Iron Fisted Monk

The Iron-Fisted Monk (1977) is Sammo Hung's brilliant directorial debut. Though the revenge plot is average for kung fu films of the time, the martial arts action and choreography are extraordinary. Iron-Fisted Monk marked the beginning of Hung's movie making prime. In the late 70's and early 80's Hung stared in and directed some of his best films including: Warriors Two, The Magnificent Butcher, The Prodigal Son, Knockabout and The Victim. The Iron-Fisted Monk was the film that got his directorial career rolling.

In the Iron-Fisted Monk, Sammo Hung plays "Husker," a young civilian who is taken in and trained by Shaolin monks after his uncle was killed by the Manchus. Seeking vengeance he eventually leaves the temple. After a group of Manchu officials make trouble in a small town, Husker teams up with a local man named Liang and the "iron fisted monk" Brother Tak (Chan Sing) to finally bring justice to the evil Manchu officials.

The martial arts action and choreography in this film are unbelievable. The film features some of the "hardest" kung fu you will ever see in a Sammo Hung film. Sammo does a great job playing to his strengths, providing a good mixture of martial arts and acrobatics. When this film was made Sammo was young and very near his physical prime. He is very fast and powerful and gives one of his better physical performances. Chan Sing also gives one of the most inspired physical performances of his career. Along with kung fu, the film features a lot of weapon fighting including: swords, spears, knifes and staffs.

The film was made by Golden Harvest studios, which means high production values and a talented stable of actors to work with. Notable appearances in the film include: James Tien as a Shaolin instructor, Casanova Wong as a young monk and Lam Ching-ying as an extra. Fung Hak-on (Warriors Two, Magnificent Butcher) plays the villain yet again and does a very convincing job.

Unlike many of Hung's films, Iron-Fisted Monk has a very serious tone. There are some comedic touches but they are overpowered by the intense drama. The Iron-Fisted Monk is one of Hung's more violent films, featuring very aggressive fight sequences and lots of bloodshed. The movie also includes a few brutal rape scenes. The rape scenes are very graphic and intense and, in my opinion, should have been toned down or left out completely. There is also a ridiculous nude scene in a brothel featuring Wu Ma. The scene was meant for comic relief but should have been left out also. The rape and nude scenes are the only detractions to this otherwise brilliant martial arts film.

The Iron-Fisted Monk was Sammo Hung's first effort as a filmmaker, but it is hard to tell. The martial arts action in the film is superb and outshines most other films made at the time. There are a few weak spots but overall it is a top notch genre film. The Iron-Fisted Monk is one of Sammo Hung's best works and is definitely in the top 30 best martial arts films of all time. The film is definitely not a family friendly Sammo movie but it is highly recommended for hard core kung fu genre buffs.

Martial Arts Genre Rating: 8/10

• "You're a Shaolin monk. How dare you kill indiscriminately!"

• "We're here to rid this world of a rapist and a murderer!"

Sammo stars as a man who is learning kung fu so that he can fight the Manchus. The directing from Sammo is good, the camera-work is brilliant, the story is decent, and the fights are very good for 1977. Fung Hak-on plays the main villain, and Yen Shi Kwan and Chien Yuet San play his top 2 henchmen. Always nice to see those 3 in action. Chen Sing has a small role and unfortunately he doesn't get to show off his handwork as much as he usually does. But he's still a great actor so I liked his role. If you have seen most of Sammo's movies and are looking for something else to feed your Sammo craving, then give this a try.

Picture and sound quality on the 20th century Fox DVD are good.

In some ways, it was a memorable film. It wasn't noticeably good or shockingly bad, but it had a few unusual scenes that will certainly surprise and unsettle the viewer. It is not your regular kung fu flick even though it had it all: bad guys, good guys, fights between the two and humour between the fights. For one, it also had descriptive rape scenes. I can't remember a Chinese kung fu film with sex being shown in such a crude way, clothes being ripped off, breasts popping out, lewd smirks on the rapist face and ultimately, the victim's death.

That gave the film a startling and awkward contrast with the lighter scenes. A little after the sister of one of the lead characters died following a tragic chain of events, we see that same man, who seemed to be on a quest for revenge, playing around with the idea of going to a brothel with a monk. As this shows, the characters had little consistency -- and little cohesion too, even though Sammo Hung's character was supposed to be the hero, the perspective was shifting so much eventually that it felt difficult to isolate one character as the subject.

Bad guys received more and more screen time, secondary characters came forth while the lead wandered off. The only appropriate way to clear up this profusion of central characters was to have them all kill each other. And so is what the script did. Confrontations suddenly pick up speed, people die en masse, "patience", which virtually was the only reason holding back everyone to settle the scores is no more, thrusting the remaining characters into the grand finale, a somewhat intimate fight between the toughest and the nastiest characters, whose unrestrained sadism had been cultivated during the infamous rapes.

As if in response to these extreme scenes, the makers chose to end with another extreme, gory violence. Like it or not, it does feel fair, but fair as in a talion. Without these short sadistic bouts that seemed borrowed from American exploitation films of the time, it would have been a pretty unremarkable kung fu story. The fights, well-choreographed and using the classic animal postures dear to a long kung fu tradition, are however terribly choppy, to the point that you could easily time the moves "one-two, one-two" as they are performed. Iron-Fisted Monk is not a good kung fu film to start with, it is an oddity that will be met with greater interest by longtime B-movie amateurs.

Breaking barriers and setting new standards in on-screen fight choreography, Sammo's directorial debut is a must for any chop socky aficionado, and although not his best work (a warm up to Warriors Two), it can easily stand proudly amongst them. It's hodgepodge of a story acts as a boiling pot of escalating annihilation, until exploding in a fury of that unique fast and colourful Sammo choreography that we just love so much. Centring on the real-life legend of 'Miller Six' (Sammo), Iron Fisted Monk is driven by a powerful anti-Manchu narrative that feels relentless in its onslaught (they rape, kill, maim and pillage, not to mention bully little kiddies). Miller Six's uncle is killed, he learns the martial arts at the local Shaolin temple, and then off he goes for vengeance. And it's really as simple as that. This is a great movie - well choreographed (by Sammo), well directed (by Sammo) and with some great performances (especially that scoundrel Fung Hark-on who's simply irresistible as a downright evil Manchu warlord).

The directorial debut for Sammo Hung, who over his long career has made some of the most exciting and well choreographed action comedies in Hong Kong's history. He also plays the starring role in this one as a long-haired monk who finds himself battling various Manchu baddies in a sometimes convoluted plot. You know the routine for this one: it starts out as a light knockabout comedy before becoming much darker as time goes on. There are graphic rape scenes (censored in the UK print), massacres and all manner of bad behaviour, but the pace is solid and the action very good, particularly as we move on to the climax. The excellent cast includes a rare good-guy turn from Chen Sing alongside Fung Hark-on's baddie, and bit parts for future greats like Mars, Eric Tsang and Lam Ching-ying.