Shadow of the Hawk

SHADOW OF THE HAWK is a low budget rural US horror dating from 1976. Although long forgotten by modern audiences, it's a spooky little adventure that makes great use of its British Columbian locales. Certainly as a slice of rural horror it ticks the same boxes as the likes of RITUALS and THE LEGEND OF BOGGY CREEK.

The story is a simple one in which a Native American finds himself subjected to a curse by a terrible female demon. His estranged grandson finds himself plagued by equally horrific visions and sets off on a journey to rescue his grandfather and beat the curse, but many supernatural enemies stand in their way.

For a low budget film, this is efficient stuff with some truly memorable moments, like the bear attack and the car accident which is achieved with some excellent in-camera trickery. Director George McCowan had previously handled horror with the cult B-movie FROGS so he knew his way around the genre. Jan-Michael Vincent (AIRWOLF) is the erstwhile protagonist, but the main actor of note is Chief Dan George, who achieved fame of sorts thanks to his role in Eastwood's THE OUTLAW JOSEY WALES.

Jan Michael Vincent is very good in this role as "Hawk", the grandson of a Native American medicine man, played by the venerable Chief Dan George. The plot? He must return to his tribe to safeguard them from an evil spirit. Along the journey through absolutely beautiful Northwest woods, Hawk, his grandfather and girlfriend must face attacks from both spirit and flesh and blood foes. An exciting and sometimes rather spooky road-trip. I give it ***1/2 out of *****.

This movie like a lot of them made in the 70's contains an interesting plot and some substance. It gives a subtle touch of spirituality and some thrilling scenes of action and even creepiness. The characters seem convincing in their roles and the old man ( played by Chief Dan George) has a lot of personality in which he speaks very little being a very wise powerful medicine man. The other characters seem to pull of f their roles as well with the acting being realistic and not forced or awkward. I found the suspense in this movie to be "real" without all the special effects thrown in to make it look over the top and ridiculous like a lot of action flicks out there today. I guess you can think of this movie as one that leaves you with a good feeling at the end. The score of nine may seem a little high but I feel it really deserves it , due to it's subtle way of telling the story and leaving it up to the person watching the film to exercise their imagination. Also I think being someone who saw this film when it originally was released it brings back some memories and didn't disappoint years later when I watched it again for maybe the third or fourth time. A lot of movies that you had watched growing up appear a little different as you remember them but this one is in good standing. I also think that this movie is my favourite among the Native North American themes.

A likable enough film that didn't really grab a hold of me. Chief Dan George, previously seen in Little Big Man, made earlier and Outlaw Josey Wales, made the same year was born in 1899 on a Canadian Indian reservation and here plays an old medicine man seeking to pass on his powers (and responsibilities) to his grandson as he makes his way back to his village for the last time. There are some amazing sequences, notably a hand to hand fight with a black bear and others involving a strange car and a rope and slat bridge high above the rapids. Indeed the Canadian location shooting is ever impressive and if the tale starts to drift towards the end there is enough here to engage those looking for something a little different.

What the hell are you supposed to do when suddenly one night, during your birthday celebration moreover, your old and physically exhausted grandfather shows up on your doorstep and begs of you to disregard everything and drive 300 miles to bring him back home? You could refuse and put him on a bus, seeing that he also managed to find his way there alone perfectly fine, but – like the cute woman accompanying him already pointed out – he is your grandfather and you just don't do a thing like that. So what other option is there but to politely offer a ride to both gramps and the lady? During the road trip, however, granddaddy reveals he's entangled in a spiritual battle with a ancient witch called Dsonqua and you are involved through your bloodline. A-ha! That immediately explains the eerie hallucinations you're having about wicked witch masks inside the pool and outside your bedroom window! All this is what's happening to Jan-Michael Vincent in "Shadow of the Hawk"; an above average compelling and atmospheric 70's thriller with a good cast and astonishing Canadian filming locations. Especially the first half of the film is more than fascinating to observe, what with all the mysterious Indian mythology and the genuinely creepy images of the witch's frightening mask. Unfortunately the film loses quite a lot of its pace and interest halfway and ends up being a rather dull and unmemorable supernatural hocus-pocus thriller. The most exciting moments of "Shadow of the Hawk" occur during the road trip, like for example the crash into an invisible wall, whereas the long-anticipated climax battle against the witch and her disciples is tedious and disappointing. George McGowan, known from the nature-revolts classic "Frogs", directs with a noticeable disinterest, but luckily the cast is excellent. Chief Dan George and Jan-Michael Vincent (one of my personal heroes of the 70's) are terrific and very believable as the Indian saviors. "Shadow of the Hawk" is quite difficult to track down these days, so make sure you only take the effort in case you're really interested in the film.