IMDb RATING
5.4/10
3.9K
YOUR RATING
In 1919, a British expedition in the Antarctica region is searching for a lost American explorer and finds a hidden prehistoric world instead.In 1919, a British expedition in the Antarctica region is searching for a lost American explorer and finds a hidden prehistoric world instead.In 1919, a British expedition in the Antarctica region is searching for a lost American explorer and finds a hidden prehistoric world instead.
- Director
- Writers
- Stars
David Prowse
- Executioner
- (as Dave Prowse)
Richard LeParmentier
- Lt. Whitby
- (as Richard Parmentier)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
With a plot like this one, it's hard to go wrong. A post WWI expedition sails to the Antarctic to try tofind a lost man in a prehistoric land tucked between the high icy mountains. Prehistoric dinosaurs keep popping up throughout the film. Then there's always the evil tribe of bad guys causing plenty of trouble. I can't forget to mention the scantily clad cave girl. I doubt if prehistoric women ever looked like this. Throw in a volcano and you have an adventure movie called 'The People That Time Forgot'. The characters and situations are not entirely believable or realistic and the dinosaurs could have used more work on them, but all in all, it was a pretty good, fun movie that's worth watching.
I remembered horrible performances, cheap sets, and a contrived storyline. It's amazing I bothered with this one again, but I'm glad I did. While this is no masterpiece, it is actually much better than I remembered. Continuing forward from the original installment, "The Land That Time Forgot," picks up the Bowen Tyler (Doug McClure) character after having been left behind by the crew of his original mission, and discovers what has happened in his life since his isolation began.
While this IS horribly dated, Patrick Wayne is actually quite good. You may remember Patrick Wayne from Sinbad and the Eye of the Tiger. He is also John Wayne's son, who was offered the role as Superman in the original movie, but turned it down due to his father's accelerating cancer.
The sets were not as bad as I thought I remembered, either, but the dialog delivery is still pretty false and unnatural.
All in all? As a "B" flick, this isn't bad for a rainy day diversion. It's still not a masterpiece and is RIPE for a remake, but there is some entertainment to be derived from this work.
It rates a 4.7/10 from...
the Fiend :.
While this IS horribly dated, Patrick Wayne is actually quite good. You may remember Patrick Wayne from Sinbad and the Eye of the Tiger. He is also John Wayne's son, who was offered the role as Superman in the original movie, but turned it down due to his father's accelerating cancer.
The sets were not as bad as I thought I remembered, either, but the dialog delivery is still pretty false and unnatural.
All in all? As a "B" flick, this isn't bad for a rainy day diversion. It's still not a masterpiece and is RIPE for a remake, but there is some entertainment to be derived from this work.
It rates a 4.7/10 from...
the Fiend :.
Not bad at all, despite the flat performances by some members of an attractive cast and the familiarity of it all. "This island never sleeps," says the full-figured DANA GILLESPIE to PATRICK WAYNE...especially when it's crawling with prehistoric creatures. She's clad in an outfit that looks as though Frederick of Hollywood had a hand in the costuming.
Photographed in Spain, the color photography is excellent, the creatures look fairly realistic, and the opening sequence with the plane being attacked by a huge bird is bound to hook you into the story. It's rather like a poor man's "Jurassic Park", but it has its moments.
John Wayne's son, PATRICK WAYNE, is certainly a handsome male lead but has all the animation of one of the dinosaurs, never making us believe he's the leader of the dangerous expedition. Others in the largely unknown cast are pretty good and John Scott's music is effective in creating the necessary suspense.
It's a diverting enough adventure, very watchable and suitable for family viewing.
Summing up: Not bad at all, the sort of film that kiddie matinees were all about.
Best line after a native attack: "I'm sick and tired of running away from those dreadful people!"
Photographed in Spain, the color photography is excellent, the creatures look fairly realistic, and the opening sequence with the plane being attacked by a huge bird is bound to hook you into the story. It's rather like a poor man's "Jurassic Park", but it has its moments.
John Wayne's son, PATRICK WAYNE, is certainly a handsome male lead but has all the animation of one of the dinosaurs, never making us believe he's the leader of the dangerous expedition. Others in the largely unknown cast are pretty good and John Scott's music is effective in creating the necessary suspense.
It's a diverting enough adventure, very watchable and suitable for family viewing.
Summing up: Not bad at all, the sort of film that kiddie matinees were all about.
Best line after a native attack: "I'm sick and tired of running away from those dreadful people!"
The Land That Time Forgot was a surprisingly decent entry into the lost world of cavemen / dinosaurs adventure genre of the 70s, but this paint- by-numbers follow-up is nothing special. Block of wood celebrity offspring Patrick Wayne leads a band of rescuers in search of first movie survivor Doug McClure. The resulting chases, fights, narrow escapes etc. are the usual stuff of adventure movies, but the stunt choreography comes off as ordinary and uninspired. Oh-so-British Sarah Douglas is along as one of Wayne's crew but she has little to do here other than stand around looking uncomfortable. And the Lost Land itself, an important and colorful presence in the first film, is less imaginatively conceived this time around. Not a bad time waster when you have nothing better to do for a couple of hours, but try not to expect too much in the way of visionary fantasy. It isn't here.
The People That Time Forgot is directed by Kevin Connor and adapted to screenplay by Patrick Tilley from the novel of the same name written by Edgar Rice Burroughs. it stars Patrick Wayne, Sarah Douglas, Dana Gillespie, Thorley Walters, Shane Rimmer and Doug McClure. Music is scored by John Scott and cinematography by Alan Hume.
A sequel to The Land That Time Forgot, plot finds Wayne as Major Ben McBride who arranges a mission to go and search for his missing friend Bowen Tyler (McClure). As the party go beyond the Antartic wastes they find themselves in a world populated by prehistoric creatures and primitive tribes.
There are a group of film fans of a certain age that were exposed wilfully to the joys of Kevin Connor and Doug McClure Creature Features, the four pictures made with low budgets (see also The Land That Time Forgot 1975, At the Earth's Core 1976 & Warlords of Atlantis 1978) were simply put together with a standard structure of humans discovering an unknown land, who then encounter beasties and savage races and then try to escape said world of wonder. Back then in the 70s with youthful eyes these films were magnificent things, we didn't care about clunky animatronics and miniatures, staid dialogue and poorly constructed scenes of men grappling with a man in rubber make up. Nor did us boys pay any attention to the considerable heaving bosom factor, which is here supplied with a different kind of wonder by Dana Gillespie! But they are a group of films that once loved, is a love that lasts forever, yes, it's true love.
As it is, The People That Time Forgot is often thought of as the weakest of the four, yet it's every inch the equal of "Land", primarily because the cast attack the material with great spirit (Douglas is rather splendid and not just a posh girl with a pretty face), the film stock it's shot on is of better quality and John Scott's score is bursting with vitality. There's also a ripper of a finale here, with the pyrotechnics department creating merry hell. Explosives aplenty. While the Santa Cruz de la Palma location used for the world of Caprona is perfectly bereft of civilised leanings. As with the other's in the series, the ideas at the heart aren't fully realised because of the budget restrictions, so we basically get some talk between characters, then a fight with a beast, some more talk, another fight with a beast, a meeting with a uncivilised tribe, a fight with a beast, and on it goes until the derring-do escape. There will be peril and actually this one has a very noteworthy turn of events that might surprise a few of the uninitiated.
1977 of course was the year of Star Wars and Close Encounters of the Third Kind, which changed things considerably in the creature feature/sci-fi fantasy stakes. Thus the Connor/McClure movies were relegated to being antique relics of monster malarkey cinema. Yet still they retain a quaint uniqueness, they are able to continually imbue many of us with waves of nostalgia, taking us back to a time when the likes of Connor made fantasy films with love and basic tools. The Land That Time Forgot was badly adapted to film in 2009 (C. Thomas Howell directing and starring), which begs the question on why Burroughs' Caspak trilogy has not been taken on by a big studio? As yet the third part of the trilogy, Out of Time's Abyss, has not received a filmic adaptation, can you imagine what someone like Spileberg could do with Burroughs' wonderful source ideas?
Ah well, we can but dream, in the meantime we will happily make do with our cheesy antiquities. 7/10
A sequel to The Land That Time Forgot, plot finds Wayne as Major Ben McBride who arranges a mission to go and search for his missing friend Bowen Tyler (McClure). As the party go beyond the Antartic wastes they find themselves in a world populated by prehistoric creatures and primitive tribes.
There are a group of film fans of a certain age that were exposed wilfully to the joys of Kevin Connor and Doug McClure Creature Features, the four pictures made with low budgets (see also The Land That Time Forgot 1975, At the Earth's Core 1976 & Warlords of Atlantis 1978) were simply put together with a standard structure of humans discovering an unknown land, who then encounter beasties and savage races and then try to escape said world of wonder. Back then in the 70s with youthful eyes these films were magnificent things, we didn't care about clunky animatronics and miniatures, staid dialogue and poorly constructed scenes of men grappling with a man in rubber make up. Nor did us boys pay any attention to the considerable heaving bosom factor, which is here supplied with a different kind of wonder by Dana Gillespie! But they are a group of films that once loved, is a love that lasts forever, yes, it's true love.
As it is, The People That Time Forgot is often thought of as the weakest of the four, yet it's every inch the equal of "Land", primarily because the cast attack the material with great spirit (Douglas is rather splendid and not just a posh girl with a pretty face), the film stock it's shot on is of better quality and John Scott's score is bursting with vitality. There's also a ripper of a finale here, with the pyrotechnics department creating merry hell. Explosives aplenty. While the Santa Cruz de la Palma location used for the world of Caprona is perfectly bereft of civilised leanings. As with the other's in the series, the ideas at the heart aren't fully realised because of the budget restrictions, so we basically get some talk between characters, then a fight with a beast, some more talk, another fight with a beast, a meeting with a uncivilised tribe, a fight with a beast, and on it goes until the derring-do escape. There will be peril and actually this one has a very noteworthy turn of events that might surprise a few of the uninitiated.
1977 of course was the year of Star Wars and Close Encounters of the Third Kind, which changed things considerably in the creature feature/sci-fi fantasy stakes. Thus the Connor/McClure movies were relegated to being antique relics of monster malarkey cinema. Yet still they retain a quaint uniqueness, they are able to continually imbue many of us with waves of nostalgia, taking us back to a time when the likes of Connor made fantasy films with love and basic tools. The Land That Time Forgot was badly adapted to film in 2009 (C. Thomas Howell directing and starring), which begs the question on why Burroughs' Caspak trilogy has not been taken on by a big studio? As yet the third part of the trilogy, Out of Time's Abyss, has not received a filmic adaptation, can you imagine what someone like Spileberg could do with Burroughs' wonderful source ideas?
Ah well, we can but dream, in the meantime we will happily make do with our cheesy antiquities. 7/10
Did you know
- TriviaThis was the final film from the British production company, Amicus.
- GoofsPrehistoric Ajor is clearly wearing eye shadow, eye liner and false eye lashes, has manicured fingernails, tailored clothing and what looks suspiciously like a professional hairdo. - All highly noticeable once one takes ones eyes off of her main assets.
- Quotes
[hearing a dinosaur roar]
Ben McBride: What is it, Doc?
Norfolk: It can only be one thing. Prehistoric!
[they hear another roar]
Norfolk: Definitely prehistoric.
[they hear a woman's scream]
Norfolk: That's human.
- ConnectionsFeatured in Homo Erectus (1995)
- How long is The People That Time Forgot?Powered by Alexa
Details
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- Countries of origin
- Language
- Also known as
- Edgar Rice Burroughs' 'The People That Time Forgot'
- Filming locations
- Canary Islands, Spain(Exterior)
- Production companies
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