During the 1920s, French Foreign Legion Major William Foster's (Gene Hackman's) unit is protecting an archaeological dig, but the discovery of an Arab sacred burial site prompts the angry Ar... Read allDuring the 1920s, French Foreign Legion Major William Foster's (Gene Hackman's) unit is protecting an archaeological dig, but the discovery of an Arab sacred burial site prompts the angry Arab tribes to attack Foster's small garrison.During the 1920s, French Foreign Legion Major William Foster's (Gene Hackman's) unit is protecting an archaeological dig, but the discovery of an Arab sacred burial site prompts the angry Arab tribes to attack Foster's small garrison.
- Andre
- (as Gigi Bonos)
- Second German
- (as Mathias Hell)
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I'm a big Gene Hackman fan and a war film fan so I didn't think I could go wrong purchasing this sight unseen.
Without detailing the plot too much, it is fair to say that this is standard Legionnaire in North Africa fare and not a lot different from Films like Beau Geste and the Van Damme Legionnaire film (which would seem to be a vastly inferior remake of this film).
The film starts at a slow pace. In some of the early bits the acting is a bit wooden and the film also gives the appearance of being made for TV (it gets much better).
Unfortunately the picture was a little bit grainy and I doubt it is a big enough film for any kind or restoration to ever be done on it.
Through reading the boards for this film it seems that there have been some cuts made to the Region 2 DVD and this may explain why the film seemed a bit slow to develop.
I was particularly impressed with the locations and sets used.
Hackman also started slowly but got better as the movie went along and he really hit his straps later in the film. Terence Hill was very good in a sort of role I haven't seen him in before.
The film takes the time to highlight the stereotypical harsh living conditions endured by the men in the Legion and also the strict discipline imposed on them, many of whom come from ill-disciplined backgrounds.
The injection of a love story into some war films (like Enemy at the Gates or Pearl Harbor) detracts from the overall quality of the film and seems to be done to create a wider audience appeal. In this film that is certainly not the case and the romance between Hill and Catherine Deneuve's characters seems to complement the rest of the film nicely.
There is only one real battle scene which comes towards the end of the film but it was worth the wait. Prior to this there are a couple of other tense scenes involving the Legionnaires and the Arabs.
The final battle can only be described as epic. It was one of the better large scale battle scenes I have seen in a movie (no CGI when this was made).
The film was not without some faults (I may be mistaken but my understanding has always been that while men of many nationalities serve in the Foreign Legion, the officers are all French) but it is certainly underrated.
Much better then some recent Hollywood fare we have been served up such as We Were Soldiers (also reviewed by me) and Windtalkers
I give it 7 out of 10.
Well worth seeing if you like a good war film.
This is an early production from Jerry Bruckheimer who in the 1980s went on to be the most successful commercial film producer in Hollywood . His films included BEVERLEY HILLS COP , FLASHDANCE and TOP GUN . His films were rarely a hit with critics but what he was very good at was mixing aspects to gain maximum publicity for movies and fill multiplexes . Who can forget Eddie Murphy driving along LA with The Heat Is On blasting out in the foreground or or boys and girls flocking to the cinema in equal numbers to see Tom Cruise fall in love and shoot down enemy jets after which the audience would buy the official soundtrack album . Studios are only interested in profit margins and if a film makes a ton of money then who cares if it didn't win an Oscar ? You have to admit Bruckheimer was always excellent at whta he did
MARCH OR DIE shows early signs at what the producer was trying to achieve - make a film that would appeal to the action adventure market while still appealing to critics . It's interesting during this early period of his career Bruckheimer still might have wanted to win an Oscar for Best Film . THE CULPEPPER CATTLE CO. and FAREWELL MY LOVELY both directed by Dick Richards are two very impressive films from The New Hollywood period and you can see in this film a mix of character exploration and big battle action sequences
The problem is that it doesn't quite come off . You can see Gene Hackman, Major Foster as a tortured man with ghosts from the past realising the only way to lay his demons to rest is via Catherine Deneuve's Mme Picard but the film concentrate too much on Terence Hill's Marco to make this possible . Hill effectively plays the comic acrobatic character which he was best known for in the Italian Westerns alongside Bud Spencer and Marco - unlike Foster - never comes across as a real life character . Likewise the rest of the characters who join the Legion are entirely one dimensional clichés
Two things that do work is firstly El Krim the noble but superstitious leader . In 1977 the average Westerner would have little reaction to the word " Muslim " one way or another . Certainly El Krim is the villain of the story but he's written and played by Iah Holm as someone who fears progress rather than someone who just wants to slaughter Infidels . You wouldn't get a Muslim baddie like this in a movie nowadays . Secondly the long awaited battle sequence when it does come certainly doesn't disappoint
In summary MARCH OR DIE is a historical epic that that tries to appeal to everyone at the same time while never consistently appealing to anyone . That said is rather impressive in parts but you do feel slightly upset that the movies can't sustain it over the whole course of the movie and it does contain a lot of dross
This adventure-epic movie contains agreeable acting , drama , noisy action , breathtaking battles and spectacular outdoors . Filmed on location in the Sahara desert , including an impressive production design by Gil Parrondo and marvelous cinematography by excellent cameraman John Alcott . The movie belongs to Foreign Legion genre , the story gets reminiscent with classic movies such as ¨Under two flags¨ (with Ronald Colman) , ¨Beau Geste¨ (Gary Cooper)¨and recently made ¨Legionnaire¨ (with Jean Claude Van Damme) . The pic was lavishly produced by the famous producer Jerry Bruckheimer along with Lew Grade . The motion picture was professionally directed by Dick Richards , and he gets efficiently to remain the adventure and action until the final . Before entering the film industry , Dick Richards was a contributing photographer for Life magazine , subsequently turning into filmmaking . Richards is a good craftsman who has directed a few films but of great quality , such as ¨The Culpepper Cattle¨, ¨March or die¨ , Death valley¨ , ¨Rafferty and the Gold Dust Twins ¨and ¨Farewell my lovely¨ at his best . In addition , he found the script for 'Tootsie' and co-produced it with Sydney Pollack . Rating : Acceptable and passable . Well worth watching for Gene Hackman fans and adventure cinema enthusiasts.
Did you know
- TriviaWhen Gene Hackman started having back pain, the movie's insurance company refused to allow shooting to continue because a permanent injury to Hackman could have cost it a lot of money. The insurers suggested shooting the movie in the United States, but sand dunes in Nevada were not the same color as sand dunes in Agadir. Several big American transport planes were used to transport tons of sand from the Agadir dunes in to camouflage the sand of Nevada. (Source: Beyond Casablanca, Page 131).
- GoofsThe Legionnaires wear prewar dark blue uniforms and greatcoats. The French Foreign Legion adopted a khaki field uniform in 1907.
- Quotes
[last lines]
[facing a line of new recruits, citing Major Foster's earlier speech]
Marco Segrain: Some of you men will try to quit. Others will try to run away. No man in this command as ever succeeded. If the Legion doesn't get you, the desert will. If the desert doesn't, the Arabs will. And if the Arabs don't, then I will. I don't know which is worse.
- Alternate versionsThe one major network showing of "March or Die" was considerably different from the original release, with a great deal of additional footage and a completely different ending. At the end of the original release Marco (Hill) gives a rousing speech to replacement Legionnaires, which is word-for-word the same speech Foster (Hackman) gave recruits near the beginning of the film. (To potential deserters: "If the Legion doesn't get you, the Arabs will. If the Arabs don't get you, the desert will. And if the desert doesn't get you... I will.) A caravan is leaving the fort behind Marco as he gives his speech. The original release ends on this note, implying that Marco has stepped into Foster's shoes as loyal Legion commander. In the network showing, after Marco delivers his speech, we see Marco deserting. He has slipped into Arab garb and joined the caravan leaving the fort. The Sergeant-Major is shown smiling at him, implying that he is complicit in Marco's desertion. Also in the network showing: A fierce desert battle between a legion column and Arab raiders. The entire battle is deleted from the original release. The column is led by the mean Lieutenant. In one scene, the mean Lieutenant is shown placing a pistol to his head and committing suicide. The scene does not appear in the original release. In addition, in the original release, the footage of the mean Lieutenant firing his pistol during the column's battle with raiders, is edited into the final battle scene at the archaological dig. The effect is quite jarring, as he has not been present for about a third of the film.
- ConnectionsFeatured in 42nd Street Forever, Volume 4: Cooled by Refrigeration (2009)
- How long is March or Die?Powered by Alexa
Details
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $1,000,000
- Gross worldwide
- $1,000,000