Citizens Band

This here is a forgotten little movie about a small town that communicates less than amicably via CB radio. I don't say that it's a forgotten little gem, like it would've been expected of me to say after 'forgotten little' because it's not really a gem. That's not to say it doesn't attempt some interesting things, and occasionally succeeds. At the center of the story, I think, is a young guy who repairs said radios and volunteers with a monitoring organization and acts as a sort of community FCC, busting everyone's balls on the somewhat taboo things they talk to each other about on this sort of walkie-talkie sort of system. Everyone's anonymous, it's very rare that this stickler of a guy can deduce who is who when he hears them and objects, and what it makes me think of as a young guy myself, watching it on a library VHS in the year 2010, is an earlier, unofficial form of social networking that is ubiquitous nowdays. MySpace, Facebook. REACT International is like a poor Mormon in a room full of rich atheists now.

Citizens Band is interesting because it was made in 1977 and I'm watching it now. Other than that, it's decent, but nothing really pops out at me. I stand by my claim of an uncanny parallel between the abuse of a citizens-band radio and the online networks of the information age. Look at what these characters do! Calling themselves by monikers on the airwaves such as Chrome Angel, Dallas Angel, Papa Thermodyne, Hot Coffee. Isn't that what we did for years on MySpace before we got sick of it and gravitated toward Facebook and started using our real names? At its core though, Citizens Band, or Handle With Care, as it is known in a further edited version, is a B comedy about an assortment of deadpan screwballs. That's not bad at all. Don't get me wrong. It feels like an Altman film in ensemble, in situations, in the depiction of a fully realized world of people, and certain plot strands are kind of novel and fun for that reason, such as when two women meet on their way to the same town, and find out they have more than a lot in common. Demme never looks down on his working class characters, displaying instead a compassion and empathy. Even a polygamist trucker, our young protagonist who in this day and age would probably be written off as a McCarthy or Murdoch sort of oppressor, and even his controlling, competitive older brother.

Having seen Demme's later work, from the 1980s and his obvious crowning achievements later on, I suppose I expected more of his love of music as well, and there is very little. But who am I to criticize a filmmaker at the start of his career, making B films and exploitation films, trying to get started, feeling out his strong suits and his weak ones? The reasons why an above-par director could've made a sub-par film is often because he has yet to discover the sources of his passions, the key to his craftsmanship. Citizens Band is one of those sub-par films by one of those above-par directors. And don't miss Bruce McGill in his first film. That's right, pre-D Day!

I especially enjoyed this film because I was present when it was made in Marysville, CA. I worked security for the film and in fact I drove the police car flashing the spotlight when the cows were let out of the truck and made a mess all over the parking lot. The cow manure was hand made by compost purchased at the local Montgomery Wards Store. It was fun to watch it being made and the money wasn't too bad either. Charles Napier was a lot of fun to talk to as was most of the crew and cast. Paul LaMat wasn't too friendly but I guess he had more important things on his mind other than talking to peons. It amazed me how the talented the crew and prop people are, making cow dung, etc. to look so very real. Several movies have been made here in the 60's and 70's and most are supposed to be made in small southern towns.

In the heartland town of Union, Blayne Lovejoy (Paul Le Mat) is a young man who volunteers for REACT (Radio Emergency Associated Communication Teams) offering assistance under the handle of "Spider" to truckers and motorists via CB while working in CB Radio repair. Blayne lives with his father Floyd "Papa Thermodyne" (Roberts Blossom) which has put a strain on Blayne as he's recently ended his engagement with Pam (Candy Clark).

Citizens Band (Also known under the titles of Handle with Care and The Great American Citizens Band) is a 1977 dramedy film directed by Jonathan Demme and written by Paul Brickman who'd eventually write Risky Business. The film was one of a number of film's put out by Hollywood during the height of the CB fad with hits such as Smokey and the Bandit and Convoy to more obscure works such as Smokey Bites the Dust. Several directors passed on the project until Jonathan Demme accepted the role of director having fallen in love with the characters of the script rather than the story itself. Made for a budget of less than $2 million, Paramount hoped the film would be a sleeper hit and adopted a "wait and see" approach with the film given very little marketing or promotional push with the hope being the film would be spread by word of mouth and catch onto the CB wave. The film underperformed at the box office with Paramount eventually recalling the prints and trying to release the film under the new title of Handle with Care after coming to believe the film was being mistaken as a musical for the presence of "Band" in the title. While critical reception was positive and actor Peter Falk loved the film enough to bring Demme on to Columbo to direct an episode, the movie has largely fallen into obscurity which is a shame because it's way better than stuff like Convoy or various other films that tried to tap into the CB Radio craze.

At its core, Citizens Band is a character study of small town and on the road eccentrics who come together via CB adopting various handles and identities that come with those handles with the characters' interactions over CB often revealing thoughts and motivations left unspoken or muted in their interpersonal connections. Paul Le Mat is really good as Blayne Lovejoy "Spider" who is torn between loyalty to his ailing father and his desire to make something of his life which has left him strained in his relationship with his ex-fiance Pam and brother Dean who are well-played by Candy Calrk and Bruce McGill. Despite taking more of a dramatic turn with CB Radio in comparison to Smokey and the Bandit or Convoy, the movie still allows for humorous asides such as a subplot involving a trucker named "Chrome Angel" played by Charles Napier who has two wives in Portland and Dallas who come to be aware of each other leading to a messy situation that is mediated by prostitute "Hot Coffee" in a scene that's uncomfortably funny. The one downside of the film is the ending which has a search and rescue climax that feels very at odds with all the time we spent building up the characters and their personalities and it doesn't feel like it addresses everything that was set up.

It really is a shame Citizens Band was such a flop upon release because if Paramount had put faith in the film it probably could've tapped into the same blockbuster status Smokey and the Bandit rode despite being released in the shadow of Star Wars. If you have the wherewithal to check out Citizens Band I highly recommend you do so.

Speaking of whimsy (I just saw Life Aquatic), here's another ensemble piece, this one centered on an array of Southern jes' folks who live out their fantasy lives via CB radio. From bigamist trucker to alcoholic dad to humorous Nazi to overbearing but good-hearted gym teacher to every individual we glimpse in between, everyone is acutely and humanely drawn, and the action moves forward in an organic, relaxed way that is extremely endearing. Only at the end, when the whole ensemble converges to witness the dad's happy redemption, do things feel badly contrived; up to then the gentleness and fluidity of Demme's and writer Paul Brickman's conception carry us along smiling.

This movie was made in the 1970s (3 years after American Graffiti) when use of the Citizens Band radio was at it's all time high. Hollywood, not being one to let a good craze go untapped when they can make good money from it, did EXACTLY that with this movie. Starring Paul Le Mat and Candy Clark, both of American Graffiti fame, it chronicles the lives of some CB radio fanatics living in a rural town who have nothing better to do than "Be someone else" on the radio.

Paul Le Mat (Spider)plays a CB regulator of sorts, a REACT station operator, who goes on a crusade to clean up the airwaves. he tries to accomplish this by cruising around in his very cool 1956 Chevy Nomad Stationwagon CB equipped of course! He peruses The Hustler, a 10yo self proclaimed ladies man for using ch9, the emergency channel. He also goes after Grandma Breaker, a non stop talker for keeping the channel all locked up 24-7. He goes after The Rad Baron, a Nazi wannabe who hates everything and everyone NON white. He goes up against The Priest, played very well by Ed Beagly Jr, who turns in a very believable performance for preaching the gospel on the radio without a license. He only breaks off his pursuit of these folks when he and his buddy almost get shot by the Red baron who catches them in his yard.

One must take this movie for face value in that it is a relatively simple movie but the actors and direction is perfect for portraying the lifestyle of rural CBers in the America of the times.

One of the greatest lines in the movie, spoken my Paul (Spider) is "No one in this town is who they are supposed to be!" He is referring to the fact that people on the radio are sometimes far different in real life, an alter ego of sorts, compared to reality. His girlfriend Candy Clark plays Elektra, a sexy talking lady on the radio who talks dirty to other CBers (like Warlock) in an attempt to rid herself of the small town blues. Then there is Chrome Angel, who gets stuck in town after a trucking accident after Paul (Spider) saves his life because of his REACT station. Chrome Angel is a bigamist who's two wives come to meet him unknown to each other till they meet on the bus. Paul's Father, Papa Thermodyne, is an ex trucker who seems to listen to only what comes over the CB so much so that Spider has to use a CB in another room to talk to him. It is only when Papa Thermodyne gets fed up and leaves home suitcase in hand, attempting to walk to Canada and everyone has to band together to find him that everyone gets along.

The movie has a good pace as well, never getting boring especially if you were also a CB junkie in the 60s~the 80s. Great acting, great script, great characters. Definitely a worthwhile watch! I highly recommend it and since it is available instantly you know where, it is a great watch. I wish it was available on DVD as I would buy it.