA was brought in to the war because of the Japanese attack at Pearl Harbor, not Hitler's attack.

There is a plot of sorts with Charlton Heston as the fictional pilot group commander who's involved in helping his son Edward Albert help a Nisei family who've been interred for the duration of the war because Albert is engaged to the daughter. That's the one weakness of Midway, the story really wasn't necessary and detracted with the very precise telling of the Midway tale. Had they left it out, Midway had the potential to be a classic like The Longest Day.

Without Charlton Heston and his family problems, the story of Midway is told with remarkable historic accuracy. Henry Fonda who played Admiral Chester W. Nimitz in all but name in In Harm's Way, gets to play Nimitz again in Midway. Robert Mitchum and Glenn Ford play Admirals William Halsey and Raymond Spruance who between the two of them won America's Pacific war. A whole lot of fine character actors like James Coburn, Robert Wagner, Robert Webber, Hal Holbrook and many more fill their naval roles to precision.

The story of the Battle of Midway should be told and told again in America's public schools for future generations. Not just because of the sailors and airmen of America's greatest generation who fought and prevailed at Midway, but because of just how close a run thing the Battle of Midway was. One very fateful decision by Admirals Yamamoto and Nagumo turned the tide of battle on a dime. By the way the oriental players in Midway like Toshiro Mifune as Yamamoto and James Shigeta as Nagumo and others also play very well. The American cinema certainly came a long way from when they previously cast the Japanese as bucktooth primates.

When the viewer sees just how much pure luck played a part in winning at Midway, they will come away with one of two impressions. The first might be that a divine providence is guiding and protecting America. If so, who's to say that will always be the case. And if not, the second lesson might be that we as a country might not always be so lucky.

If they could edit out the Heston family story, Midway is a great film for history classes studying World War II.

I first saw this movie when it was opening as a 10 year old boy who was enamored with WWII. At that time to me, it was one of the best war movies I had ever seen. Due to my prior readings on the battle, I knew it followed the history fairly well, and I was able to tune out the romance sub plot. The look of movie was something that was something I was not familiar with in war movies up to that point. The indoor officers were in nice neat uniforms, while the pilots, Marines, and common sailors had a weary rumpled look. And the language! I had not yet heard so much cursing in a war movie (it was 1976 and for the most part John Wayne type movies were the norm). But I loved it all! I knew most of the planes shown on screen were not accurate, and much of the combat footage was from later in the war. But it showed a different type of war movie. The Japanese were strong, smart, and nearly invincible. Not monsters or maniacs, but allowing overconfidence at times to cloud some decisions. The Americans were brave, novices, unsure of themselves at times, yet determined not to fail, no matter the cost. Not the overpowering unbeatable force of years to come later in the war. Watching during the initial phases of combat as obsolete US planes were shot down one by one by the superior Japanese fighters, I was captivated by the self sacrifice(a year later the ending dogfight in Star Wars would make me think of Torpedo 8). Then the tide turned as events, luck, and timing change the course of battle. In the end, the US wins, the Japanese are defeated, and survivors ponder the results and reasons why briefly. Flash forward 32 years later and I watch this movie again on my DVD copy on the 66th anniversary of the battle. This movie holds up not too badly against the test of time. Much time has passed in by movie making and in my gaining knowledge of this subject. To me the strengths still hold, as do the weaknesses. The interracial romance subplot is certainly a 70s addition. Certainly not believable in a historical context. The stock footage of aircraft certainly still glares in error as well. Color footage was shot during the battle and released in a documentary. A small amount was incorporated into the movie. Much more could have replaced other sequences that were used in the movie. Many of the Tora!Tora!Tora! conversion aircraft were still local to Universal Studios at Orange County or Chino airports at the time of filming. Some were used in the Midway Island bombing sequence, but not in the Yorktown attacks. Too bad they did not make more use of them for a better look. The Japanese film sequences from "Storm Over the Pacific" actually worked very well for their capturing the look of the Japanese carriers and the activities on board. As did the lifted opening from "30 seconds Over Tokyo". Much of the dialog on film is true to life with certain quotes historically accurate. "Look at that b*****d burn", was the first radio message clearly heard on the US carriers letting them know any of the air strikes had made contact and been successful. It also holds up sticking fairly close to the time line of actual events, but there are several events omitted. Finally the effects were not bad. For pre CGI the choices are to build full scale mocks ups, use an area or item that has a resemblance or miniatures. All three methods were used to good effect. And the results were for the most part just as good as, if not better than the more modern (film making wise) CGI heavy "Pearl Harbor". All in all, a decent war movie, still worth watching, flaws and all.

This was one of my favorite movies when I was growing up and building models of land, sea, and air craft of the WWII period. Of course we all could have done without the romantic interest, but what counts is the overall telling of the story accurately (even if that includes sideline dramatizations etc.). In a nutshell Midway was a gamble and even though we knew where they'd be, we still took it on the chin with the loss of most of the aircraft and the Yorktown (which left only 2 effective carriers in the pacific and 1 in drydock). In the end we were lucky enough to be able to inflict sufficiently more damage on them than they did on us. This is the story that is told so well. It doesn't matter that the special effects were less than stellar (e.g., view of the fleet from the sealevel - obvious miniatures) or that they showed Essex class carriers which did not yet exist getting hit by kamikaze. The film is true in its depictions of gambles, gaffs, and good fortune which in the end allowed us to be victorious and end Japanese expansion. So quit knocking it and enjoy it for what it is!

I remember reading that this movie was made primarily because they had excessive footage from when they shot "Tora! Tora! Tora! and some of the shot looks like they did came from that film. But this film also includes old actual shots taken by service men and news people.

The movie is based on the American victory off Midway Island. The movie was made 30 years after WWII and a couple of years after Vietnam, so it doesn't have a jingoistic feel to it. It has more of a matter of fact feel to it, more a docudrama than propaganda.

The movie is different from most war movies because it shows how Grand battles are won and lost. There isn't much individual heroism from ordinary soldiers shown. Instead we see how commanders, in this case admirals make decisions and take risks usually based on sketchy information. They put their reputations on line, along with the safety of their men, and the security of their nations. We see how the outcome of a battle can hinged on risky decisions or sometimes on indecision. We see how commanders have to sweat out their decisions as History hangs on the balance. Yes! History! This battle after all is considered the turning point of the War in the Pacific.

In this movie decisions are made on what certain letters mean, whether enemy carriers are where they are supposed to be. If viewers give it the appropriate attention, they will see that this movie plays like a giant chess match. The outcome determined by gutsy moves and bad decisions, sometimes indecision.

The movie boasts an impressive cast which include, Henry Fonda, Glenn Ford, Robert Mitchum, Cliff Robertson, Charlton Heston and they all do fine jobs. They play the typical Grand characters in epic movies, they move the story along but has no personal stories themselves. The one personal story belongs to Edward Albert, who plays Heston's son. He's not very convincing and playing opposite a pro like Mr. Heston, he comes across as being weak almost amateurish.

The movie is good but far from great. I love how the filmmakers remained true to the events. But the special effects looked cheap and the use of actual combat footage feels inappropriate and even exploitive. Nevertheless I think it's a good film not to be missed by Military History buffs.

A critical part of WWII gets the big epic cinematic treatment, with all star casting and lots of noise. Though purporting to be exactly how things were during this particular battle, a pinch of salt is also needed. Much of the film is taken up with laying foundations for the air-sea engagement of the title, political posturing and military machinations are joined by needless sub-plots. The dialogue is often cheese laden, some characterisations equally so, while the splicing of real life footage and other war movie moments start to detract. However, the last third of film is thrilling and worth waiting for, a whirl of battle action as the Pacific conflict comes vividly to life both visually and aurally. 6.5/10