Colt 38 Special Squad

"Quelli della calibro 38" (1976), directed by Massimo Dallamano, is an Italian crime thriller that packs a punch with its gritty narrative and stylish execution. Earning a solid 7/10, this film stands out as a notable entry in the poliziottesco genre, blending intense action with a keen sense of atmosphere.

Set against the backdrop of a crime-ridden Milan, the film follows Commissioner Vanni (Marcel Bozzuffi) as he battles against a ruthless gang terrorizing the city. Vanni is a classic tough-as-nails cop, embodying the relentless determination and moral ambiguity typical of protagonists in this genre. Bozzuffi's performance is compelling, exuding a raw intensity that anchors the film.

Dallamano, known for his sharp directorial style, crafts a world that feels palpably dangerous and alive. The cinematography captures the urban decay of Milan, with its shadowy alleyways and bustling streets, creating a visually striking setting for the unfolding drama. The film's pacing is brisk, maintaining tension throughout with a series of well-executed action sequences and taut confrontations.

One of the film's strengths lies in its supporting cast. The villains are suitably menacing, with a standout performance by Ivan Rassimov as the cold-blooded gang leader. The dynamic between the characters adds depth to the narrative, elevating it beyond a simple cops-and-robbers tale.

The soundtrack, composed by Stelvio Cipriani, deserves special mention. Its pulsating rhythms and dramatic scores perfectly complement the film's tone, enhancing the sense of urgency and danger that permeates each scene.

However, "Quelli della calibro 38" is not without its flaws. The plot, while engaging, occasionally dips into predictability, relying on familiar tropes of the genre. Some of the dialogue feels stilted, and the character development, particularly of the secondary characters, could have been more fleshed out.

Despite these minor shortcomings, the film succeeds in delivering an engrossing and atmospheric crime drama. It captures the essence of the poliziottesco genre, with its blend of action, drama, and stylistic flair. Fans of Italian crime cinema will find much to appreciate in Dallamano's work, from the gritty realism of its setting to the intensity of its performances.

In conclusion, "Quelli della calibro 38" (1976) is a commendable entry in the realm of 1970s crime thrillers. With its gritty narrative, strong performances, and stylish direction. It's a film that, despite its occasional predictability, manages to grip its audience and deliver a memorable cinematic experience.

Slightly above-average and pretty bleak poliziottesco; it came, more or less, halfway through the run of the genre and, while well enough made, it is also curiously undistinguished (though buoyed by a typically great pounding score by Stelvio Cipriani and expert cinematography by Gabor Pogany). The “Special Squad” of the title is a hand-picked team of fearless cops determined to fight the most nefarious criminal minds – their prowess and agility gives rise to plenty of exciting chase sequences (cue the remarkable stuntwork which often came in handy within this particular genre) but only one of them is really well-defined as a character.

However, there’s also the topical element of terrorism – exemplifying such heinous acts as plagued the country during this era – with a couple of spectacular but harrowing explosions in public places. The film is given a nice boost by having Marcel Bozzuffi, best-known for playing the criminal pursued by Gene Hackman in THE FRENCH CONNECTION (1971), essaying the role of the iconoclastic cop this time around! Carole Andre', a regular starlet in Italian films of the time, is somewhat wasted as the long-suffering moll (though leading an outwardly luxurious life) of one of the hoods; her one attempt to stand up to the gang, plus her innocent involvement with a member of the Squad, seals her fate and she’s eventually marked for death. Ivan Rassimov is the dour villain, typically given a fashionable name (Il Marsigliese) and who engages throughout in a cat-and-mouse game with Bozzuffi – the former had killed Rassimov’s brother in a run-in with the police, and the criminal reiterated by murdering Bozzuffi’s spouse. The final showdown (with Bozzuffi predictably turning up to execute Rassimov just when it seems he’s likely to get away) is swift but nonetheless effective; disappointingly, they share no real confrontation scene.

Unfortunately, this turned out to be director Dallamano’s last film; he died some time after the end of shooting in a car accident! Also, Grace Jones makes an unremarkable early appearance here as a nightclub singer. The No Shame Limited Edition DVD is quite splendid: not only because of the shining transfer of the film itself and some wonderful supplements – fascinating interviews with both editor Antonio Siciliano and composer Cipriani – but also the fact that it includes a bonus feature on a second disc, namely Luciano Ercoli’s own swan-song called THE RIP-OFF (1978), actually a poliziottesco spoof once thought lost and which I’ll get to in due time...

Colt 38 special squad is a rare breed in the poliziotteschi genre. Excellent shot and filled with great casting, cinematographer/director Massimo Dallamano really comes trough on this one. Known for his outstanding camera precision on the Sergio Leone trilogy Colt 38 grapes you all the way. Of course there are a lot good examples for movies in those Italian cop/crime films.Like Milano Calibre 9 or The big racket. But Colt 38 special squad belongs among those films. Rather than just focusing on the usual violence this one delivers also a other angle, those of the mental-pain and struggle. Like a real pro Massimo let's you get involved in those characters and start to care form them. With all well paced storytelling we follow French crime lord Ivan Rassimov as the Dark angel in his mad rage against the city and his cops. Expeccialy against Marcel Bozzuffi as hard boiled Capitan Vanni. An old beef is going on between the two of them. Personal as can be, Vanni and his special crew of cops now not only arresting the locals bastards but are also mix up in the personal vendetta between Vanni and the crew of Dark Angel. The result is well packed storytelling with some brutal, but subtle action. Colt 38 is a well crafted movie with memorable scenes. Think in the line of city bombing and care chases. Rassimov is one's of the most cool killers. But really, Vanni is stealing the show in my opine that is. Of course also in real life those guys competing. Both are die hard actors. Dirty rotten by all those amazing scripts in there carrier. Kinda like De Niro and Pacino in Heat. Do not make the mistake of thinking less about this movie in budget ways. It's great cinema and a prime example of Polliziotesschi madness. Not to be missed

COLT 38 SPECIAL SQUAD is a typical example of the Italian polizia flick, so if you're wondering what a Dirty Harry-inspired police film from the '70s looks like, then look no further than this. It's a film which exemplifies the best of a genre that's still hidden from most film fans today, who are missing out on the delights of Maurizio Merli and his contemporaries beating the hell out of criminal scum.

Although this film doesn't boast any roles for big Hollywood names or familiar genre fans, it proves to be distinctly above average. That's because it tells a complex, action-packed story at speed, never slowing down for a second. There are robberies, kidnappings, assassinations, terrorism and even a bombing campaign, all delivered in a typically gutsy, as-it-is kind of way, free of sentimentality, the focus on the realism. Massimo Dallamano's camera never sits still for a second in depicting a kinetic struggle between criminals and the police.

The essential story involves Marcel Bozzuffi (THE FRENCH CONNECTION) playing a tough Inspector with a personal vendetta against a criminal gang. He sets up a special squad, all armed with powerful handguns and motorbikes, to track down and take out the criminals, but of course it doesn't go according to plan. Although the way, the haunted Carole Andre gets caught between cops and bad guys, and Ivan Rassimov once again tackles the role of criminal mastermind. It goes without saying that the various action bits – shoot-outs, car chases, you name it – are second to none and miles ahead of most of what Hollywood churns out today.

QUELLI DELLA CALIBRO 38, or COLT 38 SPECIAL SQUAD, provides a superior specimen of the Italian polizioto of the 1970's, with French actor Marcel Bozzuffi as Inspector Vanni, whose wife is shot dead in his early teens son's presence, and is out to wreak revenge come what may. Director Massimo Dallamano seems uninterested in character development: for instance, you do not get to see Vanni's tearful son again, you have no idea whether Vanni handed him over to relatives or to an institution while he chases the culprits, notably crime kingpin Marsigliese, to their deaths.

Basically everyone is cannon fodder, regardless of whether you serve the law or the criminal forces. In between, Vanni is ordered to stay off the hunt, and to go on leave, but he could not give a flip about the boss and his orders - Vanni is obsessive about payback!

Certainly, the viewer does get to watch action pretty much nonstop. Whatever dialogue you hear is quick, often under bated breaths, and the pace is frenetic, with chases in cars and on foot aplenty.

Typical washed out color and basic 1970s cinematography by to me unknown Gabor Pogani, effective editing by Antonio Siciliano, and fitting score by Stelvio Cipriani.

The script could have taken COLT 38 to greater heights with closer attention to character development, cause and effect logic... but it ain't no waste of time! 7/10.