A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.
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Intelligent political drama about a slave owner trying to soothe his conscience by inviting 12 of his slaves to eat with him Easter week, in imitation of the last supper.
The set-up and rebellion ending are a bit obvious and heavy handed, but the long, theatrical middle, where the master and slaves slowly get drunk and reveal themselves, and the complex contradictions of religion and commerce has moments of real brilliance.
What's impressive is that the film's politics are clear, but not simplistic. The slaves are not painted as purely good and pure, nor is the master without his moments of humanity. All are ultimately products of a corrupt system - one that could be taken as a metaphor for modern capitalism and religion, but really are about any power system that forces submission on human beings
The set-up and rebellion ending are a bit obvious and heavy handed, but the long, theatrical middle, where the master and slaves slowly get drunk and reveal themselves, and the complex contradictions of religion and commerce has moments of real brilliance.
What's impressive is that the film's politics are clear, but not simplistic. The slaves are not painted as purely good and pure, nor is the master without his moments of humanity. All are ultimately products of a corrupt system - one that could be taken as a metaphor for modern capitalism and religion, but really are about any power system that forces submission on human beings
Aside from a fairly realistic depiction of how a historical slave revolt could have occurred on a sugar plantation, the best part of this film is the interplay between the slave owner and his slaves. The arrogant slave owner, believing himself to be sacrosanct, tries to teach his slaves to accept their lot in life. Not surprisingly, they can't understand his bizarre efforts, which wind up igniting the revolt.
One part I really liked about this movie was the way it showed the different characters of the slaves. Instead of just lumping them together as one downtrodden mass, their individual personalities are displayed.
One part I really liked about this movie was the way it showed the different characters of the slaves. Instead of just lumping them together as one downtrodden mass, their individual personalities are displayed.
When this film was first released in the USA, it got wow reviews and drew critical audiences. It left an indelible mark in my memory -- still vivid almost 25 years later. I found its reality (despite a period set-piece atmosphere and an alien mindset) drew me in. Ask yourself at the end: who is Judas? Who is the Savior? What is the myth? This is one movie you must see, no matter how high or low you might rate it.
Kenneth,
As a Cuban of African descent, this film IS believable. Just because the Anglos in this country acted ONE WAY, did not mean that Spaniards in another country couldn't possibly act ANOTHER WAY. Open your mind to other people's history. Just because Cuban history isn't comparable to U.S. History does it mean that it is not correct or believable. The world doesn't start and end with U.S. opinions. You exude that typical arrogance ascribed to "Americans"... like it was all about you. It is quite believable given our history as Africans in Latino America whether you choose to acknowledge it or not.
As a Cuban of African descent, this film IS believable. Just because the Anglos in this country acted ONE WAY, did not mean that Spaniards in another country couldn't possibly act ANOTHER WAY. Open your mind to other people's history. Just because Cuban history isn't comparable to U.S. History does it mean that it is not correct or believable. The world doesn't start and end with U.S. opinions. You exude that typical arrogance ascribed to "Americans"... like it was all about you. It is quite believable given our history as Africans in Latino America whether you choose to acknowledge it or not.
Admittedly, it's very likely improbable that a slave owner would do anything to treat his slaves as his equals. But apparently, "La ultima cena" ("The Last Supper" in English) is based on true events, although I don't know whether or not they changed anything. The movie portrays a slave owner in 18th century Cuba reenacting the famous final meal of Jesus, having his slaves play the disciples.
Of course, the movie's main purpose is to show slavery's brutality and the racism that was law of the land at the time. Aside from the total cruelty inflicted on black people - namely what the slave owner does at the end - someone talks about how white has to come before black (I can't remember the exact line, but it was something like that). As it was, this continued through the 1950s: even though Fulgencio Batista was dictator, he was mulatto and got excluded from an all-white club near Havana. It was only after the revolution that blacks achieved equal status.
For the most part, I recommend this movie. We may have read volumes about slavery, but you have to see it depicted; of course, probably no film can make us truly understand how horrible it was to experience slavery. This movie does what it can. Tomas Gutierrez Alea has turned out some good work.
Of course, the movie's main purpose is to show slavery's brutality and the racism that was law of the land at the time. Aside from the total cruelty inflicted on black people - namely what the slave owner does at the end - someone talks about how white has to come before black (I can't remember the exact line, but it was something like that). As it was, this continued through the 1950s: even though Fulgencio Batista was dictator, he was mulatto and got excluded from an all-white club near Havana. It was only after the revolution that blacks achieved equal status.
For the most part, I recommend this movie. We may have read volumes about slavery, but you have to see it depicted; of course, probably no film can make us truly understand how horrible it was to experience slavery. This movie does what it can. Tomas Gutierrez Alea has turned out some good work.
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- ConnectionsReferences Viridiana (1961)
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