Newlyweds Helen and Paul vacation at a cabin. Paul's killed. Helen flees, finds Odis Pickett's family: Odis, pregnant Emmy, son Bo, daughter Sarah. They shelter Helen, but danger lurks.Newlyweds Helen and Paul vacation at a cabin. Paul's killed. Helen flees, finds Odis Pickett's family: Odis, pregnant Emmy, son Bo, daughter Sarah. They shelter Helen, but danger lurks.Newlyweds Helen and Paul vacation at a cabin. Paul's killed. Helen flees, finds Odis Pickett's family: Odis, pregnant Emmy, son Bo, daughter Sarah. They shelter Helen, but danger lurks.
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A young couple go to a remote cabin and the husband is immediately killed by a mysterious figure with an axe. The wife runs into the woods and encounters Odis Pickett, the patriarch of a white trash clan living deep in the woods. He takes her in, but it becomes clear that he has no intention of letting her leave. Meanwhile, the axe wielding stranger starts picking off members of his family. This regional curiosity is from Texas exploitation exploitation maven S.F. Brownrigg, best known for "Don't Look in the Basement". Like that film, this is a grungy, downbeat little film that, while not as good, is a great example of low budget regional horror of the period. Pickett is played by Gene Ross, who's also in "Basement". He is a decent, creepy actor, who I quite like.
Helen Fraser (Norma Moore), a pretty (or should that be 'purdy') city girl on vacation with her hubby Paul, flees into the Texas backwoods after finding her spouse dead (having lost an argument with the business end of an axe!). Panic-stricken, she runs into redneck Odis Pickett, who takes her back to his cabin to meet the family: pregnant wife Emmy, daughter Sarah (pronounced Say-rah), and idiot son Bo. But rather than call for help, Odis proceeds to subject Helen to a night of drunken abuse, culminating in rape.
And all the while, a murderer lurks in the woods outside, waiting to kill again.
Scum Of The Earth (AKA Poor White Trash 2), by director S. F. Brownrigg, may not feature the highest of production values, and might be a mite talky for many people, but with a script that delivers some of the funniest hillbilly dialogue in the history of cinema (this one packs in every clichéd redneck saying in the book), great characters (think the Clampetts, only not so clever), and a smidgen of incest, rape and murder, it's difficult to resist the film's sleazy exploitation charms.
Norma Moore does a decent enough job as the woman in peril, looking suitably scared (and rather tasty) throughout, but it is those playing the dungaree wearing, possum eating hicks that really make this piece of 70s trash cinema unmissable. Gene Ross is delightfully odious as Odis, slurping moonshine from a jar whilst slapping his slutty daughter to the floor and threatening his pregnant wife; Charlie Dell, as Bo, makes an extremely convincing moron; Camilla Carr is equally as credible as Bo's loose-knickered sister (I'd buy that for a dollarNOT!); whilst Ann Stafford, as Odis's downtrodden woman, provides some much needed pathos.
Added to this potpourri of Southern stereotypes are several brief-but-nasty scenes of gore (the opening axe-ing, an impalement, a barbed wire garrote, and a shotgun blast to the face) and a truly silly ending in which the identity of the killer is finally revealed; the result is a mighty enjoyable movie that'll have you smilin' like a mule eating' briars.
And if anyone tells you diff'rent, don't pay him no never mind!
7.5 out of 10, rounded up to 8 for IMDb.
And all the while, a murderer lurks in the woods outside, waiting to kill again.
Scum Of The Earth (AKA Poor White Trash 2), by director S. F. Brownrigg, may not feature the highest of production values, and might be a mite talky for many people, but with a script that delivers some of the funniest hillbilly dialogue in the history of cinema (this one packs in every clichéd redneck saying in the book), great characters (think the Clampetts, only not so clever), and a smidgen of incest, rape and murder, it's difficult to resist the film's sleazy exploitation charms.
Norma Moore does a decent enough job as the woman in peril, looking suitably scared (and rather tasty) throughout, but it is those playing the dungaree wearing, possum eating hicks that really make this piece of 70s trash cinema unmissable. Gene Ross is delightfully odious as Odis, slurping moonshine from a jar whilst slapping his slutty daughter to the floor and threatening his pregnant wife; Charlie Dell, as Bo, makes an extremely convincing moron; Camilla Carr is equally as credible as Bo's loose-knickered sister (I'd buy that for a dollarNOT!); whilst Ann Stafford, as Odis's downtrodden woman, provides some much needed pathos.
Added to this potpourri of Southern stereotypes are several brief-but-nasty scenes of gore (the opening axe-ing, an impalement, a barbed wire garrote, and a shotgun blast to the face) and a truly silly ending in which the identity of the killer is finally revealed; the result is a mighty enjoyable movie that'll have you smilin' like a mule eating' briars.
And if anyone tells you diff'rent, don't pay him no never mind!
7.5 out of 10, rounded up to 8 for IMDb.
Helen (Norma Moore) has just discovered her husband Paul with an axe as a fifth appendage and then has the misfortune of running into a reprehensible hillbilly Odis Pickett (Gene Ross). Odi takes her to his cabin where she meets his mentally challenged son Bo (Charlie Dell ), mean spirited daughter Sarah (Camilla Carr) and kind wife Emmy (Ann Stafford). The Odious Odi drinks and intimidates the rest of the family while the killer lurks outside. This film could have turned into a disaster but the Actors overcame at times silly dialog and made a fine low budget movie.
A special shout out to Ms. Stafford who's soothing voice and kind way really added balance to the rest of the characters. I was surprised to see that she was only in a couple of films. The empathy and gentle gaze of her character Emmy were reminiscent of something one would expect from a fine actress like Liv Ullmann for instance. This one's going to stick with me for a bit in the same way Gal Young Un has.
what? nobody yet commented on this incredible, well-known masterpiece of filmwork? just kidding, this is an all around s***ty, obscure little piece of crap, so i'm not surprised mine is the sole review for the movie. i don't know under what circumstances you might come across this movie and actually consider watching it (people, the title should be enough of a tip off for you), but just in case it happens avoid watching it! this movie did for me what no other has ever had- actually made me feel physically sick. the basic plotline: the heroine's fiance or whatever is murdered in the first thirty seconds, she flees and takes refuge in the home of a bunch of southern redneck type stereotypes ("we got possom for dinner", "he may beat me and sleep with other women but he still loves me", "i seen how you get your extra money sis, you give it to guys for a buck", etc) stuff happens that you won't care about in the least, the characters recite their laughable dialoge and the killer finally and thankfully! kills every last one of them, except i think, our brain dead herione, and I cheered each time one of them bit the dust. even for films of bad movies, the occasional unitentionally hilarious moment doesn't make up for the whole horrible thing, and i still have visions of that old, unwashed, ugly disgusting man parading around shirtless in his overalls for half the movie!
10Casey-52
If anyone knows me, they know that I am a huge fan of the low-budget chiller "Don't Look in the Basement!", a highly underrated early 70s classic. My review for that film is one of the few positive reviews for it, read it and you'll see why. I researched extensively the works of director S.F. Brownrigg and especially the work of his amazingly talented cast. I discovered that Brownrigg used many of the same cast members in his other movies, so I jumped at the chance to find this film and several others.
While "Scum of the Earth" does not in any way challenge "Basement!" scare-wise, it does feature excellent acting, sleazy atmosphere, and a grat storyline with many surprises. It was originally released in 1974, then re-titled in 1976 as "Poor White Trash II" and made more money than when it was originally released! Such a shame it has been neglected for such a long time because of its title.
Camilla Carr, Gene Ross, and Hugh Feagin return from "Basement!" and all are excellent; Feagin is a lot better than his Sgt. Jaffee in the previous film. Carr easily steals the show; she was great as Harryette, the baby-obsessed murderess in "Basement!" and is better here as the white trash daughter of Gene Ross' drunk farmer. Ross was superb as Judge Cameron in "Basement!" and is just as good here. Brownrigg certainly knows how to build atmosphere with his low-budget potboilers. "Basement!" has a claustrophobic atmosphere with an overlying aura of madness; "Scum" has an isolated atmosphere with an overlying aura of filth. The setting is inside Texas backwoods and is just filthy; every scene in the house hints at humidity, sloth, and bad smells.
Added to Brownrigg's familiar cast are Norma Moore as the heroine in peril, Ann Stafford as Emmy, Ross' abused wife, and Charlie Dell as Bo, the idiot son of the family. Well, Moore isn't any Rosie Holotik, but does well in her earlier scenes, only to slide into overacting heaven by the end of the film. Stafford is superb, the ultimate burdened Southern wife! Dell does well, too, bringing much sympathy from the audience for his sorry state, hated by his father and sister and pitied by his mother. Another note: Brownrigg uses some music from "Basement!" and the theme song, "Death is a Final Affair", is excellent! Ultimately, "Scum of the Earth" is a movie that must be seen to be appreciated. No review can do it justice, just as no review can do "Don't Look in the Basement!" justice. You can only find it under the false title of "Poor White Trash Part II", but I hope that someone re-releases this on video in a clean print with the original title.
While "Scum of the Earth" does not in any way challenge "Basement!" scare-wise, it does feature excellent acting, sleazy atmosphere, and a grat storyline with many surprises. It was originally released in 1974, then re-titled in 1976 as "Poor White Trash II" and made more money than when it was originally released! Such a shame it has been neglected for such a long time because of its title.
Camilla Carr, Gene Ross, and Hugh Feagin return from "Basement!" and all are excellent; Feagin is a lot better than his Sgt. Jaffee in the previous film. Carr easily steals the show; she was great as Harryette, the baby-obsessed murderess in "Basement!" and is better here as the white trash daughter of Gene Ross' drunk farmer. Ross was superb as Judge Cameron in "Basement!" and is just as good here. Brownrigg certainly knows how to build atmosphere with his low-budget potboilers. "Basement!" has a claustrophobic atmosphere with an overlying aura of madness; "Scum" has an isolated atmosphere with an overlying aura of filth. The setting is inside Texas backwoods and is just filthy; every scene in the house hints at humidity, sloth, and bad smells.
Added to Brownrigg's familiar cast are Norma Moore as the heroine in peril, Ann Stafford as Emmy, Ross' abused wife, and Charlie Dell as Bo, the idiot son of the family. Well, Moore isn't any Rosie Holotik, but does well in her earlier scenes, only to slide into overacting heaven by the end of the film. Stafford is superb, the ultimate burdened Southern wife! Dell does well, too, bringing much sympathy from the audience for his sorry state, hated by his father and sister and pitied by his mother. Another note: Brownrigg uses some music from "Basement!" and the theme song, "Death is a Final Affair", is excellent! Ultimately, "Scum of the Earth" is a movie that must be seen to be appreciated. No review can do it justice, just as no review can do "Don't Look in the Basement!" justice. You can only find it under the false title of "Poor White Trash Part II", but I hope that someone re-releases this on video in a clean print with the original title.
Did you know
- TriviaHugh Feagin only worked on this film for one day.
- Quotes
Bo Pickett: Gee, Pa. Can I have a swaller?
- ConnectionsFollows Bayou (1957)
- SoundtracksLove Is a Final Affair
(Theme)
Written by Robert Farrar and Skipper Richardson
Performed by Peyton E. Park (as Peyton Park)
- How long is Scum of the Earth?Powered by Alexa
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