On a cargo ship converted into a cruise-liner, First Officer John Carter foils the plan of international hijackers to use his vessel as bait for a passing U.S. Treasury ship carrying gold bu... Read allOn a cargo ship converted into a cruise-liner, First Officer John Carter foils the plan of international hijackers to use his vessel as bait for a passing U.S. Treasury ship carrying gold bullion.On a cargo ship converted into a cruise-liner, First Officer John Carter foils the plan of international hijackers to use his vessel as bait for a passing U.S. Treasury ship carrying gold bullion.
Christopher Chittell
- Rogers
- (as Chris Chittell)
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On a cargo ship converted into a cruise-liner, First Officer John Carter foils the plan of international hijackers to use his vessel as bait for a passing U. S. Treasury ship carrying gold bullion.
The Golden Rendezvous, an adaptation of Maclean's superb novel, stars Richard Harris as the heroic captain, performing some derring-do when "injured" and trying to stop the smugglers from setting off a nuclear bomb and running off with a gold bullion. Harris is ably supported by a star cast - David Jensen, Dorothy Malone, Gordon Jackson, Burgess Meredith, John Caradine, Ann Turkel and John Vernon, who adds a touch of menace to the proceeding as the gun-toting villain.
Of course, it doesn't match the book, which was supremely suspenseful with derring-do and a tinge of Agatha Christie, but it's still an enjoyable film, which, unlike Caravan to Vacarres, atleast follows the book's general plot outline. Emphasis here is on action, bloody squibs and the action is rousing - especially the scene where our hero goes over the side with a rope. What was needed was a more buildup of suspense in the first 30 minutes, and sharper dialogue.
I had fond memories watching this on LWT ( UK TV) in 1982 and definitely lapped it up.
The Golden Rendezvous, an adaptation of Maclean's superb novel, stars Richard Harris as the heroic captain, performing some derring-do when "injured" and trying to stop the smugglers from setting off a nuclear bomb and running off with a gold bullion. Harris is ably supported by a star cast - David Jensen, Dorothy Malone, Gordon Jackson, Burgess Meredith, John Caradine, Ann Turkel and John Vernon, who adds a touch of menace to the proceeding as the gun-toting villain.
Of course, it doesn't match the book, which was supremely suspenseful with derring-do and a tinge of Agatha Christie, but it's still an enjoyable film, which, unlike Caravan to Vacarres, atleast follows the book's general plot outline. Emphasis here is on action, bloody squibs and the action is rousing - especially the scene where our hero goes over the side with a rope. What was needed was a more buildup of suspense in the first 30 minutes, and sharper dialogue.
I had fond memories watching this on LWT ( UK TV) in 1982 and definitely lapped it up.
Terrorists kidnap a nuclear scientist. Later a strange passenger and strange cargo are loaded aboard a tramp steamer which will pass within a few miles of a ship loaded with gold bullion. Coincidence?
THE GOLDEN RENDEZVOUS is one of those films which evokes "what ifs..." What if the producers had attached the prelude filmed when the show was broadcast on network TV? What if they had hired someone other than the thoroughly soused Richard Harris? What if Ann Turkel had been costumed in sexier outfits? And what if the producers hadn't hired a very overweight (and, at that time, very well known) Dorothy Malone for a throwaway role?
The prelude, added for TV does wonders for the films exposition. The film sans the prelude is much truer to the Alistair MacLean novel, but what is clever in novels is sometimes simply baffling on the screen. The ending is actually better than the novel; and, it would have been great if Harris hadn't resorted to some silly derring-do with dual submachine guns; and even better if he hadn't forgotten his lines in the denouement?
The best thing about this movie is the terrific (and I mean TERRIFIC) score by Jeff Wayne. The music adds a sense of urgency one never feels from what is up on the screen.
THE GOLDEN RENDEZVOUS is one of those films which evokes "what ifs..." What if the producers had attached the prelude filmed when the show was broadcast on network TV? What if they had hired someone other than the thoroughly soused Richard Harris? What if Ann Turkel had been costumed in sexier outfits? And what if the producers hadn't hired a very overweight (and, at that time, very well known) Dorothy Malone for a throwaway role?
The prelude, added for TV does wonders for the films exposition. The film sans the prelude is much truer to the Alistair MacLean novel, but what is clever in novels is sometimes simply baffling on the screen. The ending is actually better than the novel; and, it would have been great if Harris hadn't resorted to some silly derring-do with dual submachine guns; and even better if he hadn't forgotten his lines in the denouement?
The best thing about this movie is the terrific (and I mean TERRIFIC) score by Jeff Wayne. The music adds a sense of urgency one never feels from what is up on the screen.
Alistair McClean's Golden Rendezvous has Richard Harris as first officer Carter who on-board the casino/cargo ship the Caribbean star becomes involved with intrigue and the usual McClean daring do. John Vernon is the villainous Carreas who holds the ship to ransom with an atomic bomb in return for gold bullion, the inspiration for Die- Hard is all too apparent you have Harris sneaking about the ship in a manner all too familiar which Bruce Willis would later emulate Ann Turkel(former Mrs Richard Harris) Burgess Meredith as a shady gambler, John Carradine also a gambler. it's an entertaining film which is unobtainable for years! as luck would have it you can watch this on you-tube! hopefully some bright spark will release this on the shiny format.
"Golden Rensezvous" looks and sounds a lot like a TV movie, but the one thing that is quite un-TV-like about it, at least for its era, is the amount of violence it contains: lots of bloody squibs, stabbings, even a massacre of innocent people. The film is also notable for its similarities to "Die Hard", which came out a decade later: terrorists and hostages in a confined space (this time, a ship), and one resourceful hero who has to fight them from the inside. Of course you have to ignore the various implausibilities, like the astonishingly easy way in which the bad guys smuggle themselves AND a bomb inside the ship. Unfortunately, Richard Harris, who is usually an excellent actor (check out the same year's "Orca" for an example), seems to be operating on autopilot here, except when he's in action. Ann Turkel is decorative most of the way, until she picks up a machine gun near the very end. There are some other big names in the cast, but most of them are almost completely wasted. The movie gets a passing grade, but you can see why it is largely forgotten today. ** out of 4.
John Carter (Richard Harris), First Officer on the Caribbean Star, finds himself in trouble when terrorist Luis Carreras (John Vernon) and his men overtake the ship. Carreras has smuggled a nuclear bomb on the ship and plans to detonate it after stealing some gold bullion from a US cargo ship they plan to draw to them. Carter takes matters into his own hands and teams with the ship's doctor (Gordon Jackson) and beautiful passenger Susan (Ann Turkel) to take on the terrorists and save all of the passengers.
Adapted from an Alistair MacLean novel, this action-suspense flick was unleashed with posters promising, "The action of THE GUNS OF NAVARONE! The suspense of ICE STATION ZEBRA! The drama of WHERE EAGLES DARE!" I don't think it came through on any of those. The script is muddled with the first 40 minutes trying for suspense but getting brain twists. Also, the blooming romantic relationship between Harris and Turkel will leave you going, "Huh?" as she slaps him and then he kisses her. Director Ashley Lazarus just can't seem to get things to work and, if the IMDb is correct, some extra work was done by Freddie Francis. The abrupt ending would suggest a troubled production. Too bad as this has one of those ensemble casts that only a 70s disaster epic could secure and they are all game. In addition to Harris, Turkel and Vernon, you get supporting roles by David Janssen, Burgess Meredith, John Carradine, Dorthy Malone and Robert Beatty. The film also has one of the most ill-fitting synthesizer scores I've ever heard.
Adapted from an Alistair MacLean novel, this action-suspense flick was unleashed with posters promising, "The action of THE GUNS OF NAVARONE! The suspense of ICE STATION ZEBRA! The drama of WHERE EAGLES DARE!" I don't think it came through on any of those. The script is muddled with the first 40 minutes trying for suspense but getting brain twists. Also, the blooming romantic relationship between Harris and Turkel will leave you going, "Huh?" as she slaps him and then he kisses her. Director Ashley Lazarus just can't seem to get things to work and, if the IMDb is correct, some extra work was done by Freddie Francis. The abrupt ending would suggest a troubled production. Too bad as this has one of those ensemble casts that only a 70s disaster epic could secure and they are all game. In addition to Harris, Turkel and Vernon, you get supporting roles by David Janssen, Burgess Meredith, John Carradine, Dorthy Malone and Robert Beatty. The film also has one of the most ill-fitting synthesizer scores I've ever heard.
Did you know
- TriviaJohn Vernon replaced Sir Christopher Lee.
- GoofsA mercenary aims a bazooka at the Unicorn One as it comes alongside. It is clear that the bazooka is empty as you can see the ship's hull in the background through the tube.
- Alternate versionsThe UK cinema version was cut by the BBFC for an 'A' (PG) certificate to edit a poker torture and the bloody shooting of Dr Marston. Despite the 1990 video release being heavily shortened by around 10 minutes by the distributor and upgraded to a 15 certificate it featured the same UK cinema cuts with an additional 15 secs of edits to remove a woman being shot and closeups of a lock picking.
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