Satan's Blood

It can be awkward when we are approached by a couple who swear they know us and we haven't a clue who they are. It must be a good deal worse if we accompany these people to their home to 'catch up' and we realise they are a couple of perverted demon worshippers who have some very grisly plans. This is exactly what happens to Andres (José María Guillén) and his pregnant wife Ana (Marianna Karr). Pretty soon their lives have taken on an extraordinary turn for the worse.

Directors Carlos Puerto and (an uncredited) Juan Piquer Simón make sure we're just as unnerved and anxious as the unfortunate pair. True to its 'euro-sleaze' trappings, the foreboding atmosphere is heavily punctuated with lingering scenes of sex that drag things down a little - but developments come thick and fairly fast. It's a tension-filled rollercoaster and a good way to spend 82 minutes.

It would appear that Spain is actually a more prolific producer of horror films than I had first thought. This film isn't very well known, and that's a real shame as it's undoubtedly one of the best that the country ever produced. Satan's Blood handles the ever popular horror film theme of devil worship, and it does it with a lot of style, blood and nudity; all of which ensure that the film is more than just your average satanic slice of exploitation. The way that the plot is put forward is fascinating as director Carlos Puerto keeps the action simple, and by concentrating on just a handful of characters, it's easy to buy into the sex-laden plot line. The story follows a young couple; Andres and Ana, who decide to travel with another couple they have just met to their lovely home in the country. The man of the pair says that he knows Andres from school; although Andres can't remember him, and there's a reason for that, as they've never met before and the couple whose home they're going to are keen disciples of the devil!

The film features a lot of interesting diabolical elements, from things such as Ouija boards to mass orgies on top of a pentagram. The more sordid elements of the film don't stop the director from telling an interesting story, however, as Puerto uses them to his advantage and the sordid elements help rather than hinder the film from a storytelling perspective. It is true that the film loses tension at times because of the breaks to show another sex scene, but many people will be tuning into this film to see sleaze; and they certainly won't be disappointed. Director Carlos Puerto also implements several things such as a creepy porcelain doll into the proceedings, which help to give the film more of a horror edge. There's a lot more nudity in this film than there is gore, but what there is in the way of blood is well used, and one scene in particular; which involves the couple's dog, is particularly nasty and liable to offend. Overall, even though Satan's Blood is heinously underseen, I personally wouldn't hesitate to rate it as a first class slice of Euro-horror, and it comes highly recommended.

With Franco dead the Spanish could let rip and this one certainly goes at a pace. There are many sex and Satanism films that barely get round to either sex or Satanism, this one revels in it throughout. Just when it gets a bit silly towards the end, it gets very silly and builds to a great finale. In fact much of the film is really good, as well as almost constant bare flesh from the ladies and the gents there is blood and gore AND a really creepy atmosphere aided by the strange antics of the main protagonists. Whenever we see them in the deserted kitchen they seem bent over some dog bowl, and when they are in bed together they growl and pair like two animals. Granted an 'S' for sex certificate upon it's Spanish release and it certainly deserves it, though it also deserves a 'V' for violence and 'G' for gore. Excellent stuff - and not over long!

I wouldn't have been surprised to find out that, Carlos Puerto, the obscure director of this Spanish horror semi-classic was actually a pseudonym for the more famous Spanish/English director Jose Larraz. Puerto is apparently a real guy, even though his film is eerily similar to many of those of Larraz with its plot of an innocent couple being lured to a remote house in the wilderness and being preyed on by a satanic coven of sexual degenerates.

The good news though is that this tends to eerily resemble a good Larraz film like "Symptoms" or "Vampyres" rather than a bad Larraz film like "Whirlpool" or "Black Candles". The bad news is that this suffers from the same problem of many (especially latter-day) Larraz films and many other films of the post-Franco "destapa" period--the emphasis on softcore sex and gratuitous nudity at times brings the story to a complete standstill and threatens to overwhelm any suspense or tension the story has built up. Luckily though the film is fairly skillfully done and the acting is good (I don't know who any of these actors are, but they're better than almost anyone Larraz ever worked with).

The ending is especially non-sensical even as far as Eurohorror goes, and dog lovers might not like the movie much, but it's still one of the better Spanish horror films I've seen from this period and the new DVD is widescreen and looks really good. Mirala!

People who enjoy this film because of it's nudity and sex scenes should really consider if they are film goers or not. I don't mind watching a sex scene here or there but the movie is classified as horror! There were a couple of terrifying moments but they didn't last, then, the sex scene once again.

This is not film making at it's best. Spain has produced some "GREAT" films in the past but this one does not come anywhere near good.

You want to sell your films to people who enjoy watching nude women flaunting their bodies, then go and direct porn. For me, a good film needs a storyline and good acting and not have to resort in a film to have sex scenes and naked woman all through the film.