Death of a Corrupt Man

I watched this film for its legendary Stan Getz soundtrack and the mesmerising Ornella Muti. But like the annoying Deer Hunter where the totally virtuous hero will leave no stone unturned for his friend and is afraid of nothing and no one, Delon battles the entire corrupt establishment single handedly and no bullet ever touches him. Actually the Deer Hunter is a lot better than this in that great realism and characterisation is set up in the first half then you have the unrealistic second half. In Delon produced films you usually have him in every single tiresome shot and he is totally invincible, uncorrupted and he has no sexual tenderness or weaknesses. He even did this formula for his son's movies which were tiresome wasted opportunities. I will never forgive how he destroyed Zurlini's masterpiece, Indian Summer, by having it recut and removing the scenes that had other people in it.

"Death of a Corrupt Man" from 1977 is a French film produced by Alain Delon's company, starring Delon, Ornella Muti, Stephanie Audran, Maurice Ronet, Klaus Kinski, and Delon's companion at that time, Mirelle Darc.

A deputy, Philippe Dubaye (Ronet) gets his old friend Xavier Maréchal (Delon) up in the dead of night. He says he has just killed racketeer, Serrano, who had many political connections. Serrano had proof of Dubaye's involvement in corruption in high places and was ready to use them against him.

Xav agrees to give his friend an alibi, which is not believed by the police. Everyone wants those documents and figure that Xav must have them. There are multiple car chases and attempts on his life and that of Dubaye's girlfriend (Muti).

Good film that is somewhat timely today, with all its talk of politicians stealing, people in government just in it for the money, blackmail, etc. Delon, who in this dubbing sounds like Robert Conrad, is strong in his role, as are Kinski and Audran.

Ornella Muti is positively gorgeous. Mirelle Darc was only in the film because of Delon; her part could have been cut and as it was, she only had a few lines. And how about this - an Alain Delon film with no love scene. Dubbed on top of it, which I hate.

Delon favored this type of role, as evidenced by the films he produced. I saw him later in a documentary done 37 years later. Everyone recognized him, at 81, and wanted a photo with him. He was very obliging.

The doorbell rings twice, then Delon wake up, open the door where his friend a politician come in and tells him that committed a murder to takes a deadly files which was been blackmailed by an assistent having to kill him, that's the opening this fabulous french movie, besides those files contains several powerful politics of a high level of the government, bribery scandals unleashed many bodies along the way, an intricate net of corrupted politicians are in danger under those hot files, even reaching at state department which includes the Minister of justice himself, the police splited in two separate investigating were on relentless pursuit.

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First watch: 2019 / How many: 1 / Source: DVD / Rating: 8.5

Those who anticipate, as I did, that this will be yet another of the Alain Delon 'policiers' of this period, are in for a pleasant surprise.

In the classic French policier/film noirs the goodies and the baddies are sharply defined but in the hybrid 'neo-polar' genre that flourished in the 1970's one is none too sure whom to trust. The dark and sinister forces at work here are the corrupt politicians, dodgy policemen and shadowy multi-nationals.

This stylish piece directed by Georges Lautner is arguably one of the best of its type. It is a little verbose but with dialogue by Michel Audiard spoken by this excellent cast one doesn't mind too much.

The 'uncredited' contribution to the screenplay by Claude Sautet serves to enhance the film's quality.

Alain Delon is at the height of his popularity here and received a César nomination for his performance as a moral crusader. He both produces and stars and again plays opposite the splendid Maurice Ronet while Stéphane Audran, Daniel Ceccaldi and Klaus Kinski are great value as always. By all accounts Herr Kinski, much to everyone's surprise and relief, turned out to be a real pussycat. Delon's partner at the time, Mireille Darc, who made a few films for this director, has a pretty thankless role as Delon's partner! The eye candy is supplied by Ornella Muti. Who is the murderer? Well, as Agatha Christie reminds us, it is always the one you suspect the least.

Tremendous production values here with legendary Henri Decae replacing Lautner's regular cameraman Maurice Fellous. Lautner has again used the much respected composer Philippe Sarde and as a bonus we have the sound of the saxaphone played by the brilliant but troubled Stan Getz. The film just about sustains its length.

France is certainly no stranger to political scandals so this particular genre must really have struck a cord but of course the French do not have a monopoly in this regard.

As a certain Henry Kissinger once observed: "Corrupt politicians make the other 10% look bad"!

This is the second Alain Delon movie I've watched, the first being Purple Noon (I just love the vibe of that film - the aesthetics were phenomenal!). I feel like he doesn't get enough recognition here in the US, although I don't find that surprising. Not trying to imply that I look down on people, but I do think a person needs to possess at least a small amount of sophistication to appreciate his films. Americans generally seek out disturbing, grotesque, jumpscare type of material, like horror and zombie nonsense, or superhero movies. I don't know if foreign films would be of interest to them. I feel like if you haven't seen an Alain Delon movie, then you are really missing out, because not only was his appearance captivating alone, but the storylines were so multi-layered. They challenge you to think critically about the human condition.

A fascinating political thriller, Alain Delon is Xavier Maréchal, a lawyer who becomes a detective to investigate the corruption surrounding the murder of of a businessman, Serrano (Charles Moulin) that was committed by his friend, Philippe Dubaye (Maurice Ronet), which propels him into a world of bribes and collusion. There's also the issue of Serrano's diary, which contains all of the information referencing his illegal activities. Xavier manages to obtain that and other incriminating documents, subsequently placing him in a position of dodging law enforcement and criminals.

If you ever have some free time on an evening, this film is definitely worth checking out - it's so easy to get invested into the characters.