Executioners from Shaolin

This is an almost epic tale of fighter and son trying to avenge the death of the old shaolin master, fighting the evil master, infused with humor and style it follows the flight from the evil Pai Mei and his henchmen, disguising as theatre troups performing Shaolin Kung Fu shows for a period and the tiger-style fighter Hsi-Kuan settles down with a crane-style fighting wife and have a son to prepare for epic battles with Pai Mei. Hsi-Kuan's and Yung Chung's marriage and wedding night on board a boat is a very funny highlight of the film. Telling more about what happens would be telling too much, but the battles with Pai Mai are spectacularly set. 7/10

The Shaw Brothers have made a bunch of kung fun movies in their lifetimes, not a single one has left me bored. In "Executioners from Chaplin", a couple bore a son whose father is trained in Tiger Boxing and a mother in Crane style. The son learns crane style kung fun, but he doesn't learn the tiger style until his father loses his life battling the eunuch tyrant Pai Mei(Lieh Lo). This brutal fighter has made his way killing anyone who would challenge his fighting style. He killed the father's master, he's killed the ones who's avenging him. So it's up to the son to get his revenge. Spending all his life learning to be warrior, he sets out to seek Pai Mei. Both men learn how to find Pai Mei's vitals. They were no good in the nether regions. And unlike his father, he was successful on getting PaI Mei. I think this movie has got a little humor in it as well. Before the son was born, the couple made their way following a side show when they met. The brothers kept their fighting skills intact throughout their lives. This movie was very entertaining, and very fun to watch. I found nothing to complain about here. A true gem here. 2 stars

I had only just watched "Clan of the White Lotus" a month or two back, which could be seen (well in my eyes) as a more accomplished rehash of this particular period martial arts enterprise. Nonetheless the similarities in the story's structure (which is hard to pass by) doesn't matter because the Shaw Brothers and director Chia-Liang Liu along with actor Lieh Lo as the Kung Fu Master Pai Mei and minor cameo by Chia Hui Liu makes this one very enjoyable, downright flamboyant and utterly unique cult martial arts feature with a good sense of humour abound and dashing action. Pai Mei had just killed a Shoalin priest and surviving students led by Hung Hsi Kuan (ably acted by Kuan Tai Chen) vow vengeance for their master's death and that of fellow students. And it's no rush either. As Hung happily marries a strong-minded lady (a perfectly pitched Lily Li) who's well developed in the crane-style fighting and has a son while spending many years perfecting the skills and stamina of the tiger-style fighting before taking on master white brow. Cheng Kang-Yeh provides a cheeky performance as one the Shoalin students and Wang Yu is quite good as the grown up son. The pacing can be rather bumpy (especially in the leisured midsection concentrating more on the trivial aspects in the character dramas that hold the narrative), but when it came down to the atypical fighting it was excitingly displayed with verve-like camera-work working around the smooth, but tough choreography with numerous, long encounters. Maybe repetitive but never dull, although the ending is a little disappointing in the way it just seems to finish hastily.

EXECUTIONERS FROM SHAOLIN is director LIU CHIA-LIANG (LAU KAR-LEUNG) very different contribution to the Shaolin Temple series, begun by CHANG CHEH. Unlike CHANG who seems to have a strong dislike for women, and actresses, LIU provides LILY LI the opportunity to portray a strong, complex female role.

From her very first scenes as a travelling street entertainer who defends her turf in a duel with the famous Shaolin fighter HONG XIOGUAN (aka HUNG SZE KUAN); marries him but keeps him at bay on their wedding night using her martial arts, FANG YUNG is a match for her vengeance obsessed husband.

HONG is one of the few Shaolin monks to survive the earlier massacre. In fact he and his men escaped an ambush only because one of his friends - Brother Tong - sacrifices himself to give them all time to escape.

And the same thing happens again, when he challenges ABBOT PAI MEI (aka "White Brows"), even though he is clearly no match for him. He rejects his wife's advice, seemingly because she is a woman. And using the same pigheaded logic, he makes the terrible decision not to learn her crane style.

Thankfully the son stands up to his father, and learns from his mother. When Hong returns to fight White Brows a second time, there is a sense of inevitability. The son fights to stop his father, who dissuades him with empty rhetoric, and then goes to his death.

In this film this is very significant because the filmmakers have gone to great trouble to establish a strong family unit, only to have it torn asunder because the father is too set in his ways to change. Thus the audience really does feel a sense of loss, and are saddened that the wife and son cannot put the love they have for Hong into words. The need to seek vengeance has become very personal.

The film itself has a wonderful mix of combat and training sequences; sizeable dollops of romance and humour (Cantonese style), and enough plot to hang everything together.

Best of all, it actually has something to say: the film ends, abruptly, leaving you with very mixed emotions.

I first saw this on a Southgate video. The new 2004 Celestial Pictures Region 3 DVD in 2.35 widescreen with rich saturated colours makes you want to watch the film over and over (it also has some very intriguing extras). And it does help to hear the film in its original Mandarin, rather than dubbed!

8.5/10 * a 4 star martial arts classic.

The film opens with Pai Mei using his retracting groin skills (no – seriously) to defeat a Shaolin master Zhishan, scattering his students. Pai Mei sends his Governor Kao Tsinchung and his soldiers after the students and, while leader Tung Chinchin makes a heroic stand, Hung Hsikuan leads the rest to safety, vowing to return and avenge his master and Tung. Hiding out as a traveling opera company, Hsikuan is leading the students as a master of tiger style when he meets performer Ying Chun, a master of the crane style. The two fall in love and will eventually have a child called Wending, although as the decades pass and Hsikuan trains, both he and Chun know that he must return to face the white wispy haired danger of Pai Mei.

Just like the martial arts which Wending will grow up developing, this film is a real mix of things that don't always seem like they should work but generally do. The plot is straightforward "avenge your master" stuff but it is spread over decades and involve several confrontations to good effect. The central villain should be comically silly with his ability to essentially lift his genitals back into his body, but aside from it looking a bit silly, it doesn't affect the tone of the film. At the same time we also have the romance between Hsikuan and Chun, and lots of comic moments as well as moments of death or loss. All told it is a total mix and it could have been that none of it worked but actually it gels very well and at only 90 minutes doesn't feel too long or that it crams things in.

The comedy is genuinely cheerful and funny while the romance between the two leads actually works and is quite sweet. The fight sequences are frequent and impressive, with a brutal tone to much of the film which keeps you interested. Chen Kuantai is very good in the lead – a likable type even if he doesn't age particularly convincingly. Li Lily works very well with him – I liked her as I have in other things and the two have a good chemistry. Gordon Liu is a nice find (I get the reference now) and makes a good villain despite the slightly daft special power he has. Chiang Tao is a decent presence but I particularly liked Wong Yue as the oldest version of Wending – he was fun and fitted well into the family of the leads. The sets and direction are roundly good and the film has an enjoyable pace to it which is consistent no matter what is happening.

With such a mix of content, it is impressive that it all gels so well and in the end, Hong Xi Guan is a very enjoyable film with lots to enjoy.