The Inglorious Bastards

For my 1,000th user-comment on IMDb, I wanted to write about something that I not only enjoyed, but something that summed up or represented my feelings about and tastes in movies. You know, something that has my name written all over it. I considered a number of films - some bad - some good - but in the end, I decided to go with The Inglorious Bastards. Not only is it a great example of the kind of movie I go for, but I've been wanting to write something about it for a while now. And with Tarantino's re-imaging set to open this year, I definitely wanted to get my user comment written beforehand. So here it is, #1,000.

As the film opens, a group of WWII era soldiers are being transferred to a military prison to await decision on the many crimes they've committed. Murder, theft, robbery - these aren't your typical, clean-cut, all-American GIs. On the way, the MP convoy is attacked by a German plane and a band of five prisoners escapes. They immediately decide to head to neutral Switzerland and the freedom it offers. On the way, they have plenty of opportunities to kill and maim Nazis. But when they accidentally shoot a group of American paratroopers disguised as German soldiers, the Bastards decide to stand in and complete their compatriots' mission. And what a mission it is - steal a train carrying a V2 rocket.

If director Enzo G. Castellari is known for anything, it's action. And in The Inglorious Bastards, he outdoes himself. It's a testosterone injected ride from start to finish! Gun battles, explosions, vehicle wrecks, fights, falls off castle walls, motorcycle stunts - if it involves action, you'll find it here. Castellari somehow manages to keep the film well paced throughout. While the action does admittedly slow a tad in the second act, the film never bogs down and is always enjoyable. The Inglorious Bastards also features some really nice miniature work. The film's finale is especially memorable on that front. The cast is first rate. Fred "the Hammer" Williamson may be third billed, but he's the real star. Williamson's character is appropriately named Fred. Appropriate because he's pretty much playing himself - a cigar-chomping, one-line spewing, gun-toting badass. Surprising to me is that Bo Svenson is able to match Williamson scene for scene. I've never thought much of his other work that I've seen, but here, Svenson is very believable as the in control leader of the Bastards. The rest of the cast provide equally enjoyable performances. It's an excellent job by all involved.

While I can see why The Inglorious Bastards might not appeal to everyone, for me, it's a near perfect movie. I've seen some reviews nit-pick the lack of realism. Relax, this was never intended to be a documentary. It's about having a good time and enjoying yourself. Just go with it and quit being so uptight. As for those who complain about the dialogue or the editing, you're obviously not familiar with Euro movie making from the 60s and 70s. Again, just go with it. Like I said, it's almost perfect to me. In fact, I've got no problem at all rating The Inglorious Bastards a 9/10, verging on a 10/10.

So here's to 1,000 user comments. For those of you who have read and maybe even enjoyed some of what I've written, I say thanks. And look forward to more to come. On to 1,001!

The Italian industry from the 50's to the late 70's thrived by imitating big Hollywood box office hits and even though The Inglorious Bastards came a good 10 years after the WWII action cycle of the 60's, it's still a welcome addition to the genre. Two years after his spaghetti western masterpiece Keoma, director Enzo G. Castellari gathers a cast of b-movie stalwarts spearheaded by Bo Svenson and Fred Williamson, a couple hundred disposable extras in Nazi uniforms and unleashes hell.

There's no sophistication or Spielberg-ian schmaltz here. It's an action-er through and through with a comedic touch and lots of gunplay. Castellari is no hack though and you can see flashes of his directorial brilliance in the slow-motion intercutting shots in the train, which rival anything Sam Peckinpah has done with the same technique. He knows he's not doing Citizen Kane though so he doesn't let his "artistry" get in the way of making an entertaining picture. Not a masterpiece by any means and it will probably seem outdated to anyone used to modern CGI work and Matrix stunts. This is old school action.

Tarantino is preparing a remake of sorts for 2009 but The Inglorious Bastards has enough going for it to warrant a watch not just so you can brag to your friends on opening day that you've seen the original. Action fans will get a kick out of it.

An entertaining action-war movie. I remember i bought this movie the in a video-store back in 1986-87. It was an old English video-version from the early 80's (from that time when video-stores in my country imported video-movies direct from England without giving them subtitles)

The movie have some similarity's with "The Dirty Dozen" and it's obvious that the film-makers got much inspiration from this great hit from the 60's. Acting and plot is not the greatest in history, but it's still a very exiting film. Not so much indifferent action-scenes here, like there are in many other movies of this type.

8 out of 10

A group of American convicts in WWII Europe escapes in transport and makes their way for the Swiss border. Along the way they encounter German platoons -- lots of shoot outs ensue. Eventually, they come across another American contingent and are mistaken for a special ops team whose plan is to bomb a Nazi train carrying some sort of big fancy weapon. More shoot outs ensue.

Leave your hat and your desire for plot logic at the door if you want to enjoy this bargain-bin version of "The Dirty Dozen." Much of this film doesn't make a whole lot of sense, but you won't realize it doesn't make sense until after the movie's over, because while you're watching it it's easy to be distracted by the energy of the storytelling and film-making. One thing this movie has is style.

Bo Svenson heads the cast of mostly unknowns, though Ian Bannen (who has an Academy Award nomination to his credit, though not for this) brings some actorly street cred to the film as a general. The movie makes no effort whatsoever to capture the period feel of 1944 Europe. The various pornstaches on display are pure 1978.

Grade: A-

I viewed this movie because the QT movie of the same title came out in 2009. I enjoyed the drama of this movie, the plot twists, and action. I was raised in the era of Clint Eastwood's Italian westerns and while this was a low budget Italian made film, it contains some of the elements that makes those movies so great.

Slightly like the Dirty Dozen this movie remains true to history and looks deep into human nature. There is a lot of good action scenes and the acting is great for the style. There are better action war films to watch but few that will remain a classic like this one.

While I did not enjoy the 2009 movie by QT, I must thank him for directing my attention to this title. Enzo Girolami Castellari is by far a much better director from viewing both movies of the same title. My advice is to rent both and come to your own conclusions.