Black and White in Color

It is more than 20 years since I saw BLACK AND WHITE IN COLOR, but this lovely and masterful film still stands out in my memory as a great movie-going experience. What remains after twenty years? The delicate sense of humor and irony which skewers the irrational nationalistic fervor that prevents people from seeing the truth before their eyes and the feelings in their hearts; the extraordinary beauty of the images drawn from the saturated African light; the awful sadness I felt, as comedy descended into tragedy, and I realized that this absurd situation was terribly real, terribly true.

I don't know if this film is available on video, but certainly , in whatever venue, it is an opportunity not to be missed.

Black and White in Color is a French anti war movie, done as a black comedy, which won the Best Foreign Film Academy Award in 1976.

World War I is the setting for the French colonists fighting the Germans on the Ivory Coast. The French draft the locals in order to battle the Germans, supplying the natives with guns, uniforms, and other equipment and attempt to train their reluctant soldiers in the ways of war.

The result is a combination of keystone cops and a Marx Brothers saga, with everyone running around, clueless. No one really gets hurt as the real fighting is occurring far from Africa. I am reminded of The Mouse That Roared with Peter Sellers for comparison to Black and White in Color. A funny satire with a positive universal message on man's follies, this is worth watching.

Fall of 1914. French and Germans, living in colonies side by side (Togo or Cameroon, take your pick), feel compelled to be at war with each other since that is what's happening back home, too. Naively and almost playfully at first, until the game starts getting uglier and they experience the horror of casualties nobody had really wanted. Both sides get professional help and they become hardened by the everyday routine (the Germans winning, because their officer studied in Heidelberg...)and start killing each other more efficiently, until finally the war ends and the British arrive to restore law and order in the territories. The long column of British troops, all Africans and Asians, is led by one junior officer on horseback - who when his face is eventually revealed, turns out to be Indian.

Annaud shot the film in the Ivory Coast, then a very staunchly pro-French country. He refused to show anybody the script and pretended he was shooting a very different type of movie. At the gala premiere performance in Abidjan, when the French officials realized the entire picture was a spoof on French colonial policies, they walked out, much to the embarrassment of the Ivorians, who were just as unaware of what Annaud had been up to...

While I would be the first to admit that this slight little film will probably not change your life, it is very clever and well worth watching. It is the story of an inept little French village in West Africa that discovers that World War I has been raging for 6 months. So, as patriotic Frenchmen, they decide to launch a completely inept invasion of a nearby German village--even though they had been on excellent terms for some time. The silly slogans and patriotism as well as the ensuing stupidity of their assault is a great mini-version of the real war back in Europe. The parallel is actually quite smart as is the acting and direction.

A slight movie, yes, but it will give you a little chuckle and it's all harmless fun.

Annaud's Black and White in Color is an ambitious film packaged as a modest anti-war satire. It meets and exceeds its ambitions, with an intelligent script that keeps us, the audience, fully in-the-know throughout. There is a satire of colonialism, of civilian zealots, of arrogance, of racism, of the Great War and politicians, of the emptiness of slogans and braggadocio, and also of the lust for power and the acquiescence of ordinary people to powerful people. The on-location filming in the Ivory Coast was a treat. It's a story that keeps us thinking all the time about what's absurd, what's realistic, and about knowing right from wrong.