One on One

......Young, naive kid comes from the sticks to make it in the world of big-college basketball, encounters a Bobby Knight-type tyrannical coach, gets his ego stroked however by a caring teacher (tutor) and that carries him through to where one day, when the starting guard goes down with an injury, he gets his chance and turns into Magic Johnson/Larry Bird....and then tells the coach where to stick it......

As writer Dave Barry used to say, "I am not making this up."

Here is another example of movie I re-watched on tape in the mid 1990s and wondered, "How could I have liked this film so much when it came out?" That was then, and now is now. Yes, one tends to be far less discerning when one is younger, but some movies also get dated in a hurry. This is one of them. Actually, actor Robby Benson is another. He was a hot commodity in the '70s but faded fast.

However, despite having said all of the above, this movie IS fun to watch.

Good acting (and ballplaying) by Benson as college student-athlete "Henry Steele" and G.D. Spradlin as hard-nosed basketball coach "Moreland Smith" set up some intense confrontations in this sports movie, another gritty one from the era.

Benson also was a hot actor in this decade, and he's convincing in this role. He usually played interesting characters, as did Spradlin, who was always effective as a villain. By the way, don't buy the Hollywood cliché that every sports coach is tyrannical maniac. In college basketball, ask the players at UCLA who played under John Wooden, or the cagers at Duke under "Coach K," or hundreds of other places. Most coaches are NOT Bobby Knight, as portrayed here. This character is over-the-top, big-time.

Anyway, this film is so engulfed with movie clichés like the above that you could easily drown in them. Everything is so predictable, such a cliché that it is embarrassing to watch this at times, although it is entertaining and must be given points for that. You know things will work out for "Henry Steele." It's how they do that get a bit irritating, and Henry's attitude isn't always admirable, either. Boy, do they manipulate you, however, in this film! You HAVE to root for the kid, even if he is a hot dog on the court.

Overall: this film will keep you involved, but don't believe anything in this story.

Henry Steele grows up playing basketball in small town USA, doing well at his high school he is soon signed by a college. There he enjoys easy money and special treatment in many ways. However when he begins to fall for Janet, who is teaching him extra classes, he loses his focus on the basketball. This causes his coach to regret his pick and ask Henry to resign his scholarship. When Henry refuses it begins a war of attrition between the two.

At heart this is a tale of a little guy who overcomes obstacles in his attempt to do well in life and in sport. When I taped it all I knew was that it was a basketball movie, so I thought I'd give it a try. At the start I thought it was going to be all innocent as opposed to sports movies now that focus on the real side of it as well as the game (Any Given Sunday, Blue Chips etc), however this had layers of brutality, drugs, money being `given' to students etc. The story at core is one of Henry battling against his coach and it is quite good, but the added layers add more too.

It may never be excellent but it is better than expected and was quite enjoyable (even if the basketball is played at a bit slower pace than now!). Benson is a bit too innocent and whiney at times as Steele but once you get used to him it's ok – he also co-wrote, not bad for a 21 year old! O'Toole is OK but isn't really anything other than a device for moving the plot on. Spradlin is good – but for the first 20 minutes I could hear his voice giving better lines in a better film – it bugged me until I placed him in Apocalypse Now. An almost unrecognisably young Melanie Griffith makes a brief appearance – but overall the cast is good enough to keep this just above the level of a TVM.

Overall it may seem a little naive compared to modern college sports films but it's actually quite enjoyable, even if it won't change your life!

Perfect? No. Rewatchable? Yes. I liked the movie when it came out and I can still watch it. Sure, Steele makes some bonehead mistakes and reacts to things awkwardly like a young inexperienced noob. I felt like this when I first joined the football team, some of those players were men! Yeah, I got head butted by a samoan during non-contact practice but I learned from that and dodged him the next time he came around but my inexperienced noob friend Gary wasn't as lucky as he got jacked off the ground by the same guy. Yeah, I blew it on a few girls when I didn't know what to do with them in my younger days. These are all why I feel this movie is real to me. Of course, the coach bloodying Steele's face is overdone but I remember my first coach calling me by the wrong name and showing a little disrespect. Steele's roommate reminds me of my friend George Devaney, who helped me while I was trying to make the team (No he didn't give me drugs). He ended up starting while I quit (but I ended up starting both ways the next year elsewhere). This movie hits close to home for me. And didn't we all just hate that snooty hippie and enjoy it as Steele finally stood up to him. Some of the lines in this movie are corny but that's how the 70s were. "Justice" by Seales and Croft adds some nice emotion to the film. BTW, in Spike Lee's opinion this is the worst sport movie ever. Spike who? I've seen much worse.

Robby Benson and Annette O'Toole have good enough chemistry to make their unlikely pairing a crowd pleaser nonetheless. Benson is very good as the jock who is first coddled, then spurned, stirring the man within him. The movie has a great deal of fun with the special treatment given Jocks. Benson's work-study job is to turn the sprinklers on and off, but the sprinklers work automatically. Gail Strickland and (Director) Lamont Johnson are marvelous in small but hilarious supporting bits.

But the true star of the movie is G.D. Spradlin as the humorless and amoral hard-nosed basketball coach. Best exchange is when Benson says: "You're a great molder of character, coach" and Spradlin retorts, "You never asked me to mold your character." Spradlin is 100% true to his character as a John-Wooden-type of basketball coach. All in all, One on One shouldn't be taken too seriously but is quite enjoyable on its own terms.

G. D. Spradlin is a splendid actor. Between his role as the coach here, and in the same role in the great football flick, "North Dallas Forty" - he has undoubtedly won, hands-down, the prize for the best portrayal of the quintessential "total horse's-ass coach." As others have pointed-out, it is illogical that he would recruit Henry (Robby Benson) as heavily as he did, then not know who he was when he reports on campus. Also, he knew Henry was a small-school, small-in-stature, fast-break player, whose talents were speed, ball handling and shooting - and yet, he is non-plussed when this doesn't seem to fit with his slower, ball control, "big-team" offensive philosophy.

The gratuities furnished Henry (automobile, do-nothing job, alum booster buying his game tickets for exorbitant amount) are beyond the scope even the most "liberal" programs would furnish - at least in terms of their obviousness, with little intent to provide some sense of legitimacy to them. And the coach's decision regarding Henry's scholarship, and his measures to try to drive him off the team, are over-the-top, even for the heavy-handed character portrayed (and even bearing in mind that big-time college athletic programs are not as altruistic as the schools like to portray).

But these contrivances are also what make the movie more interesting, and sometimes characterizations which are exaggerated help as much as they hinder the plot - and they do so here. I remember seeing Burt Reynolds with Johnny Carson on a show, discussing a movie in which Benson had appeared with him. He laughed about winning bets from others when Benson was able to do 100 sit-ups in about a minute. With some of the performances in sports movies, where the principals can be made to look like they can perform only by using trick photography or stunt doubles - it is a pleasure to watch Benson, who obviously is physically capable, and knows how to handle, pass and shoot a basketball. Annette O'Toole is engaging in the female lead, and together they make an attractive, appealing young couple.