The vampire count leaves his Transylvanian home to wreak havoc across the world.The vampire count leaves his Transylvanian home to wreak havoc across the world.The vampire count leaves his Transylvanian home to wreak havoc across the world.
Michael Macowan
- Mr. Hawkins
- (as Michael MacOwan)
Orla Pederson
- Passenger on Coach
- (as O.T.)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This English version of the classic Stoker novel played on PBS in the late '70's and was one of the better shows that I remember watching on public television at that time. It has a quality that gave it more substance than other versions that I have ever seen. Even the Copella "Dracula", which is centerpieced by a fabulous performance by Gary Oldman, does not have quite the depth that this one did. Like many "Dracula" versions, they have changed the story a bit, but have kept the essential feel of piece
It might be said that Louis Jourdan is miscast here, but I would only say that from the standpoint of age (Jourdan was nearly 60). The man has an aura and appeal that draw women in. Even in his 60's when he played the villain in "Octopussy", he was still sexy in a continental playboy sort of way. If he had been maybe ten or 20 years younger he would have been better.
Susan Penhaligon and Judy Bowker will probably be familiar due to the fact that at one point in time they were the English babes of the moment. While Penhaligon is a reasonable actress she wasn't able to rise above it like Jane Seymour. In this show, both give interesting performances. Bowker has a few great moments where her character struggles with the pull she feels for Dracula and her love for her husband.
The great, but underrated Frank Finlay does a fabulous job as Van Helsing.
PBS needs to bring this production back on video or DVD. It would be interesting to see it again. While the production is filmed in as the average BBC studio style, it still has appeal.
It might be said that Louis Jourdan is miscast here, but I would only say that from the standpoint of age (Jourdan was nearly 60). The man has an aura and appeal that draw women in. Even in his 60's when he played the villain in "Octopussy", he was still sexy in a continental playboy sort of way. If he had been maybe ten or 20 years younger he would have been better.
Susan Penhaligon and Judy Bowker will probably be familiar due to the fact that at one point in time they were the English babes of the moment. While Penhaligon is a reasonable actress she wasn't able to rise above it like Jane Seymour. In this show, both give interesting performances. Bowker has a few great moments where her character struggles with the pull she feels for Dracula and her love for her husband.
The great, but underrated Frank Finlay does a fabulous job as Van Helsing.
PBS needs to bring this production back on video or DVD. It would be interesting to see it again. While the production is filmed in as the average BBC studio style, it still has appeal.
Other than Louis Jordan's appearance,apart from his 'hairy palms',this is perhaps the most faithful adaption of Bram Stoker's novel. The acting is firstrate by all with a splendid turn by Frank Finlay as Van Hesling.The BBC's practice of filming exteriors and videotaping interiors is a bit disconcerting,but it's a minor annoyance. Infinitely superior to Coppola's MTV version
I must agree with all those who say that this is the best adaptation of Stoker's masterpiece. Although I enjoyed F.F. Coppola's film, I still feel that this little gem captured the eerieness and forboding of the novel much better. The production does have its flaws. Occasional poor editing and the switching from film to tape which are too obvious. Dark Shadows like special effects.
I disagree with those who feel Louis Jourdan is miscast. I think he has just the right menace and dark sensuality to portray the Count.
Why on Earth hasn't anyone put this on the video cassette market? It's beyond me. But more importantly, why hasn't anyone figured out that this is the definitive Dracula and done a bigger budget remake. I guess Hollywood today simply doesn't have the kind of resources the BBC had in the late 70s.
I disagree with those who feel Louis Jourdan is miscast. I think he has just the right menace and dark sensuality to portray the Count.
Why on Earth hasn't anyone put this on the video cassette market? It's beyond me. But more importantly, why hasn't anyone figured out that this is the definitive Dracula and done a bigger budget remake. I guess Hollywood today simply doesn't have the kind of resources the BBC had in the late 70s.
The BBC's 1977 production of "Count Dracula" arguably represents for many Dracula aficionados the finest screen version of Stoker's novel ever likely to be made.
"Count Dracula" probably stands alone by virtue of its very faithful adherence to Stoker's plot, as well as the uniformly stunning quality of the acting performances (who, for instance, could forget Jack Shepherd's "Renfield"?).
But for me, the most outstanding feature of the production is the conscious, studied, Gothic restraint of the female cast, echoing much of what was best about the early Hammer vampire movies before the regrettable advent of the "tits and fangs" genre.
Without the exposure of a single breast, the trio of female vampires at Castle Dracula succeed in conveying an astonishing level of sexual allurement as they coquettishly tease Jonathan Harker with his letter to Mina.
In similar vein, when the (by now un-dead) Lucy Westenra is confronted in the cemetery by the group of vampire slayers, she transforms herself almost instantaneously from a blood-stained Fury from Hell into a virginal Lady of Shalot, and then back again.
How sad that this near-perfect cinematic achievement appears to have been very largely eclipsed by "Dracula" of 1978, as well as Coppola's "Bram Stoker's Dracula"!
"Count Dracula" probably stands alone by virtue of its very faithful adherence to Stoker's plot, as well as the uniformly stunning quality of the acting performances (who, for instance, could forget Jack Shepherd's "Renfield"?).
But for me, the most outstanding feature of the production is the conscious, studied, Gothic restraint of the female cast, echoing much of what was best about the early Hammer vampire movies before the regrettable advent of the "tits and fangs" genre.
Without the exposure of a single breast, the trio of female vampires at Castle Dracula succeed in conveying an astonishing level of sexual allurement as they coquettishly tease Jonathan Harker with his letter to Mina.
In similar vein, when the (by now un-dead) Lucy Westenra is confronted in the cemetery by the group of vampire slayers, she transforms herself almost instantaneously from a blood-stained Fury from Hell into a virginal Lady of Shalot, and then back again.
How sad that this near-perfect cinematic achievement appears to have been very largely eclipsed by "Dracula" of 1978, as well as Coppola's "Bram Stoker's Dracula"!
I saw this once in about 1978 on public television in San Francisco. It was astounding because for once not just the horror, but also the senusality of the Dracula story was transferred to the screen without the (then) standard "monsters jumping out of the box" treatment. I got marvelous chills and tingles while watching. NOW, if those of us who remember this movie/tv show could just get a copy of it!
Did you know
- TriviaBruce Wightman who has a bit part in this was a expert on Bram Stoker and founder of the Dracula Society.
- GoofsWhen Renfield grabs the bars of his padded cell we can see that they wobble and are clearly made of rubber.
- Quotes
Count Dracula: Welcome to my house, Mister Harker. Come freely. Go safely.
Jonathan Harker: Count Dracula?
Count Dracula: I am Count Dracula. Will you come in?... And, please, leave here some of the happiness that you bring.
- Crazy creditsThe credits are superimposed over the infamous German woodcuts depicting the crimes of the historical Voivode Vlad Dracula.
- ConnectionsEdited into Great Performances: Count Dracula: Part 1 (1978)
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- El Conde Drácula
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