The Pom Pom Girls

This is a rare film in that it is a 1970's teen movie that seems to have been genuinely aimed at 1970's teens (rather than drooling adult perverts). The so-called "teen sexploitation" genre would become really big in the early 1980's era of "Porky's" and "Fast Times at Ridgemont", and is still going strong today even in these censorial times. Personally though, the 80's films remind me too much of my own adolescence, and I prefer to leave the modern-day teen films to modern-day teens, but I just can't get enough of the 70's teen films though. Unfortunately, while many of these films are nominally ABOUT 70's teens, very few seem to actually be made FOR 70's teens. Take, for instance, "The Cheerleaders", the movie that started off the craze for sexy and sex-crazed high school and collegiate cheerleaders, which may be considered a classic by some, but can hardly be considered even a remotely realistic portrayal of teenage life in 70's America. The same can be said with the rest of the cheerleader films (which eventually reached their logical culmination in the hardcore classic "Debbie Does Dallas").

This film is different, however, in that it seems to be trying to capture the anarchic free spirit of the era more than just being an excuse to salivate over naked nubile bodies. It actually resembles "Dazed and Confused" (minus, of course, the self-conscious nostalgia) more than "The Cheerleaders". Of course, it's not all that realistic (the kids at one point steal a fire truck, which I think even in the 70's would have more likely been considered a serious felony than hilarious teen hijinks), and there IS some sex and nudity (naturally, with the ever-exploitable Cheryl "Rainbeaux" Smith in the cast).

There's no point in relating the plot because there really isn't one in these kind of movies--just a lot of random partying, sex, and wacky teen hijinks). The cast is pretty interesting. Besides Smith, there's Robert Carradine, the youngest Carradine brother, who was also in the minor cult film "Massacre at Central High" with Smith and the underrated "TAG:The Assassination Game", but is, of course, most famous for "Revenge of the Nerds". There's also Jennifer Ashley, a minor but ubiquitous drive-in queen, who even showed up in Mexican exploitation films like Rene Cardona Jr.'s sex and shark epic "Tintorera", and the luscious Susan Player who appeared in both American ("Malibu Beach") and European ("Las Adolescentes") exploitation fare. The director, Joseph Ruben, meanwhile would go on to direct "The Stepfather", one of the most cleverly subversive horror films of the Reagan era. This isn't quite as good as any of these aforementioned films (well, I guess it's better that "Tintotera"), but it's certainly worth seeing.

THE POM POM GIRLS was a huge sleeper hit in it's day and it's easy to see why. Thousands of stoned kids across the land with beer in hand at the drive-in, watching this documentary-like fun fest on being a high school kid in the mid-70's. What a wonderful life these kids have! Drive around drinking or high, get the girl, have sex where ever you want, and not worry about any diseases or repercussions whatsoever. And football. You get to play a lot of football.

I love this film. If you tried to make a movie like this today, you couldn't do it without some killjoy saying you couldn't have them drinking and driving. But kids do that. Some die and a majority don't. These kids are not repressed sexually. They are free to make love to whoever they choose and don't worry about death and condoms. They seem to be having fun and enjoying life, and that's why this film really couldn't be made today, because it shows people, teens especially, enjoying life in an innocent, yet rebellious, drug-addled, highly sexual way. Nobody dies, nobody gets hurt, and they do everything they were told they shouldn't do. It's a social time capsule for an extremely fun and liberated time.

"The Pom Pom Girls" is more about the two guys on the football team (one being the great Robert Carradine, always a blast to watch) and the antics they lead the girls into, whether it's making out, stealing a fire truck, causing grief for the rival school, and other assorted tomfoolery. Unlike many other movies of the type, this one is actually interesting and fun to watch, and even the cheesy early 70's music they chose for the movie is decent and adds to the atmosphere. And the girls are rather pretty as well. And for car lovers there's a lot of cool old cars to see, especially Carradine's '55 Chevy (there always seems to be a '55 Chevy in so many of these films). Definitely a good showcase of when life was more carefree and a lot less complicated. Nice to even have it on DVD, although a widescreen release would have been better than fullscreen.

This is now my fourth consecutive review of a cheerleader movie following The Cheerleaders, The Swinging Cheerleaders, and Revenge of the Cheerleaders. It's also the third in a row of a movie that features one Cheryl "Rainbeaux" Smith. She plays Roxanne here (though I don't remember her name ever being called in the film) and unlike the last two, she's not starring, only supporting or maybe "a glorified cameo" would be more like it since her appearances don't really have to do with the main action. The main cheerleaders featured here are Sally (Lisa Reeves) and Laurie (Jennifer Ashley). Sally is the blonde one who was once involved with Duane (Bill Adler) but then falls for one football player named Johnnie (Robert Carradine in a role much different from his later familiar one in Revenge of the Nerds!). Laurie is the brunette one who eventually warms to fellow pigskin player Jesse (Michael Mullins). Jessie himself previously liked to fool around as he does with Roxanne and a car hop girl named Sue Ann (Susan Player) before getting involved with Laurie. Unlike the other cheerleader movies I previously reviewed, the sex-while there-isn't emphasized too much. In fact, while The Cheerleaders was a sex farce through and through, The Swinging Cheerleaders went back and forth between comedy and drama, and Revenge of the Cheerleaders was a contrived chaotic mess, The Pom Pom Girls seemed more life-like in presenting the teen hijinks and seeing how some friendships and relationships develop overtime despite some still contrived moments like the football game devolving into a free-for-all fight! And, yes, some scenes do borrow from some classic movies like the "chicken run" that does have a character mention James Dean and his Rebel Without a Cause. My favorite was a food fight scene that has Carradine and Adler taking their time in Laurel-and-Hardy slow burn-like fashion. Oh, and the '70s music soundtrack sounds just like the kind of songs one would hear on AM radio in those days. It should be noted that Crown International Pictures-perhaps one of the most successful of the drive-in distributors-was responsible for this and they always made many quite enjoyable B-type movies of this genre like Malibu Beach (which also featured Susan Player) and The Van (which also featured Bill Adler). Oh, and the director of this may surprise you if you're more familiar with his suspense movies like The Stepfather or Sleeping with the Enemy: Joseph Ruben! He also co-wrote it. Actually, the ending scene may clue you in of his talents there. Anyway, I really enjoyed The Pom Pom Girls so, yeah, that's a recommendation.

"American Graffiti" styled high school comedy-drama concerns a couple of knockabout gridion players (Carradine and Mullins) wooing the affections of a pair of lusty young cheerleaders (Ashley and Reeves), much to the chagrin of Reeve's jilted ex-boyfriend (Adler) who eventually challenges Carradine to a game of chicken (a la Harrison Ford). In between, there's plenty of sex, misdemeanors and practical joking to make up the school day.

Seemingly endless array of practical jokes is punctuated by heavy-petting with Susie Player getting the most exposure as the hamburger joint waitress, while the pretty Jennifer Ashley (who had a relatively brief but memorable filmography in the mid-70's through early-80's) has her moment or two sans blouse. She's given little else to do, and that's no different to the rest of the cast in a film that contains very little dialogue. Bill Adler is an interesting specimen, playing a tough-talking cuckold whose bravado is only skin deep. He at least manages to evoke some sympathy whereas Carradine simply comes off looking like an arrogant twerp. Film buffs might also recognise Rainbeaux Smith in a frivolous minor role as one of the cheerleaders.

Vintage cars with enhanced mufflers, obscure mid-70's soundtrack, over-the-top food fights and a couple of genuine laughs (Mullins is caught leaving Ashley's house the morning after by her dad who invites him back inside for breakfast, and, the cheerleader auditions) liven proceedings, but the pace is terminal and the content lacking. Vaguely nostalgic, but essentially it's a show about nothing.