Storm Boy

A very moving and personal film, set on the windswept coast of South Australia. In many respects it could be anywhere in the world - as the cold and the wind and isolation are far from the public image of Australia. I first saw this film when I was seven with school at the cinema - and bawled my eyes out. The alienation from his father than Storm Boy feels is ameliorated by the connection to the land and the the animals via a local Aboriginal man Fingerbone - thereby making it a very spiritual film for many. I've since showed it to my own son who enjoyed it but then...inconsolable - said "why did you show this to me?!" Think Ring of Bright Water, or Old Yeller by way of animals bringing out the best in us...

I saw this film just after I left school in 1981. To the best of my knowledge, it hasn't been broadcast on British television since. I recently had the pleasure of watching this wonderful film for the second time, after it was finally released on DVD in the UK.

Although essentially a children's film, I think adults will find this an engaging movie - particularly Greg Rowe's endearing performance in the title role. Hard to believe it was made so long ago.

Message to any Australians reading this thread - Has there ever been a dramatisation of the Beaumont Children case?

http://www.beaumontchildren.com/

i've found casually in an obscure local tv "Stormy boy" and in the same moment i went in my youthness. This is a very delicate and intriguing movie. And i've rewiewed the boys, the wear, and a tipical manner of realization movies for children of the '70. i love the photography of this movie and his simplicity. Goodbye mr. Percival 8/10 my rating

I recall this film very fondly from my late teenage years and was keen to revisit it, partly in preparation for a stage play adaptation we will be seeing shortly. I had studied the book at school and saw this film once in 1976 or 1977 in its first release.

I found it remarkably fresh and almost as captivating as back then. Greg Rowe as the young Mike (Storm Boy) and David Gulpilil as Fingerbone, the Aboriginal youth who befriends him is his lonely isolation were just as convincing. Somehow Peter Cummins's 'Hide away Tom Kingley still didn't quite ring true, despite the obvious challenges in such a reclusive role. I'm not sure the school scenes worked as well as they could have done either. But Tony Allison's national park ranger portrayal is wonderful, with the challenging handling of the same issues rangers face today.

But it does shows what telling the story truly, without trying sugar coat the darker bits can be so effective and provides lasting impressions.

The photography and locations are just brilliant, as are the pelicans. In fact, the capturing of these locations as they were in the mid 1970s is probably even more important now, given the environmental degradation the Coorong has suffered over the 40 years since then, with greatly reduced water flows into the lower Murray and probably declining water quality as well.

STORM BOY was a major cinem success in Australia and some other countries in the mid 70s and deserves to be an enduring hit anytime it is shown. Sensitive and heartfelt, this glorious film about a 12 year old boy and his Pelican sea bird reflects those Belgian - French - camargue films of the 60s but in a very Australian way. Filmed on the windswept desolate beaches of South Australia in full wild force of Summer Antactric winds and with a true young Actor, STORM BOY nowdays should be a staple of any family movie channel and dvd outlet. The Aboriginal teen in the film is David Gulpilil, one of Australia's most celebrated Actors, recently seen in Rolfe Heer's awesome film THE TRACKER.