A young and famous sword master desperately wants to lead an anonymous life, but hordes of swordsmen insist on dueling him to death, which leads to a lot of senseless killing.A young and famous sword master desperately wants to lead an anonymous life, but hordes of swordsmen insist on dueling him to death, which leads to a lot of senseless killing.A young and famous sword master desperately wants to lead an anonymous life, but hordes of swordsmen insist on dueling him to death, which leads to a lot of senseless killing.
Derek Tung-Sing Yee
- Third Master Hsieh Hsiao-feng, Ah Chi
- (as Tung-Shing Yee)
Lo Lieh
- Hero Huang Ting
- (as Lieh Lo)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
6.7669
1
2
3
4
5
6
7
8
9
10
Featured reviews
What a kung fu film should be
This is what the martial arts films were meant to be like, before the hacks made them into clowns jumping all over the place, kicking and striking a thousand times, with 90 back flips in each fight.
Here, we have a crisp story, and interesting characters. The film follows mostly "Third Master" and his attempt to become a normal man, trying to elude his fame.
It reminds a viewer of the "gunfighter" in the old West, trying to hang up his guns, but with young upstarts out to make a name for themselves, trying to goad him into a fight.
The interesting thing here is the array of other characters. Some are simple folk, some helpful, some afraid, some benevolent. Others are fighters. We find that many others also hung up their swords. At least two characters, we find, were successful in "retiring" before they reached a stage that Third Master did.
The first master also drops into obscurity for a while. The reasons are made clear later. A lot of chance meetings happen for the sake of a great fairy tale, but it's okay, because it's part of the magic.
The body count is higher than it should be. A lot of the deaths are "cliche" movie deaths, and brings this film down from the classic status it could have attained. Still, the imagery is good, and there is refreshing dialog, a lot of insight. Parituclarly good is the scene where the third master thinks he is dying, and asks others what they would do if they knew they would die tomorrow.
Later martial arts movies failed because they couldn't balance action with dialog. This film has a great balance, because too much action becomes as dull as too little. This comes from a guy who is very attention deficit, so when movies are too relentless in meaningless action for me, there is a real problem.
Here, we have a nice balance, although even this film could have toned down the action some. Put it this way. It makes the normal action Western, say "The Magnificent Seven" look slow paced in comparison.
Good film. Worth watching, but has some sadness to it.
Here, we have a crisp story, and interesting characters. The film follows mostly "Third Master" and his attempt to become a normal man, trying to elude his fame.
It reminds a viewer of the "gunfighter" in the old West, trying to hang up his guns, but with young upstarts out to make a name for themselves, trying to goad him into a fight.
The interesting thing here is the array of other characters. Some are simple folk, some helpful, some afraid, some benevolent. Others are fighters. We find that many others also hung up their swords. At least two characters, we find, were successful in "retiring" before they reached a stage that Third Master did.
The first master also drops into obscurity for a while. The reasons are made clear later. A lot of chance meetings happen for the sake of a great fairy tale, but it's okay, because it's part of the magic.
The body count is higher than it should be. A lot of the deaths are "cliche" movie deaths, and brings this film down from the classic status it could have attained. Still, the imagery is good, and there is refreshing dialog, a lot of insight. Parituclarly good is the scene where the third master thinks he is dying, and asks others what they would do if they knew they would die tomorrow.
Later martial arts movies failed because they couldn't balance action with dialog. This film has a great balance, because too much action becomes as dull as too little. This comes from a guy who is very attention deficit, so when movies are too relentless in meaningless action for me, there is a real problem.
Here, we have a nice balance, although even this film could have toned down the action some. Put it this way. It makes the normal action Western, say "The Magnificent Seven" look slow paced in comparison.
Good film. Worth watching, but has some sadness to it.
A film where Hearts and Souls are on the line
It's always a treasure to find a martial arts film adapted from a novel, because for once the story and dialogue are extremely solid and taken care of in advance, freeing up the producers to focus on what we really showed up to see: High flying, fast cutting, Martial Arts action.
And the action in DEATH DUEL is almost non-stop, as Derek Yee (Tung-Shing Yee), playing the former Champion of the Swordplay World now renounced and resigned as the "Hopeless Ah Chi" struggles to carve out a quiet life as a wanderer as old rivals turn up to claim the fame of defeating him.
And by God, Derek Yee, probably has his best ever performance here. You truly feel Ah Chi's distress, and this film required a strong lead for such an emotional narrative direction.
Likewise, the film seems very much intent on keeping things dark. A lot of the scenes take place at night, and there's even a fight where two characters are deliberately knocked into ceiling lanterns just to darken the room. Maybe there is a symbolism here, or a contrast that is supposed to highlight when the characters are finally out in the sun, or in the sunset. Interesting to observe.
The world in DEATH DUEL, the way of the wandering swordsman, and the pursuit of fame within the martial arts world, it's all brutal, and it's one where you don't really want to imagine being a part of. But no matter, you enjoy and still watch because it really feels like true hearts and souls are on the line. That is what a good martial arts movie, a dramatic story itself, should set out to be.
Score: 10/10
And the action in DEATH DUEL is almost non-stop, as Derek Yee (Tung-Shing Yee), playing the former Champion of the Swordplay World now renounced and resigned as the "Hopeless Ah Chi" struggles to carve out a quiet life as a wanderer as old rivals turn up to claim the fame of defeating him.
And by God, Derek Yee, probably has his best ever performance here. You truly feel Ah Chi's distress, and this film required a strong lead for such an emotional narrative direction.
Likewise, the film seems very much intent on keeping things dark. A lot of the scenes take place at night, and there's even a fight where two characters are deliberately knocked into ceiling lanterns just to darken the room. Maybe there is a symbolism here, or a contrast that is supposed to highlight when the characters are finally out in the sun, or in the sunset. Interesting to observe.
The world in DEATH DUEL, the way of the wandering swordsman, and the pursuit of fame within the martial arts world, it's all brutal, and it's one where you don't really want to imagine being a part of. But no matter, you enjoy and still watch because it really feels like true hearts and souls are on the line. That is what a good martial arts movie, a dramatic story itself, should set out to be.
Score: 10/10
Atmospheric Wuxia Film from Yuen Chor
Yuen Chor was having a good run of films during the second half of the 1970's. Sentimental Swordsman, Magic Blade, Clans of Intrigue, Jade TIger were all made during this five year period. "Death Duel" is just one more during this time. As with his other films you can expect good photography, unique art direction and dozens of characters.
As with other successful Yuen Chor films, this one succeeds by focusing on one enigmatic main character for most of the film. However, the viewer will still have to deal with a lot of fascinating characters who show up and usually are killed off quickly. The body count in this film is very high. This film is very moody and the withdrawn character of Ah Chi make the story interesting. There are some uneven parts and the constant guest cameos from Shaw stars is a little annoying as you might wish that they would stick around longer in the film. That said, the script is above average, the pacing is good and by the time the ending comes around the film holds up.
Recommended.
As with other successful Yuen Chor films, this one succeeds by focusing on one enigmatic main character for most of the film. However, the viewer will still have to deal with a lot of fascinating characters who show up and usually are killed off quickly. The body count in this film is very high. This film is very moody and the withdrawn character of Ah Chi make the story interesting. There are some uneven parts and the constant guest cameos from Shaw stars is a little annoying as you might wish that they would stick around longer in the film. That said, the script is above average, the pacing is good and by the time the ending comes around the film holds up.
Recommended.
I dunno...
I tend to really like 1970s martial arts movies, but I wasn't feeling this one. Death Duel feels like the third or fourth movie in a series, since it hits the ground running albeit not in a particularly thrilling or coherent way, but from what I can tell, it's not. It just felt muddled and confusing to me, and even if I was to accept that it's simply about a guy coming into a town and making a bunch of enemies because he has a reputation as a warrior (which I think is what's going on here, at the end of the day), it's still a bit poorly paced and assembled as far as the writing's concerned.
I need just a little something to care about, on top of the action. As for the action, it's serviceable here, but it also didn't wow me, compared to most Shaw Brothers movies from either this decade or the first half of the 1980s. It was a movie that felt a bit like it was on autopilot.
And autopilot Shaw Brothers is still competent. You do get some action here that's sort of well-choreographed, and I got the sense everyone knew what they were doing (people behind the camera, fight choreographer(s), actors, stunt-people), but no one really went above and beyond.
Death Duel sort of just happened for about 90 minutes and then it ended. At least the action was okay and it wasn't longer than 90 minutes. It won't stick with me, but neither did it offend me, so whatever.
I need just a little something to care about, on top of the action. As for the action, it's serviceable here, but it also didn't wow me, compared to most Shaw Brothers movies from either this decade or the first half of the 1980s. It was a movie that felt a bit like it was on autopilot.
And autopilot Shaw Brothers is still competent. You do get some action here that's sort of well-choreographed, and I got the sense everyone knew what they were doing (people behind the camera, fight choreographer(s), actors, stunt-people), but no one really went above and beyond.
Death Duel sort of just happened for about 90 minutes and then it ended. At least the action was okay and it wasn't longer than 90 minutes. It won't stick with me, but neither did it offend me, so whatever.
Really entertaining 90mins.
Pleasing purposeful and taut Swordsplay - movie based on stories by Gu Long, about the supremacy of the Jiang Hu. Third master [ Derek Yee ] is the #1 at the moment , considered as the best sword fighter, but he's tired of his way of life, pretends his death and begins a simple life. Too early for Yen Shi kwan [ Ling Yun ], who aimed the whole life for fame and the answer if he could be the real #1.
Death Duel is a little different from other Gu Long movies directed also by Chu Yuan, no obscure jumble of plot and persons here, it's strictly concentrated oh Third Master and his tries to survive the power struggle, where he's attacked again and again. The then 20yrs old Derek Yee [ now director of movies like ONE NITE IN MONGKOK, VIVA EROTICA, FULL THROTTLE ] does a strong impression, mainly optically and particularly with his mimic, and performs the action sequences well. These are well choreographed, unbloody swordplay with martial arts and jumps varied, there's also good use of the environment Optically the film is rather lyric - magical, many red and blue contrasts, much fog, added a calm, but appropriate score. Really entertaining 90mins.
Movie has some relation to the other Gu Long picturizations like KILLER CLANS and MAGIC BLADE, Ti Lung has a cameo as his Swordsman Fu and Lo Lieh as the killer Han Tang.
Death Duel is a little different from other Gu Long movies directed also by Chu Yuan, no obscure jumble of plot and persons here, it's strictly concentrated oh Third Master and his tries to survive the power struggle, where he's attacked again and again. The then 20yrs old Derek Yee [ now director of movies like ONE NITE IN MONGKOK, VIVA EROTICA, FULL THROTTLE ] does a strong impression, mainly optically and particularly with his mimic, and performs the action sequences well. These are well choreographed, unbloody swordplay with martial arts and jumps varied, there's also good use of the environment Optically the film is rather lyric - magical, many red and blue contrasts, much fog, added a calm, but appropriate score. Really entertaining 90mins.
Movie has some relation to the other Gu Long picturizations like KILLER CLANS and MAGIC BLADE, Ti Lung has a cameo as his Swordsman Fu and Lo Lieh as the killer Han Tang.
Did you know
- Quotes
Yen Shih-san: Who boils tea doesn't have to drink it. Things in this world are like that.
- ConnectionsFeatured in Bruce Lee, the Legend (1984)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Das Todesduell der Tigerkralle
- Filming locations
- Production companies
- See more company credits at IMDbPro
Contribute to this page
Suggest an edit or add missing content






