A police officer in the future uncovers the deadly secret behind a society that worships youth.A police officer in the future uncovers the deadly secret behind a society that worships youth.A police officer in the future uncovers the deadly secret behind a society that worships youth.
- Director
- Writers
- Stars
- Nominated for 2 Oscars
- 7 wins & 5 nominations total
Farrah Fawcett
- Holly
- (as Farrah Fawcett-Majors)
Greg Lewis
- Cub
- (as Gregg Lewis)
Glenn R. Wilder
- Runner
- (as Glen Wilder)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Loosely based on the novel of the same name, Logan's Run is set in a dystopian future where life is perfect, but nobody is allowed to live past 30. People who refuse to sacrifice themselves and try to escape are called 'runners', and special police called sandmen are sent after them. Logan is a sandman, and after killing one runner gets caught up in a secret mission to find out where the successfully escaped runners are hiding. He does this by posing as a runner himself, and the story unravels from there to show the truth of our species' past. If any film is ripe for a remake, its this one. In terms of sets, dialog and performances it is very much stuck in the 1970's, but the basic premise is brilliant. I quite enjoyed Logan's Run despite it getting off to a slow start, and the admittedly wonkey effects don't detract from some interesting topics the film touches on, such as overpopulation and conformity. If you don't mind the fact that in many ways it has not aged well, its worth a watch.
Logan (Michael York) is a Sandman, someone who kills all those who refuse to sacrifice themselves on their 30th birthday. But when his clock starts ticking, Logan and Jessica (Jenny Agutter) make a run for it.
I had seen this film in the mid-1990s for a class, and thought it was pretty good. Re-watching it now (2015), I can see why it is a science fiction classic, though some holes are now there. And I do not just mean plot holes (of which there are a few). The city exteriors are obviously a model, and it is almost humorous how easy it is to tell.
But the story is very good and now a part of pop culture. The two leads are great, and I wish Agutter had done more horror and sci-fi in the 70s/80s. Farrah Fawcett's role is small and sort of peculiar. Peter Ustinov is great, and nice comedic relief. Now sure what was up with all the nudity, but...
I had seen this film in the mid-1990s for a class, and thought it was pretty good. Re-watching it now (2015), I can see why it is a science fiction classic, though some holes are now there. And I do not just mean plot holes (of which there are a few). The city exteriors are obviously a model, and it is almost humorous how easy it is to tell.
But the story is very good and now a part of pop culture. The two leads are great, and I wish Agutter had done more horror and sci-fi in the 70s/80s. Farrah Fawcett's role is small and sort of peculiar. Peter Ustinov is great, and nice comedic relief. Now sure what was up with all the nudity, but...
Okay, it's got a hoaky plot with lots of holes in it, special effects made from matchbox sets, some mediocre acting (Farrah Fawcett?!?) and dialogue, a big ole "this was made in the 70's" stamp all over it, and I think the editing, direction and sound track are lousy too. And yet somehow it all works. I love this movie! Maybe it's the campy cornball that gets me every time. I dunno. Yet by the end I feel uplifted and even touched. What a great scene with the timid girl touching Ustinov's beard at the end with Logan and Jessica in each other's arms looking on.
While the acting is average (or perhaps its the lousy script) there are exceptions, thankfully mostly among the main cast. Richard Jordan is just great as the relentless and unremorseful sandman. And Ustinov is a lot of fun as the kooky old man. Michael York, who've I've always liked, is servicable as our hero (thankfully they don't ask him to stretch his acting skills too much here). But without a doubt the real jewel is Jenny Agutter as Jessica-6. I can't recall a part more perfectly cast. Ms. Agutter is the epitome of beauty, youth and doe-eyed innocence. And her underlying sensuality is impossible to miss in every scene she is in. And as if that weren't enough she can act to boot!
Of course there's a lot that I don't like about the movie, it's quite easy to pick apart. But again, I don't know how, "Logan's Run" is much better than the sum of its parts.
I hope they get the rumored remake off the ground, there's some good underlying sci-fi to be explored here and with a tightened up script, upgraded effects, better direction and editing you could have *real* winner. I just don't think they'll ever match the original casting job for Jessica-6.
While the acting is average (or perhaps its the lousy script) there are exceptions, thankfully mostly among the main cast. Richard Jordan is just great as the relentless and unremorseful sandman. And Ustinov is a lot of fun as the kooky old man. Michael York, who've I've always liked, is servicable as our hero (thankfully they don't ask him to stretch his acting skills too much here). But without a doubt the real jewel is Jenny Agutter as Jessica-6. I can't recall a part more perfectly cast. Ms. Agutter is the epitome of beauty, youth and doe-eyed innocence. And her underlying sensuality is impossible to miss in every scene she is in. And as if that weren't enough she can act to boot!
Of course there's a lot that I don't like about the movie, it's quite easy to pick apart. But again, I don't know how, "Logan's Run" is much better than the sum of its parts.
I hope they get the rumored remake off the ground, there's some good underlying sci-fi to be explored here and with a tightened up script, upgraded effects, better direction and editing you could have *real* winner. I just don't think they'll ever match the original casting job for Jessica-6.
Michael Anderson's 'Logan's Run' is a fun little futuristic sci-fi, set in a 23rd century post-apocalyptic society, where overpopulation has been controlled by disposing of citizens as soon as they reach thirty years of age.
Michael York ('Cabaret', 1972) is Logan 5, a "Sandman" who is responsible for tracking down and "terminating" Runners - people who attempt to flee from death once their thirty years are up. In order for Logan to infiltrate the underground Runner refuge known as Sanctuary, the society's mother computer, unbeknown to all others, advances Logan's life-clock, and so Logan suddenly becomes a Runner himself.
Jenny Agutter portrays Jessica 6, the young woman who decides to accompany Logan, whilst Richard Jordan ('The Hunt For Red October,' 1990) is Francis 7, the former Sandman friend of Logan, who must now track him down and "terminate" him.
The special effects, one year before George Lucas' 'Star Wars' was to grace our screens, are excellently done, though some of the model-work of the Dome City is a bit transparent. As a sci-fi film, it is crucial that 'Logan's Run' is not taken too seriously. Though a few of the scenes could be described as a bit cheesy, it is a lot of good fun. Peter Ustinov's ("Quo Vadis", 1951) small but very important appearance later in the film was a pleasure to watch.
Also, I can't be the only person to have noticed some very large similarities between 'Logan's Run' and Michael Bay's 2005 film 'The Island.' Whether any such inspiration has been acknowledged by the makers of the latter I cannot say, though it does help with my recommendations. If you enjoyed 'The Island,' then there's a pretty good chance you'll enjoy this one, as well!
Michael York ('Cabaret', 1972) is Logan 5, a "Sandman" who is responsible for tracking down and "terminating" Runners - people who attempt to flee from death once their thirty years are up. In order for Logan to infiltrate the underground Runner refuge known as Sanctuary, the society's mother computer, unbeknown to all others, advances Logan's life-clock, and so Logan suddenly becomes a Runner himself.
Jenny Agutter portrays Jessica 6, the young woman who decides to accompany Logan, whilst Richard Jordan ('The Hunt For Red October,' 1990) is Francis 7, the former Sandman friend of Logan, who must now track him down and "terminate" him.
The special effects, one year before George Lucas' 'Star Wars' was to grace our screens, are excellently done, though some of the model-work of the Dome City is a bit transparent. As a sci-fi film, it is crucial that 'Logan's Run' is not taken too seriously. Though a few of the scenes could be described as a bit cheesy, it is a lot of good fun. Peter Ustinov's ("Quo Vadis", 1951) small but very important appearance later in the film was a pleasure to watch.
Also, I can't be the only person to have noticed some very large similarities between 'Logan's Run' and Michael Bay's 2005 film 'The Island.' Whether any such inspiration has been acknowledged by the makers of the latter I cannot say, though it does help with my recommendations. If you enjoyed 'The Island,' then there's a pretty good chance you'll enjoy this one, as well!
I love this movie for a number of reasons It's got a wonderfully original storyline, eye candy visuals, great 1970's hairdos, doesn't require a PHD to figure out and is just plain fun to watch. I know there are some people on this site that have dissected Logan's Run like a frog in Science Class and have dismissed it for some short comings. But if you attempt to watch this movie by holding a magnifying glass up to it and comparing it's special effects and sets to films like Star Wars, you're not going to enjoy it because it doesn't compete on that level. It's strength is an emphasis on the human condition and rebelling against a regimented society that lies to it's people and the special effects are just along for the ride. Also unlike Star Wars, I look at this movie as a period piece because it's a 1970's perspective on one possible future society and watching it (especially now)you never forget that. Yes it's dated, but like many things from the 70's reminds us of a simpler time and place we can remember fondly.
Did you know
- TriviaIn the original novel, the colors of the Life Clock change every seven years: yellow (birth-6), blue (7-13), red (14-20), red and black on Lastday, and black at 21. According to the audio commentary, the movie changed it to 30 because it wasn't realistic to have a cast with all of the characters under 21.
- GoofsWhen Francis jumps down from the balcony, he is obviously headed for a spot at least ten feet from where Logan is standing, but when the shot changes we see him landing directly on Logan.
- Quotes
Box: Regular storage procedure. The same as the other food. The other food stopped coming. And they started.
Logan: What other food?
Box: Fish, and plankton. And sea greens, and protein from the sea. It's all here, ready. Fresh as harvest day. Fish and sea greens, plankton and protein from the sea. And then it stopped coming. And they came instead. So I store them here. I'm ready. And you're ready. It's my job. To freeze you. Protein, plankton...
- Alternate versionsScenes edited out:
- The Francis Hunt: The original opening scene had Francis 7 hunting a runner and shooting him backwards into a water fountain to applause from the onlookers. this was because it was deemed too violent for PG and would have got a R Rating in the US and either a AA (14 and over)/2021 15 or X (18 and over)/2021 18 in the UK
- Box carving an ice sculpture of Logan and Jessica. This was removed as they were fondling each other in a lovers' embrace and this would have meant an R rating in the USA and possibly a AA (14 and over)/ 2021 15 or even a X certificate/ 2021 18 ( Adults Only 18 and over) in the UK
- Francis and Logan meeting a woman on Lastday. They casually chat about it and this illustrates the society's indifference to death.
- Longer, racier version of sequence involving characters passing through an orgy shop. again this would have been R rated in the US and AA (14 and over)/2021 15 or X (Adults Only 18 and over)/2021 18 in the UK
- ConnectionsEdited from The Wreck of the Mary Deare (1959)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Fuga en el siglo 23
- Filming locations
- Houston & West Lancaster Streets, Fort Worth, Texas, USA(Water Gardens; the place with lotsa cats)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Runtime
- 1h 59m(119 min)
- Sound mix
- Aspect ratio
- 2.39 : 1
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