The Witch Who Came from the Sea

This movie can come from no decade but. There is very little action and some weird trippy sequences in it. I will not rehash the plot but I will say that this movie is worth seeing. If you are tired of the bland boring thriller/chiller pieces that are being made today, this is definitely worth renting. Subversive Video has released a cleaned up version on DVD so it is more readily available than in the past. Of note in the film is Millie Perkins, of Diary of Anne Frank fame. She plays the clichéd role of psycho on the verge but she does it with such muted tones and acting that makes you forget how many times the role of Molly has been rehashed in the horror genre.

Also, I would say a word on the production value. While other reviews have noted its shodiness. Let me just remind you this movie was made in 1976. As anyone who has seen 70's movies are aware, a lot of them look like they were made for nothing.

This one's a real weirdie. It's unique, surreal and genuinely disturbing, and Millie Perkins gives a memorably intense and bizarre performance as Molly. It goes out of its way to shock the viewer, and largely succeeds. It also features the single most upsetting childhood trauma flashback I've ever seen.

It's probably too much for most people's tastes, but if you enjoy flawed one-of-a-kind low budget '70s horror, it's worth a look if you can find it. I am a bit dubious about the exploitative way it uses the subject of child abuse device to shock and disturb the viewer, so be warned.

This is a strange one, that just misses the mark because the script is somewhat scatter shot. If things regarding the delusional and irrational behavior of incest victim Millie Perkins had been more focused, the film would have benefited. As it is, the acting by Ms Perkins is convincing, and for a horror / psychological drama most of the acting is above average. The horror crowd will be disappointed, but those looking for the offbeat, will have found gold, with this twisted tale of hallucinations and mutilations. Special mention must be made of the poster art, which is outstanding. "The Witch Who Came From the Sea" is a bizarre oddity that has a limited, but devoted cult following. - MERK

"The Witch Who Came from the Sea" follows Molly, a woman living with her sister in Los Angeles, suffering from severe psychological trauma resulting from her father's incestuous relationship with her. As a result, she snaps and embarks on a killing and castration spree.

While its title is literally misleading (but metaphorically apt), "The Witch Who Came from the Sea" is an oddball psychological horror film that is not so much scary as it is sad. The film has a downbeat tone that is remarkable from the first scenes, and it chugs along at this languid, downtempo pace for much of its runtime. While some descriptions make it sound like a serial killer film, it's in actuality a character study of someone living with severe PTSD stemming from child sex abuse.

The content here is disturbing in nature, though the screenplay feels lopsided in the sense that Molly's pathology registers as a bit too on-the-nose. Where the film excels is in its visuals, and the cinematography captures a gothic sort of 1970s California, particularly the trash-ridden, empty streets of Venice Beach. Millie Perkins is decent as the lead, Molly, though none of the performances here are particularly great. There are odd moments of humor brought by the likes of Peggy Feury that are off-center but amusing. The film's conclusion is unsurprisingly dour, but thematically fitting. Though a bit of a shallow character study, "The Witch Who Came from the Sea" has some startling visuals and is reasonably well-made given its obvious budget limitations. Worthwhile for fans of gritty psychological dramas, particularly of this era. 6/10.

Restored classic; one of the infamous video nasties banned in Britain.

Those looking for the juicy parts that were excised by the censors will be disappointed, as the stuff, even the castration with a razor blade, is tame by today's standards.

The film will be a little talkie as it is a tale of an abused child's descent into madness.

In a constant state of inebriation, Molly (Millie Perkins) suffers numerous flashbacks of abuse and pain.

Director Matt Cimber achieved his greatest status a couple of films later with three Razzie nominations for Butterfly with Pia Zadora.