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After the destruction of the Temple, a Shaolin disciple devotes years to mastering Tiger style in order to defeat the martial arts master who killed his teacher. His wife, a Crane style spec... Read allAfter the destruction of the Temple, a Shaolin disciple devotes years to mastering Tiger style in order to defeat the martial arts master who killed his teacher. His wife, a Crane style specialist, has a feeling one style won't be enough.After the destruction of the Temple, a Shaolin disciple devotes years to mastering Tiger style in order to defeat the martial arts master who killed his teacher. His wife, a Crane style specialist, has a feeling one style won't be enough.
- Director
- Writer
- Stars
Chen Kuan-Tai
- Hung Hi-Kuan
- (as Kuan-Tai Chen)
Yue Wong
- Hung Wen-Ting
- (as Yu Wang)
John Cheung
- Governor's Henchman
- (as Wu-Liang Chang)
Wah Cheung
- Shaolin student
- (as Hua Chang)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
EXECUTIONERS FROM SHAOLIN is director LIU CHIA-LIANG (LAU KAR-LEUNG) very different contribution to the Shaolin Temple series, begun by CHANG CHEH. Unlike CHANG who seems to have a strong dislike for women, and actresses, LIU provides LILY LI the opportunity to portray a strong, complex female role.
From her very first scenes as a travelling street entertainer who defends her turf in a duel with the famous Shaolin fighter HONG XIOGUAN (aka HUNG SZE KUAN); marries him but keeps him at bay on their wedding night using her martial arts, FANG YUNG is a match for her vengeance obsessed husband.
HONG is one of the few Shaolin monks to survive the earlier massacre. In fact he and his men escaped an ambush only because one of his friends - Brother Tong - sacrifices himself to give them all time to escape.
And the same thing happens again, when he challenges ABBOT PAI MEI (aka "White Brows"), even though he is clearly no match for him. He rejects his wife's advice, seemingly because she is a woman. And using the same pigheaded logic, he makes the terrible decision not to learn her crane style.
Thankfully the son stands up to his father, and learns from his mother. When Hong returns to fight White Brows a second time, there is a sense of inevitability. The son fights to stop his father, who dissuades him with empty rhetoric, and then goes to his death.
In this film this is very significant because the filmmakers have gone to great trouble to establish a strong family unit, only to have it torn asunder because the father is too set in his ways to change. Thus the audience really does feel a sense of loss, and are saddened that the wife and son cannot put the love they have for Hong into words. The need to seek vengeance has become very personal.
The film itself has a wonderful mix of combat and training sequences; sizeable dollops of romance and humour (Cantonese style), and enough plot to hang everything together.
Best of all, it actually has something to say: the film ends, abruptly, leaving you with very mixed emotions.
I first saw this on a Southgate video. The new 2004 Celestial Pictures Region 3 DVD in 2.35 widescreen with rich saturated colours makes you want to watch the film over and over (it also has some very intriguing extras). And it does help to hear the film in its original Mandarin, rather than dubbed!
8.5/10 * a 4 star martial arts classic.
From her very first scenes as a travelling street entertainer who defends her turf in a duel with the famous Shaolin fighter HONG XIOGUAN (aka HUNG SZE KUAN); marries him but keeps him at bay on their wedding night using her martial arts, FANG YUNG is a match for her vengeance obsessed husband.
HONG is one of the few Shaolin monks to survive the earlier massacre. In fact he and his men escaped an ambush only because one of his friends - Brother Tong - sacrifices himself to give them all time to escape.
And the same thing happens again, when he challenges ABBOT PAI MEI (aka "White Brows"), even though he is clearly no match for him. He rejects his wife's advice, seemingly because she is a woman. And using the same pigheaded logic, he makes the terrible decision not to learn her crane style.
Thankfully the son stands up to his father, and learns from his mother. When Hong returns to fight White Brows a second time, there is a sense of inevitability. The son fights to stop his father, who dissuades him with empty rhetoric, and then goes to his death.
In this film this is very significant because the filmmakers have gone to great trouble to establish a strong family unit, only to have it torn asunder because the father is too set in his ways to change. Thus the audience really does feel a sense of loss, and are saddened that the wife and son cannot put the love they have for Hong into words. The need to seek vengeance has become very personal.
The film itself has a wonderful mix of combat and training sequences; sizeable dollops of romance and humour (Cantonese style), and enough plot to hang everything together.
Best of all, it actually has something to say: the film ends, abruptly, leaving you with very mixed emotions.
I first saw this on a Southgate video. The new 2004 Celestial Pictures Region 3 DVD in 2.35 widescreen with rich saturated colours makes you want to watch the film over and over (it also has some very intriguing extras). And it does help to hear the film in its original Mandarin, rather than dubbed!
8.5/10 * a 4 star martial arts classic.
The Shaw Brothers have made a bunch of kung fun movies in their lifetimes, not a single one has left me bored. In "Executioners from Chaplin", a couple bore a son whose father is trained in Tiger Boxing and a mother in Crane style. The son learns crane style kung fun, but he doesn't learn the tiger style until his father loses his life battling the eunuch tyrant Pai Mei(Lieh Lo). This brutal fighter has made his way killing anyone who would challenge his fighting style. He killed the father's master, he's killed the ones who's avenging him. So it's up to the son to get his revenge. Spending all his life learning to be warrior, he sets out to seek Pai Mei. Both men learn how to find Pai Mei's vitals. They were no good in the nether regions. And unlike his father, he was successful on getting PaI Mei. I think this movie has got a little humor in it as well. Before the son was born, the couple made their way following a side show when they met. The brothers kept their fighting skills intact throughout their lives. This movie was very entertaining, and very fun to watch. I found nothing to complain about here. A true gem here. 2 stars
This was one of those films that I watched over and over, whenever I could. I've seen it on TV, usually in NYC on Channel 5 Saturday afternoons at 1pm, 3pm, or 5pm, on Drive-In Movie. I have also paid to see it repeatedly years ago in the old Times Square movie theaters. They used to specialize in Hong Kong martial arts films before Giuliani killed them all off. That's one thing I really miss about the old Times Sq...
This movie had it all: great plot and writing, great acting and action, even great dubbing. I really wish it would come out on DVD or even VHS...
This movie had it all: great plot and writing, great acting and action, even great dubbing. I really wish it would come out on DVD or even VHS...
Kung Fu movies always seem to refer to a bewildering array of styles. this film highlights the Tiger and Crane styles and you really can see the difference in the 2 approaches.
It gives a real insight into the idea of 1 style not being able to beat another because it's too rigid and inflexible and the practioner is not as good as his opponent, hence he WILL be beaten.
Apparently this movie is about the evolution of the Huang Gar fiststyle but I'm no expert so don't know much more than that!
Liu Chia Liang directs some great sequences, the earlier ones being better (the main fights between the father/son and the priest Pei Mei seem to automated to really flow smoothly)
Some really good acting as well let down by the usual rushed dubbing.
See it but would not buy it (go for Legendary weapons of kung fu/China for a classic movie)
It gives a real insight into the idea of 1 style not being able to beat another because it's too rigid and inflexible and the practioner is not as good as his opponent, hence he WILL be beaten.
Apparently this movie is about the evolution of the Huang Gar fiststyle but I'm no expert so don't know much more than that!
Liu Chia Liang directs some great sequences, the earlier ones being better (the main fights between the father/son and the priest Pei Mei seem to automated to really flow smoothly)
Some really good acting as well let down by the usual rushed dubbing.
See it but would not buy it (go for Legendary weapons of kung fu/China for a classic movie)
A couple unite - she is fluent in the crane style of kung fu, he in tiger style. They have a son, but the boy's father is killed by the evil eunuch Bai Mei. Disguised as a girl, his mom trains him in crane style while he secretly learns tiger style from his father's training manual.
This was directed by Lau Kar-leung before his "36th Chamber" films, which are arguably some of the best-known kung fu movies ever made. I say "arguably" because my knowledge comes not from being a lover of martial arts films and more from knowing about these movies because of the Wu-Tang Clan (who, incidentally, I am also not really a fan of).
Everything you want is here. The different styles of martial arts (tiger and crane this time), and plenty of choreographed fights that look like complex dances, and the over-the-top sound effects to make each hit hit explosive. Definitely worth a watch for fans of the Shaw Brothers.
This was directed by Lau Kar-leung before his "36th Chamber" films, which are arguably some of the best-known kung fu movies ever made. I say "arguably" because my knowledge comes not from being a lover of martial arts films and more from knowing about these movies because of the Wu-Tang Clan (who, incidentally, I am also not really a fan of).
Everything you want is here. The different styles of martial arts (tiger and crane this time), and plenty of choreographed fights that look like complex dances, and the over-the-top sound effects to make each hit hit explosive. Definitely worth a watch for fans of the Shaw Brothers.
Did you know
- TriviaWu Tang Clan sampled the dubbed version of this on their song "Wu Tang Clan Ain't Nuthin To F*ck With".
- GoofsAll blood seen in the movie is a much lighter shade of red than real blood.
- ConnectionsFeatured in Films of Fury: The Kung Fu Movie Movie (2011)
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- The Executioners of Death
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