A small desert town is terrorized by a powerful, seemingly possessed car, and the local sheriff may be the only one who can stop it.A small desert town is terrorized by a powerful, seemingly possessed car, and the local sheriff may be the only one who can stop it.A small desert town is terrorized by a powerful, seemingly possessed car, and the local sheriff may be the only one who can stop it.
R.G. Armstrong
- Amos Clements
- (as R. G. Armstrong)
Ernie F. Orsatti
- Dalton
- (as Ernie Orsatti)
Featured reviews
Designed for the movie "The Car" starring James Brolin. Made from a 1971 Lincoln. Fenders were 20 gauge steel shaped over the original body. The grill was hand made from square steel tubing. 4 bumpers made from heavy 18 gauge steel. Seven inch single headlights sunk behind the grill and fender. Body was raised to upper doorline. Four radius wheel wells around a six inch reverse deep chrome wheels and Goodrich tires.
Top was chopped 4 inches with all black transparent windows. Full body roll bars installed over and around stunt driver. A steel tube canon was installed on passenger side which had a telephone pole inside and steel cap which housed dynamite and black powder. When the stunt man rolled the car he would trigger the tube telephone pole by igniting the dynamite which drove the pole into the ground and roll the car 5 times. Finished with 20 coats of black pearl lacquer. A total of four were made.
I love this particular custom. Its looks mean and growls nicely. Too bad i can't afford it.
Top was chopped 4 inches with all black transparent windows. Full body roll bars installed over and around stunt driver. A steel tube canon was installed on passenger side which had a telephone pole inside and steel cap which housed dynamite and black powder. When the stunt man rolled the car he would trigger the tube telephone pole by igniting the dynamite which drove the pole into the ground and roll the car 5 times. Finished with 20 coats of black pearl lacquer. A total of four were made.
I love this particular custom. Its looks mean and growls nicely. Too bad i can't afford it.
What a flick. I just bought the widescreen edition and watched it to celebrate the new century. Let me briefly list a few of its many strong points, most of which are essential to the success of the 1970s "Killer Object/Animal" horror subgenre:
1. Colorful small-town (desert, Southwest-y) flavor. A parade or similar celebration (rodeo, picnic) should occur. 2. Quirky dialogue. 3. John Marley acting beligerent. 4. A Panicked Crowd Scene, with folks dashing for their lives as the demonic beast/machine/inanimate object heads their way. 5. A smart-alleck hippie who meets a horrible end.
Seriously, though-- this film isn't "scary" in the traditional sense, but its true power lies when you really start thinking about the car itself. Where did it come from? Is the Devil driving? And is it plaguing our major characters because of their sins? (i.e. Ronny Cox as an alcoholic falling off the wagon, James Brolin as a single parent trying to keep his daughters happy as he dates sexy Kathleen Lloyd.) What I'm saying is at its heart, this is a creepy, unsettling film with some really strange philosophical/religious questions at its core. And how many horror films can claim that? A solid 7/10.
1. Colorful small-town (desert, Southwest-y) flavor. A parade or similar celebration (rodeo, picnic) should occur. 2. Quirky dialogue. 3. John Marley acting beligerent. 4. A Panicked Crowd Scene, with folks dashing for their lives as the demonic beast/machine/inanimate object heads their way. 5. A smart-alleck hippie who meets a horrible end.
Seriously, though-- this film isn't "scary" in the traditional sense, but its true power lies when you really start thinking about the car itself. Where did it come from? Is the Devil driving? And is it plaguing our major characters because of their sins? (i.e. Ronny Cox as an alcoholic falling off the wagon, James Brolin as a single parent trying to keep his daughters happy as he dates sexy Kathleen Lloyd.) What I'm saying is at its heart, this is a creepy, unsettling film with some really strange philosophical/religious questions at its core. And how many horror films can claim that? A solid 7/10.
Lemme say this about "The Car" - the horror movie genre received a monumental boost in credibility with the release of this proud and noble pic. Gathering together some key horror movie elements (small desert town, scrappy desert folk, demonic Lincoln), the makers of "The Car" must've felt they were on top of a goldmine. They had an A-list cast led by the future Mr. Barbra Streisand and the awesome Ronny Cox. After a decade of love, peace and grooviness, America was once again ready for killer car movies. So what went so terribly wrong? Two words: Star Wars.
It's true. If it weren't for George Lucas, "The Car" would've been the surefire hit of 1977 and we'd all be reminiscing about the classic "Car Wars" trilogy and remembering how incredible James Brolin was as Indiana Jones.
Sadly, "The Car" disappeared into the night, never to receive the credit it deserved as a true horror breakthrough as a classic portrayal of man versus machine. Pitting a mysterious chopped-down souped-up Lincoln with a cruise-ship horn against a motley crew of never-say-die townsfolk, "The Car" follows the bloodthirsty path of a supercharged, soulless sedan as it brutally chews up scenery, cyclists, and one memorable french-horn-toting hitchhiker. It is indeed a chilling movie that eerily foretold future trends such as road rage and godawful James Brolin films, with an ending for the ages.
Bearing in mind, a great deal of this is sarcasm. But truthfully, "The Car" is highly recommended for the good-bad-movie lover - it is an excellent film to make fun of.
It's true. If it weren't for George Lucas, "The Car" would've been the surefire hit of 1977 and we'd all be reminiscing about the classic "Car Wars" trilogy and remembering how incredible James Brolin was as Indiana Jones.
Sadly, "The Car" disappeared into the night, never to receive the credit it deserved as a true horror breakthrough as a classic portrayal of man versus machine. Pitting a mysterious chopped-down souped-up Lincoln with a cruise-ship horn against a motley crew of never-say-die townsfolk, "The Car" follows the bloodthirsty path of a supercharged, soulless sedan as it brutally chews up scenery, cyclists, and one memorable french-horn-toting hitchhiker. It is indeed a chilling movie that eerily foretold future trends such as road rage and godawful James Brolin films, with an ending for the ages.
Bearing in mind, a great deal of this is sarcasm. But truthfully, "The Car" is highly recommended for the good-bad-movie lover - it is an excellent film to make fun of.
Yeah this movie is older than I am but I've loved it since I was probably too young to watch it and I still love it now.
How many movies actually mention morning breath? This one does. Is that a spoiler? Nah, happens near the beginning.
Recommended to anyone who likes 70s movies.
How many movies actually mention morning breath? This one does. Is that a spoiler? Nah, happens near the beginning.
Recommended to anyone who likes 70s movies.
The devil made me do it. Really. I bought this VHS the second I saw it. It kept me awake with nightmares as a child, and the library offered no help in locating it until I hit that nice vowel-starting auction site. In re-watching it, I realized that there are signs of the decade it was created (especially in the bell-bottoms, I couldn't stop laughing when I watched the kids in the band practice their parade because the fashion world has come back to them again!), but there are other nice things.
One of the main details that this movie has is no explanations are made. The Indian woman comments about the ill wind that came with the car when she gives testimony. The sheriff's deputy feels that the reason it can't go into the graveyard is due to the hallowed ground. (Btw, the graveyard scene is the one that freaked me out as a kid). Parent (Brolin) discovers there are no handles on the doors, and another witness says that there's no driver. This all adds up to a nasty scenerio. Much like the later movie Poltergeist, you have to wonder if the Indians are right--get out of town! (they fled to the Deep Country--smart cookies!)
I adore Kim Richards, and her sister Kyle is a darling in this film. As an adult, I couldn't help but think who would take care of them should something happen to Parent. I think this is a good sign in a movie--you really begin to identify with the characters when things like this come to you!
The comment at the beginning from Anton gives the whole movie's plot a good basis. I do recommend this as a stay-home, eat popcorn, and enjoy flick!
;)
**** out of *****
One of the main details that this movie has is no explanations are made. The Indian woman comments about the ill wind that came with the car when she gives testimony. The sheriff's deputy feels that the reason it can't go into the graveyard is due to the hallowed ground. (Btw, the graveyard scene is the one that freaked me out as a kid). Parent (Brolin) discovers there are no handles on the doors, and another witness says that there's no driver. This all adds up to a nasty scenerio. Much like the later movie Poltergeist, you have to wonder if the Indians are right--get out of town! (they fled to the Deep Country--smart cookies!)
I adore Kim Richards, and her sister Kyle is a darling in this film. As an adult, I couldn't help but think who would take care of them should something happen to Parent. I think this is a good sign in a movie--you really begin to identify with the characters when things like this come to you!
The comment at the beginning from Anton gives the whole movie's plot a good basis. I do recommend this as a stay-home, eat popcorn, and enjoy flick!
;)
**** out of *****
Did you know
- TriviaCar cost $84,000.00 to build.
- GoofsDuring the final chase on the motorbike, it alternates from night / day.
- Quotes
Amos Clements: [complaining about Morris' french horn] And if I hear another sound out of that thing, I'll ram it so far up your ass, you'll be farting music for a year.
John Morris: [thoughtfully considering the idea] Wouldn't that be fantastic? Farting music. For a year!
- Crazy creditsThe Car's horn blows at the beginning and the end of the ending credits.
- Alternate versionsThe NBC edited for TV version of this film includes some additional scenes to pad out the movie due to needed commercial breaks. The aforementioned additional scenes were during the cemetery standoff between the school band and the Car. The part where Lauren is insulting and taunting the Car is longer and there is a short dialog between her and her friend Margie planning on how one of them will run out and escape to call for help. These are not on the official 1999 DVD/VHS release.
- ConnectionsEdited into Knight Rider: Trust Doesn't Rust (1982)
- SoundtracksDies Irae, Dies Illa
(uncredited)
Traditional, thought to be written by Thomas of Celano
[Instrumental version played over the opening title card and credits]
- How long is The Car?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El auto
- Filming locations
- Snow Canyon, Utah, USA(Carter's Road)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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