The Possessed

This late out of the blocks made-for-t.v. rip-off of "The Exorcist" is unlucky enough to 'star' James Farentino, busy nursing his two expressions until the next mini-series comes along. What redeems this film though are a strong performance by a young Harrison Ford and a simply terrific one by Joan Hackett.Her character oozes madness, repressed sexuality and fierce intelligence, displayed with a clarity reminiscent of Anthony Perkins work in "Psycho". Rarely has insanity been so chillingly portrayed as here, despite the limitations of the format.

James Farentino plays boozy Father Kevin Leahy. He dies during a car crash, but is given his life back to fight evil. All of this is shown before the credits even roll. Farentino is quite good in this somewhat intense role and carries the film. At the Helen Page All-Girls School unexplained fires start happening, so Leahy is brought in to investigate.

I think the biggest problem I had with this 1977 TV Movie originally shown on NBC was what it wanted to be. It obviously was inspired by William Friedkin's THE EXORCIST, but half the time it just plays itself out like a cheap knock-off. Also becomes dialogue heavy and by the end of the movie the possession angle is pretty hokey. Which is too bad, because I did enjoy Farentino's performance.

Also starring Diana Scarwid, Dinah Manoff, P.J. Soles (as students at the all-girls school) and a pre-STAR WARS Harrison Ford who plays a nutty, creepy teacher Paul Winjam. Was very interesting seeing an early film role for Ford, but at the same time it wasn't exactly a very memorable role.

The legend could be Star Wars made Harrison. Well, Harrison's acting talent existed before the trilogy and this movie, as well as American Graffiti, are here to prove that.

Harrison plays a Don Juanesque teacher in a catholic girl school in which happens demoniac phenomena. He has already his cool attitude and that's why i like him.

Sure the story is a rip-off of the famous exorcist (only a non conformist priest can help them!) but the production is not that bad, especially when you compare it to today productions. Here the effects are authentic, the photography luminous and clear and the story has a direct plot and not a melting-polt of opinions or a collage of bloody, shocking scenes.

So the 70s was the best period from this frightening genre and even a poor production from this time excels from the today stinkers!

In THE POSSESSED, Father Kevin Leahy (James Farentino) is killed in a car crash, only to be judged to have fallen from grace. Returned to life, he must seek out and fight eeevil.

Meanwhile, at the Helen Page private girl's school, in addition to the usual end of the year hijinks, strange things begin happening. Spontaneous, near-fatal fires break out.

Friends Weezie and Lane (Ann Dusenberry and Diana Scarwid) have only three weeks to go before graduation. Lane's mother, Ellen (Claudette Nevins) has taught at the school for years. Burned in one of the fires herself, Ellen fears that dark forces are at work. Willing to try anything, Ellen is referred to Leahy. Can he discover the source of the problem, before someone else is hurt or even killed?

As made-for-TV horror films go, this is one of the better ones dealing with the paranormal / supernatural. The story is interesting, using fire as a metaphor for jealous rage, which is what seems to have allowed the demonic presence to flourish. The characters are strong and the pool-side finale is magnificent! Farentino is quite believable in his rather dour role.

Co-stars Joan Hackett as headmistress, Louise Gelson, and Harrison Ford as biology teacher, Paul Winjam. Ford has one of the best, grimmest scenes in the movie! Watch for P.J. Soles in a tiny role...

While by no means on par with such a great made-for-tv horror films from the 70s, such as The Night Stalker and Don't Be Afraid of the Dark, not to mention the early 80s classic Dark Night of the Scarecrow, The Possessed is chock-full of fantastic acting. Those playing the high school girls, right on up through more experienced actors like James Farentino, a young Harrison Ford, and the wonderful character actor, Eugene Roche, all take their roles seriously, and turn what could have easily been a ho-hum affair into something far more entertaining. As silly as the plot is on the face of it, if one suspends disbelief, there is also some above-average dialogue.