MacArthur

No matter what you have to say about MacArthur, critical or otherwise, he shaped events in the Pacific theater of World War II to give him a part of history in the twentieth century. In this well done production with Gregory Peck in the leading role, he gives a candid performance of the flamboyant and publicity seeking authoritative General who turned earlier defeat into ultimate victory. His great speech on arrival from the Phillipines, by train at Spencer Street Station in Melbourne Australia in March 1942 incorporating those famous words - " I came through and I shall return" - was an inspiration to many Australians during their darkest hour.

From the time of his arrival in our country he quickly abandoned the idea of defending any mainland invasion by the Japanese and decided on an offensive in New Guinea as a counter attack. Peck is perfect in the role of the self minded MacArthur doggedly pursuing the Japanese back to their homeland while arguing with his own superiors, including U.S. President Franklin D. Roosevelt over his earlier promise to liberate the Phillipines, which was planned to be bypassed. After the Japanese surrender, MacArthur becomes virtual ruler of Japan modifying old customs and instituting sweeping land reforms. His authority remained absolute until the outbreak of the Korean War in 1950, when he clashed with new U.S. President Harry Truman over his successful campaign against the North Koreans and his intention to take on their Communist Chinese backers. Truman, wanting to avoid another world conflict, relieves MacArthur of his command and he is recalled home. Peck is magnificent with his captivating speech before a band of West Point recruits where he details his life and closes the movie with that famous caption " Old soldiers never die - they just fade away". This movie is a must for the younger generation of this world, to know that today's freedom was the result of the sacrifices made by their forbears.

To add a final footnote my mother worked at Archerfield aerodrome in Brisbane in 1942 with her sister where they were employed as aircraft riveter's being responsible for the repair of the fuselage of damaged U.S. Aircraft used during the defense of our country during World War 2. She told me well before her death in March 2004 how she took her limited time off from work to travel to central Brisbane just to watch General MacArthur walk down Queen Street from his home base at Lennons Hotel to the AMP building in Edward Street where he had his headquarters.

She said what a fine figure he cut, tall and handsome, and full of confidence in his goal of supreme victory. Her expectations in the faith of this great American General were ultimately justified. We are a free country today for the contribution of his great military expertise in the time of our greatest need.

It is inevitable that MACARTHUR will be compared to PATTON, the other military biopic produced by the late Frank McCarthy. Such comparisons are unfortunate because their subjects are vastly different, albeit controversial figures, and each film takes a different approach in examining their impact on history.

George S. Patton commanded an Army formation in Europe while Douglas Macarthur commanded an entire theater of operation in the Pacific. By his own admission, Patton never had any political ambitions, while MacArthur definitely had such aspirations. Patton's political naivety made him ill-suited as the postwar occupation commander in Bavaria while MacArthur's political astuteness served him well during the occupation of Japan.

Yet both men were great, if iconoclastic military leaders. Patton's brilliant northern pivot during the Battle of the Bulge is matched by the MacArthur's daring amphibious landing at Inchon. And both men believed strongly in their destiny; Patton's belief was based on reincarnation while MacArthur was motivated by following in his illustrious father's footsteps.

Surprisingly, PATTON is the much more succinct, less ambitious film than MACARTHUR. It concentrates on its colorful, mercurial main character during a comparatively brief two-year period between the American defeat at Kasserine Pass in early 1943 to Patton's dismissal prior to his death in late 1945. Although we see Patton's conflict with Omar Bradley, Bernard Montgomery, and Bedell Smith, we never see his interaction with General Dwight Eisenhower, Prime Minister Winston Churchill, or General George Marshall, the U.S. Army's chief of staff.

MACARTHUR is a much more ambitious film, covering nearly a decade from the fall of Bataan in early 1942 to MacArthur's dismissal in 1951. Additionally, MACARTHUR shows a wider range of conflict between MacArthur and such individuals as Admiral Nimitz, General Marshall, ambassador William Averell Harriman, and Presidents Roosevelt and Harry S. Truman.

So, does MACARTHUR match PATTON as a groundbreaking biopic? No, it doesn't.

MACARTHUR lacks the insightful, acerbic screenplay that Francis Ford Coppola and Edmund North supplied PATTON. The direction by TV veteran Joseph Sargent is yeoman-like where the late Franklin J. Schaffner offers a more vigorous, hell-for-leather approach to PATTON. Both films are handsomely mounted productions that serve as a tribute to acumen of the producer McCarthy. Both movies benefit from film scores by the ever-reliable Jerry Goldsmith.

While PATTON has its main character departing in a Valhalla-like denouement, MACARTHUR is book-ended by the legendary speech that the old soldier delivered to the cadet corps at West Point in 1962 as a final valedictory.

At the heart of both films are the extraordinary performances of their lead actors. The late George C. Scott's portrayal of Patton is justly remembered, but Gregory Peck delivers a performance that is both subtle and unapologetic and helps to elevate this often-pedestrian production to a higher level. Peck's portrayal is reminiscent of his work in TWELVE O'CLOCK HIGH, but with the added weight of an additional thirty years of experience and craftsmanship that this great actor brings to bear to this role. Peck is ably supported by Dan O'Herlihy as FDR and the late Ed Flanders as Harry S. Truman.

Finally, I must note the presence of Dr. D. Clayton James, the author of the standard multi-volume biography of MacArthur, who served as this film's technical advisor.

Nice biographic film about controversial as well as flamboyant General masterfully played by Gregory Peck and who was Chief of Staff of the United States Army during the 1930s to 1940s and played a prominent role in the Pacific theater during World War II , having received the Medal of Honor for his service in the Philippines Campaign .

Agreeable biopic about the famed general concerning the latter years of his long military career , it starts with his assumption of command of the Philippine army and subsequent retreat ; going on through Inchon landing , China invasion on Korea crossing over parallel 39 and his sacking by President Harry Truman . This is a pretty good film with plenty of emotion , drama , biographic elements , historical events and Peck is spellbinding in the title role . The flick describes efficiently his particular character , complexity and the controversy that surrounded him . Very fine acting by the great Gregory Peck as military chief , he even bears remarkable resemblance to Douglas MacArthur , he had some of his hair shaved off since the real General was quite bald . Peck' outstanding acting arranges to bring alive this historical role , who strode a fine line between demigod and expert battlefield commander . Originally made for TV , it has a long runtime , at 144 minutes , being cut for cinema release . The picture gets magnificent interpretations from prestigious secondaries playing Generals and historical roles such as Kenneth Tobey (Adm. William 'Bull' Halsey) , Gen. George C. Marshall (Ward Costello) , Addison Powell (Fleet Adm. Chester W. Nimitz) , Dick O'Neill (Col. Courtney Whitney) , and Presidents as Dan O'Herlihy (Franklin D Roosevel) , Ed Flanders (Harry Truman) , and John Fujioka (Emperor Hirohito) . This is an engaging warlike drama made at the better for its historic resonance and will appeal to Gregory Peck fans.

Well produced by Frank McCarthy who also financed other warfare movies such as ¨Decision before dawn¨, ¨Single-Handed¨, ¨Fireball Forward¨ and ¨Patton¨ . This solid motion picture was professionally directed by Joseph Sargent , though it holds a certain television style . Sargent is an expert on biography and specialist on historical narrations , as he proved in 'Mandela and Clerk' , 'Abraham , 'McArthur' , 'When the lions roared' which reunited to Stalin , Churchill and again Roosevelt , 'Day one' with Oppenheimer and General General Groves and 'Warm Springs' about Franklin D Roosevelt ; these films don't pack the punch that he achieved in his best movie resulting to be 'Taking of Pelham one , two , three' .

And adding more biographical elements about this military hero : MacArthur was recalled to active duty in 1941 as commander of United States Army Forces in the Far East. A series of disasters followed, starting with the destruction of his air forces on 8 December 1941, and the invasion of the Philippines by the Japanese. MacArthur's forces were soon compelled to withdraw to Bataan, where they held out until May 1942. In March 1942, MacArthur, his family and his staff left nearby Corregidor Island in PT boats and escaped to Australia, where MacArthur became Supreme Commander, Southwest Pacific Area. And General Douglas MacArthur pronounces his famous line : "I will return" . For his defense of the Philippines, MacArthur was awarded the Medal of Honor. After more than two years of fighting in the Pacific, he fulfilled a promise to return to the Philippines. He officially accepted Japan's surrender on 2 September 1945, aboard the USS Missouri anchored in Tokyo Bay, and oversaw the occupation of Japan from 1945 to 1951. As the effective ruler of Japan, he oversaw sweeping economic, political and social changes. He led the United Nations Command in the Korean War until he was removed from command by President Harry S. Truman on 11 April 1951. He later became Chairman of the Board of Remington Rand.

Unlike Patton, Pershing, Grant or Eisenhower, MacArthur is a many sided character and Peck played the part as I believe MacArthur really was. The positive PR version produced by the U.S. Army in the l940's or the negative liberal press version of the l950's are very limited in their understanding of this great man. I have always believed that MacArthur was a turn of the century progressive much like Teddy Roosevelt, at the same time both imperial and caring, who lived past his time into the l960's. His tactical decisions were unmatched by any general in our history. His speeches rival those of William Jennings Bryan or Patrick Henry and I'm sure many wish we could send him and his administrative skills to Iraq to put that mess back together. In the years since his death a small cult has grown up around his memory much like Robert E.Lee and to some his words are almost mystical. He was a major player in one way or another in WWI, the depression, WWII, Korea and if you count his death-bed plea to President Johnson to get our troops out of Vietnam, even the Vietnam War. If you want to stretch things even farther, he can be tied to turn of the century imperialism and the Spanish-American War through his part in the Philippine Insurrection following the Spanish-American War and if you must, the Indian Wars which he experienced as a small boy with his parents. He has been described as a conservative, a liberal, a militant and a pacifist. How could one man be so much a part of the 19th century and believe in war only between individuals(like Custer and Crazy Horse) or as in feudal times yet advocate A-bombing China? He is always described as arrogant and overly dramatic but like Grant he wore a simple 2nd Lieutenant's uniform with five stars on the shoulder minus all the medals that the "G.I. generals" wore. I believe his love for the people of Asia was sincere and in this was he was like Alexander or Caesar. We are fortunate Gregory Peck did play MacArthur as such a complex individual. To focus only on the Five-Star General with the corn-cob pipe is to miss the the big picture. No wonder Patton is so easy to watch compared to MacArthur. I have seen the movie at least 15 times and am still moved by it.

This is a sound and thoughtful performance by Peck, who was saddled by a Ciceronian script, some of it presumably emanating from MacArthur himself.

MacArthur's conviction that war is a great evil is convincingly portrayed, as is the relish of a general doing the only thing for which he was trained: the prosecution of war to the utmost severity.

The real heroes of this movie are the politicians. Not just Roosevelt, but also the caricature of Truman, and the never seen or heard Eisenhower (a good clerk according to Peck's MacArthur). This movie reminded me that it is as important for a politician to compromise as for it is a general to combat.

MacArthur's greatest opportunity was to become military ruler of a defeated Japan, for 3 years. It appears that he seized this to some good effect. He later claimed that:

"The Japanese people since the war have undergone the greatest reformation recorded in modern history. With a commendable will, eagerness to learn, and marked capacity to understand, they have from the ashes left in war's wake erected in Japan an edifice dedicated to the supremacy of individual liberty and personal dignity, and in the ensuing process there has been created a truly representative government committed to the advance of political morality, freedom of economic enterprise, and social justice."

In this one seems to hear the tone of a general boasting about his troops. That is no small thing: for a fighter to impose a peace, on more or less unconditional terms, and seek to reconstitute, rather than to humiliate. He would have made an abominably bad politician, but as interim ruler he ain't done so bad, according to this thoughtful movie.

7/10 for movie making; 8/10 for thought provocation.

David Broadhurst