Haunts

Director Herb Freed isn't exactly celebrated for his contributions to horror cinema, but personally I can't say he let me down already. "Beyond Evil" (starring John Saxon!) is a decent haunted house chiller and "Graduation Day" is an over-the-top insane & gory 80's slasher flick. "Haunts" is a whole lot less exciting than the two aforementioned titles, but Freed also clearly didn't want this film to be a gross and outrageous horror smut fest. Wrongfully promoted as a psycho-killer-on-the-loose flick, "Haunts" is actually a lot more effective as a psychological portrait about a dame in distress. Ingrid (May Britt) is a deeply religious farmer woman living on her own and suffering from a frigid sexuality as well as fear of male commitment, inflicted by some obscure childhood traumas. When several young women are found brutally murdered in the little town, Ingrid loses her sanity and starts to spot perverted murderers everywhere. Some other reviewers already made the comparison between "Haunts" and Roman "Repulsion", which is a righteous one, albeit Polanski's classic is naturally a lot more intense and frightening. Still, this is an atmospheric low-budget thriller with slow-breeding suspense and a handful of memorable moments. The scene where Ingrid discovers the corpse of her murdered woman amidst her farm animals, for example, is pretty damn creepy! The picture quality is truly poor and urgently needs restoration, but this shouldn't keep admirers of obscure 70's gems from purchasing a copy of this film. The cast features some familiar names, like Cameron Mitchell as Ingrid's suspicious uncle and Aldo Ray as the town's fatigue Sheriff. Decent thriller, as long as you don't anticipate wild gore or gratuitous sleaze.

Haunts was a random pick n mix movie for me, I had no idea what I was getting myself into and movies like this make me regret ever doing that.

It tells the story of lady who believes her uncle is responsible for a series of killings in the area with a pair of scissors, but there is more to the story.

I say "Story" very loosely, as though there is one it's an unstructured abyssmal abomination of an attempt at one.

The movie is horrifically boring, totally lifeless and at no point did I feel engaged or even remotely begin to care about a character or outcome of the movie.

Certainly one of the worst films I've seen lately, this is not a clever psychological thriller as it seems to refer to itself. It is instead a 90 minute sleeping pill (Side effects may include boredom and a severe migraine).

The Good:

Not a sausage

The Bad:

Incredibly unengaging

Muddled plot

Things I Learnt From This Movie:

The lord giveth and the lord taketh away

A cross around the neck has yet to save anyone

Haunts is perplexing and flawed, but still offbeat enough to maintain interest. Swedish May Britt gives a very good performance as a repressed, tormented, fanatically religious farm girl in a town plagued by a brutal sex murderer. Despite the potentially lurid subject matter, it's all handled with a very subtle approach (even in the uncut R-rated version). Well-cast (though Aldo Ray deserved better and Cameron Mitchell doesn't have much to do) and graced with a lush Pino Donaggio score and beautiful but unpolished photography, it has some standout moments; one unforgettable scene has Britt driving, with the scenic reflections in the windshield melding into a montage of flashbacks. What hurts it are too many routine passages, klutzy red herrings, a lack of momentum, and extraneous material. Sometimes it becomes quite frustrating, but patience is ultimately rewarded by a very original twist at the end. Most certainly not for everybody, but worth seeing if you're an art fan looking for a change of pace.

Trivia note: Copyrighted 1975, Haunts was shelved until 1976 when Intercontinental released it to theaters of confused moviegoers.

I think the other reviewers here and elsewhere (myself included) were thrown off by the fact that the video distributors have incorrectly packaged this as another cheap '70s slasher/exploitation movie, and that's the reason for the negative reviews. This film is meant for a completely different audience. I myself started to become disappointed partway through the film when there was little action, but then I realized that this is not a typical slasher flick, but more of a Stephen King-style psychological horror film about the demons of small town life. That is when I started to enjoy it. Like King's novels, the story builds slowly, and there are several peripheral characters who may seem unimportant to the main storyline but contribute to the overall atmosphere. The movie does not have much gore or any nudity, but this is the kind of film that succeeds almost purely through its vivid, austere atmosphere, which was done so well that some of it reminded me of the work of Ingmar Bergman. The film isn't perfect, but director Freed shows a good eye for detail, and the washout cinematography is striking. I had never seen any of the actors elsewhere, but May Britt's lead performance was very competent. This is definitely not the kind of film for hardcore horror film buffs, as it doesn't fit under that genre category very well. Rather, it is a film for more serious, patient viewers who can appreciate a slower pace without instant rewards. For them, this is well-worth checking out.

I voted 10 because i had a small part in the film (the bartender) and having been a big fan of Aldo Ray - younger gen's won't know that in his time Ray created the same kind of electricity in the film world for his unique approach to acting as did the likes of Dean & Brando (however short lived that electricity may have been)- I was thrilled to be able to chat and hang with him on set. Herb Freed & Anne Marisse were extremely kind and lovely people to work for and with. This was the second film I worked on in Mendocino, CA - the first one still has ghosts attached to it. Many LA film companies used Mendocino, CA as their location. Perhaps the most notable (and certainly the funniest) was "The Russians Are Coming/The Russians Are Coming". Many years later, TV came to town to shoot exteriors for "Murder She Wrote".