IMDb RATING
7.3/10
2.5K
YOUR RATING
The second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.The second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.The second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.
- Awards
- 1 win & 2 nominations total
Judy Garland
- Jo Hayden
- (archive footage)
- …
Mickey Rooney
- Clips from 'Girl Crazy' & 'Words and Music' etc.
- (archive footage)
Bing Crosby
- Clip from 'Going Hollywood'
- (archive footage)
Robert Taylor
- Clip from 'Broadway Melody of 1936'
- (archive footage)
Greer Garson
- Katherine
- (archive footage)
Clark Gable
- Clips from 'Gone with the Wind' & 'Strange Cargo' etc.
- (archive footage)
Kathryn Grayson
- Clip from 'Lovely to Look At'
- (archive footage)
Leslie Caron
- Lili
- (archive footage)
- …
Jeanette MacDonald
- Clips from 'New Moon' & 'Broadway Serenade'
- (archive footage)
Nelson Eddy
- Clip from 'New Moon'
- (archive footage)
Doris Day
- Ruth Etting
- (archive footage)
Ann Miller
- Clip from 'Kiss Me Kate'
- (archive footage)
Ann Sothern
- Dixie Donegan
- (archive footage)
Frank Sinatra
- Clarence Doolittle
- (archive footage)
- …
Eleanor Powell
- Clips from 'Born to Dance' & 'Lady Be Good'
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
All three of the 'That's Entertainment' films are recommended very highly, with the first film being the best. Its two follow ups are not quite as good, but anybody expecting entertainment from such a title will not be disappointed as there's entertainment aplenty in all three.
'That's Entertainment II' is the weakest and a slight disappointment after being fresh from seeing the first film, which was not perfect but when it was good boy was it good and even the word good didn't do it justice. This said even though it is not as strong as the other two it still lives up to its name and also achieves the goals of being a delightful couple of hours, a nostalgic trip down memory lane it is affectionate, hugely entertaining and also moving and makes one want to watch or re-watch the films and scenes included, goals that the first film in particular did so brilliantly.
Where 'That's Entertainment II' falls down in particular is in the hosting scenes between Gene Kelly and Fred Astaire. It is a joy seeing both of them dance together and so well and Astaire looks great for his age, but their dialogue aims for the wistful approach and ends up being clunky, very cheesy and corny, while also not saying enough about the personalities and life stories behind the stars. The travelogue scenes also slow the film down and look just as jarringly cheap as the dilapidated MGM backdrops and sets in the hosting segments.
Also disappointing is that it doesn't feel very ordered structurally. 'That's Entertainment' had a logical, ordered and thematic structure that made sense, the structure in 'That's Entertainment II' feels sprawling, random and somewhat jumpy. Not confusing or incoherent or anything, just wished it was more logical and focused. Editing can be an issue too, not always but scenes like the scene from 'A Night at the Opera' are too short and edited too hastily and that scene and a few others (especially "Good Mornin" do deserve better than that.
However, What immediately captivated was seeing the who's who of musical/dance/singing talent being featured. The production values are lavish and just beautiful to look at, the music dazzles and is full of emotions and the choreography is often enough to make the jaw drop. Almost all the scenes featured are great to masterpieces, with the exceptions being the ones with Bobby Van, liked the energy but the routine was just weird, and the French segment with Kelly.
It is interesting to see Robert Taylor sing and Greta Garbo dance, not brilliant but a long way from bad (nowhere near to Joan Crawford bad for example). Esther Williams skiing was almost as dazzling as that incredible water ballet featured in the first 'That's Entertainment'. Also loved the moving tribute to Katharine Hepburn and Spencer Tracy (almost as moving as Liza Minnelli's tribute to Judy Garland in the first film, though do have to agree that the omission of 'Guess Who's Coming to Dinner' was a mistake). One can't mention the film either without mentioning the awesome title sequence, definitely the cleverest and most memorable one of all three films to me.
Standout sequences are Judy Garland singing "Have Yourself a Merry Little Christmas", Gene Kelly's roller-skating routine, Frank Sinatra "I Got Rhythm", Ethel Waters, Garland and Kelly in 'The Pirate', Eleanor Powell, Lena Horne, the use of classics like "Ol Man River" and "There's Nothing Like Show Business" and Cyd Charisse in one of 'Singin in the Rain's' most unforgettable moments.
Overall, 'That's Entertainment II' is the weakest of the 'That's Entertainment' trilogy but it lives up to its name and meets nearly all its main objectives. 7/10 Bethany Cox
'That's Entertainment II' is the weakest and a slight disappointment after being fresh from seeing the first film, which was not perfect but when it was good boy was it good and even the word good didn't do it justice. This said even though it is not as strong as the other two it still lives up to its name and also achieves the goals of being a delightful couple of hours, a nostalgic trip down memory lane it is affectionate, hugely entertaining and also moving and makes one want to watch or re-watch the films and scenes included, goals that the first film in particular did so brilliantly.
Where 'That's Entertainment II' falls down in particular is in the hosting scenes between Gene Kelly and Fred Astaire. It is a joy seeing both of them dance together and so well and Astaire looks great for his age, but their dialogue aims for the wistful approach and ends up being clunky, very cheesy and corny, while also not saying enough about the personalities and life stories behind the stars. The travelogue scenes also slow the film down and look just as jarringly cheap as the dilapidated MGM backdrops and sets in the hosting segments.
Also disappointing is that it doesn't feel very ordered structurally. 'That's Entertainment' had a logical, ordered and thematic structure that made sense, the structure in 'That's Entertainment II' feels sprawling, random and somewhat jumpy. Not confusing or incoherent or anything, just wished it was more logical and focused. Editing can be an issue too, not always but scenes like the scene from 'A Night at the Opera' are too short and edited too hastily and that scene and a few others (especially "Good Mornin" do deserve better than that.
However, What immediately captivated was seeing the who's who of musical/dance/singing talent being featured. The production values are lavish and just beautiful to look at, the music dazzles and is full of emotions and the choreography is often enough to make the jaw drop. Almost all the scenes featured are great to masterpieces, with the exceptions being the ones with Bobby Van, liked the energy but the routine was just weird, and the French segment with Kelly.
It is interesting to see Robert Taylor sing and Greta Garbo dance, not brilliant but a long way from bad (nowhere near to Joan Crawford bad for example). Esther Williams skiing was almost as dazzling as that incredible water ballet featured in the first 'That's Entertainment'. Also loved the moving tribute to Katharine Hepburn and Spencer Tracy (almost as moving as Liza Minnelli's tribute to Judy Garland in the first film, though do have to agree that the omission of 'Guess Who's Coming to Dinner' was a mistake). One can't mention the film either without mentioning the awesome title sequence, definitely the cleverest and most memorable one of all three films to me.
Standout sequences are Judy Garland singing "Have Yourself a Merry Little Christmas", Gene Kelly's roller-skating routine, Frank Sinatra "I Got Rhythm", Ethel Waters, Garland and Kelly in 'The Pirate', Eleanor Powell, Lena Horne, the use of classics like "Ol Man River" and "There's Nothing Like Show Business" and Cyd Charisse in one of 'Singin in the Rain's' most unforgettable moments.
Overall, 'That's Entertainment II' is the weakest of the 'That's Entertainment' trilogy but it lives up to its name and meets nearly all its main objectives. 7/10 Bethany Cox
Like its predecessor, THAT'S ENTERTAINMENT II offers two hours of film clips from memorable MGM movies featuring the likes of Judy Garland, Bing Crosby, Lena Horne, Louis Armstrong, and Doris Day. Unlike its predecessor, which organized the film clips into thematic sequences introduced by different MGM stars, THAT'S ENTERTAINMENT just throws the clips out willynilly without much rhyme or reason--and saddles narrators Fred Astaire and Gene Kelly with some of the clunkiest, corniest material imaginable. In consequence, it lacks the cohesion and the excitement of the original.
But it still has its charms. Many of the individual clips are knock-outs: Ethel Waters performing "Taking a Chance on Love" from CABIN IN THE SKY, Bobby Van doing the famous "hop dance" from SMALL TOWN GIRL, Judy Garland belting out "I Got Rhythm" from GIRL CRAZY. In addition to such musical treats, the film also offers a look at the Marx Brothers with the famous "State Room Scene" from A NIGHT AT THE OPERA, a sequence of famous lines from famous films (such as Garbo's "I want to be alone"), and an extended tribute to Spenser Tracy and Katherine Hepburn. Most viewers will probably feel the film drags due to the uneven way in which the scenes are introduced and edited together, but just about every one will find plenty to enjoy. Recommended with reservations.
Gary F. Taylor, aka GFT, Amazon Reviewer
But it still has its charms. Many of the individual clips are knock-outs: Ethel Waters performing "Taking a Chance on Love" from CABIN IN THE SKY, Bobby Van doing the famous "hop dance" from SMALL TOWN GIRL, Judy Garland belting out "I Got Rhythm" from GIRL CRAZY. In addition to such musical treats, the film also offers a look at the Marx Brothers with the famous "State Room Scene" from A NIGHT AT THE OPERA, a sequence of famous lines from famous films (such as Garbo's "I want to be alone"), and an extended tribute to Spenser Tracy and Katherine Hepburn. Most viewers will probably feel the film drags due to the uneven way in which the scenes are introduced and edited together, but just about every one will find plenty to enjoy. Recommended with reservations.
Gary F. Taylor, aka GFT, Amazon Reviewer
Gene Kelly and Fred Astaire introduce more wonderful numbers from MGM musicals. This time drama and comedy clips have been added.
OK--there was no way this could be as good as Part 1. Most of the good material had been used there already. Also Astaire and Kelly were given some dreadful new lyrics to classic songs to sing and their introductions to segments were just terrible. It was NOT a good idea to have them dancing either. And I could have lived without the travelogue of Paris. Still, there's plenty of incredible material here.
Among the highlights: Wonderful opening credits (done by Saul Bass); Eleanor Powell tap-dancing; Greta Grabo dancing (!!); Robert Taylor singing (!!!); the Marx Brothers stateroom sequence from "A Night at the Opera" (unfortunately edited); From This Moments On from "Kiss Me Kate"; early Bing Crosby; Abbott & Costello; Tales from the Vienna Woods (which is actually pretty funny); Judy Garland singing "Have Yourself A Merry Little Christmas"; clips of dramatic and comedic stars; the I'll Build A Stairway to Paradise number; Bobby Van from "Small Town Girl"; etc etc.
The clips are put together without rhyme or reason--but that helps. You never know what's coming next. Worth catching but try to see the first one too.
OK--there was no way this could be as good as Part 1. Most of the good material had been used there already. Also Astaire and Kelly were given some dreadful new lyrics to classic songs to sing and their introductions to segments were just terrible. It was NOT a good idea to have them dancing either. And I could have lived without the travelogue of Paris. Still, there's plenty of incredible material here.
Among the highlights: Wonderful opening credits (done by Saul Bass); Eleanor Powell tap-dancing; Greta Grabo dancing (!!); Robert Taylor singing (!!!); the Marx Brothers stateroom sequence from "A Night at the Opera" (unfortunately edited); From This Moments On from "Kiss Me Kate"; early Bing Crosby; Abbott & Costello; Tales from the Vienna Woods (which is actually pretty funny); Judy Garland singing "Have Yourself A Merry Little Christmas"; clips of dramatic and comedic stars; the I'll Build A Stairway to Paradise number; Bobby Van from "Small Town Girl"; etc etc.
The clips are put together without rhyme or reason--but that helps. You never know what's coming next. Worth catching but try to see the first one too.
Following the tremendous success of "That's Entertainment", MGM created a second compilation film for theaters--"That's Entertainment, Part II". Unlike "That's Entertainment!", this followup film is a bit different because it's not just about MGM's singing and dancing but the full range of films--with clips from comedies, westerns and dramas as well--but still the lion's share (so to speak) were of musicals. For me, this was a problem because the range was TOO broad and the rest of the films got the short end of it. In other words, you can't sum up ALL of MGM's classic films (including travelogues and comedy shorts) in only about two hours. Another problem with the film is that instead of the classic actors introducing the clips like they did in "That's Entertainment!", this time they try to entertain as well--such as Fred Astaire and Gene Kelly doing a song and dance number near the beginning of the film and some new cartoon bits later in the film. While the pair danced well for old men (Astaire was nearing 80), it also felt a bit creepy and sad--especially when Kelly tried to sing and roller skate in Paris. It took up time they could have been showing other clips plus I wanted to see more MGM stars than just these two fine dancers (and in the previous film it was narrated by several classic actors, not just two). Had the film just been a retrospective of the films of Kelly and Astaire, however, this material would have worked a lot better.
It helped that I saw this film only a few days after I saw the other--so it's very clear in my head that there were problems in addition to the narration. For the most part, the dance numbers not as good in "That's Entertainment, Part II" and I assume it's because they'd put the best stuff in the first one--as they didn't realize there's be a second film. Now this isn't to say the dance clips are bad--they're just not quite as good. Oddly, however, the clips from the non-musicals also were occasionally disappointing. There weren't enough of them and represented too few films. To me, put simply, it looked a bit rushed--like they threw clips together without as much thought as in the first film or as much of a theme. Overall, worth seeing if you are a fan of Hollywood's golden age, but I think the first film AND the later documentary "MGM: When the Lion Roared" are a lot better.
It helped that I saw this film only a few days after I saw the other--so it's very clear in my head that there were problems in addition to the narration. For the most part, the dance numbers not as good in "That's Entertainment, Part II" and I assume it's because they'd put the best stuff in the first one--as they didn't realize there's be a second film. Now this isn't to say the dance clips are bad--they're just not quite as good. Oddly, however, the clips from the non-musicals also were occasionally disappointing. There weren't enough of them and represented too few films. To me, put simply, it looked a bit rushed--like they threw clips together without as much thought as in the first film or as much of a theme. Overall, worth seeing if you are a fan of Hollywood's golden age, but I think the first film AND the later documentary "MGM: When the Lion Roared" are a lot better.
I'm an avid musical fan, and I truly lapped up the first "That's Entertainment!". I've seen it at least a dozen times, and it hardly grows old. So when I taped "That's Entertainment pt 2", I was expecting the same quality. After all, my two favorite classic Hollywood stars, Fred Astaire and Gene Kelly were hosting, so what's not to love? I was extremely disappointed when I saw it, however. It was disorganized, slow, and lacked the smoothness of its predecessor. Too many scenes will have your finger stuck on the fast-forward button in boredom. Though it's nice to see Fred and Gene dance so well at their age (they were 77 and 64 at the time, really!), their commentaries and quips are cheesy and sound terribly phony. The backdrops, special effects, and routines in between clips are silly, outdated, and reminiscent of a '70's kid show (like "Romper Room"). Why would they put two great and talented performers through such garbage? Another complaint is that some clips that looked like they were edited with a butter knife. Great scenes such as the classic stateroom scene from the Marx Bros' "A Night at the Opera" and the "Good Mornin'" number from "Singin' in the Rain" are unforgivably hacked up. And the tribute to Katherine Hepburn and Spencer Tracy left out their final (and finest) movie together: the now classic "Guess who's Coming to Dinner". What a terrible, inexcusable waste. Still, there are some highlights: nice clips from Lena Horne singing "Lady is a Tramp", Kathryn Grayson singing "Smoke Gets in Your Eyes", Gene Kelly wooing Leslie Caron in "An American in Paris", Fred Astaire and Judy Garland's collaboration in "Easter Parade", and more Judy from "Meet Me in St. Louis". Overall, I grade "That's Entertainment, pt 2" a C-. If you want to see it, I can't stop you, but it's such a shame that Astaire and Kelly's talents and personalities were so misused in this film. My advice? Rent any of their movies or at least the ones mentioned in the documentary. Trust me, those choices, now they're entertainment.
Did you know
- TriviaThis was Fred Astaire's final dance performance on film.
- GoofsDuring the clip from Kiss Me Kate (1953), Gene Kelly identifies the choreographer as Hermes Pan. But the clip shown, "From This Moment On", was actually choreographed by Bob Fosse, one of the dancers.
- Quotes
Gene Kelly: Fred, I hear tap dancing is popular again.
- Crazy creditsThe opening credits introduce not only hosts Fred Astaire and Gene Kelly, but mention all the other performers from the clips before the movie's title card; all are done in different styles: names drawn in the sand, scrolls, inside a book, tiles spelled out on satin, inside a file cabinet, typed on stationery, branding iron, the 'Rank Organisation' gong, etc.
- Alternate versionsThe original release print ran 133 minutes and contained a handful of sequences that were ultimately shorn from the general release print. In the first section, you can see Astaire and Kelly rotating enormous photos of each song that appears in that section. One of them is "You Stepped Out of a Dream" from Ziegfeld Girl (1941), which originally appeared between "La Chica Choca" and "I Wanna Be a Dancin' Man." In the Great Songwriters section, "Lonesome Polecat" from Seven Brides For Seven Brothers (1954) originally appeared between "All of You" and "The Lady is a Tramp." In the 'Shubert Alley' sequence, Astaire and Kelly dance among a series of marquee song titles that eventually appear in the section. Among them are "Concerto in F" from An American In Paris (1951) which originally appeared between "Triplets" and "Have Yourself a Merry Little Christmas" (in fact, due to hasty editing, Oscar Levant's final "Bravo!" can still be heard over the first image of Judy Garland and Margaret O'Brien on all VHS and laserdisc editions; it was edited out of the DVD and Blu-ray issues). Fred Astaire's "Drum Crazy" from Easter Parade (1948) was also slated for this sequence (replaced by "Steppin' Out With My Baby"), as was "The Stanley Steamer" from Summer Holiday (1948), which was to have capped the entire section (it was ultimately replaced by Gene Kelly's "I Got Rhythm").
- ConnectionsFeatured in MGM/UA Home Video Laserdisc Sampler (1990)
- SoundtracksOverture
(1976) (uncredited)
"That's Entertainment" (1953) (uncredited)
Music by Arthur Schwartz
Lyrics by Howard Dietz
"Temptation" (1933) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
"Hi-Lili, Hi-Lo" (1953) (uncredited)
Music by Bronislau Kaper
Lyrics by Helen Deutsch
"Be A Clown" (1948) (uncredited)
Music and Lyrics by Cole Porter
"Good Morning" (1939) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
"Broadway Rhythm" (1935) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
"Have Yourself A Merry Little Christmas" (1944) (uncredited)
Music and Lyrics by Hugh Martin and Ralph Blane
Performed by the M-G-M Studio Orchestra Conducted by Nelson Riddle
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Details
- Release date
- Country of origin
- Language
- Also known as
- Erase otra vez en Hollywood
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,979,380
- Gross worldwide
- $4,979,380
- Runtime
- 2h 13m(133 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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