Summer City

With all due respect to the previous reviewer, Mel Gibson is not the star of this 1977 Australian drama, sometimes known as "Coast of Terror." He is, however, very good in his film debut as Scollop, one of four young men on a weekend jaunt set sometime during the early 60's, judging by all the long surfboards and rock music of the era. The real stars are John Jarrat as Sandy, a quiet, introspective young man who is shortly to be married, and Steve Bisley as Boo, whose only focus in life seems to be having a good time, including a brief fling with Sandy's intended. It is the contrast of these two characters and the events that lead to the violent, tragic climax that make the film worth a view.

This is a very low budget film that suffers quite a bit from poor sound recording and inconsistent editing. The poor sound, coupled with very thick Australian accents will prompt American viewers to ask "What did he say?" throughout the film. On the plus side, the acting is very good for a low budget film and the Australian locales really add authenticity.

In addition to Gibson, this was also Bisley's film debut. They would re-team for George Miller's first "Mad Max" film as fellow police officers. In the United States, their Australian accents were dubbed into "American."

By sheer chance I found a movie titled "Sex, Blood and Rock&Roll" in a low price range of DVD's. It happened to be "Summer City" for sale under a new name. Curious I bought it. What a surprise ! Never saw a worse film than this one. The picture was exhausting to watch as over-exposed parts alternate with ... less over-exposed parts. The sound was incredibly bad, sometimes painfully sharp, mostly dull. The story : let's say, there was a story, and a good screenwriter or director probably would have been able to make something of it. Not this one. The only thing that seemed okay was Mel Gibson. What a mercy for each movie adept, he outlived this one. Conclusion, there is hope for any good actor, even after a bad start, just carry on.

Whoever wrote the last review simply doesn't get the film.

While there's a happy-go-lucky veneer to everything, like the surfing, the sex and "larrikin" behaviour (wild young lads basically), that's mostly on the surface. The scenery is actually far from cheery... in fact, it is used on some occasions in ways that could have been straight out of "Twin Peaks" (especially the shots of the sun rising over the sea), if it wasn't for the climate. The menacing Bush (no pun intended) is a common feature in Aussie films, perhaps too much so.

As for "slurred slang", this is how Australians speak. Sorry! There is only one part where I couldn't make it out, which is a rude remark Boo makes to a girl in a greasy burger joint. If Americans really need subtitles to work out Australian dialogue, I suggest they go and study the language at night class.

Mel Gibson is indeed wrongly touted as the star of the film on the packaging, but he is by no means a "very minor role", in fact he is one of the group of four young men on whom the action is centred, and who witnesses (and keeps quiet about) certain things which are integral to the plot.

Also the last reviewer is wrong about it being set in the seventies - it was made then, but from the title sequence, and the music which gets played it's clearly meant to be the sixties! So, I reckon the film has its flaws, but it's an interesting piece - if only to see Mel in his "introducing" role.

Viewers won't miss much of the 'Summer City' ('Reign of Fear' for us Yanks) plot if they fastforward to the last forty minutes of this movie, as much of the movie is just filled with scenes that look like minute preparation for a string of Mentos commercials. The ample cheery scenery and happy 70s romp music seem very contradictory to the thriller mood. Add to the mix a indiscernable audio (not that the dialogue matters much, anyways) and slurred slang, it is a pretty boring movie.

Four friends--I'm not sure if they're supposed to be teenagers (none of them look younger than 25, but there's some scenes where they look like they're at a school dance)-- take a road trip to kick back, hit the pubs, and go surfing. Tension builds among the group between Sandy, a quiet young man who is angered by the obnoxious, womanizing Boo who seduces a teenaged girl while on their trip in one of his usual one night stands. Meanwhile, the girl's psychotic dad is also looking for Boo out of revenge for what he did to his daughter. Boo is in for a major wake up call. This is essentially the only substance of the film, a very simple story with no major drama or action, and even a let down ending.

Despite Mel Gibson being heralded as the star of the movie, his named marqueed in large letters, he is pretty inconsequential to the movie, and has a very minor role.

What could've been more like a version of "Deliverance," turned out to be a very boring movie that suffers from many faults as far as story and production values.

I couldn't believe how bad this movie was. It was like a rude surprise of a movie. It moves along the lines of Palm Beach or Pure S..t which is one of the worst Oz flicks I've seen. This movie done in the same trashy vein, where dialogue is like conversation, and scenes and clips are stung together, actors suddenly in different spots of scene. It is as though, it has all been done as a film student project, which in hindsight, scarily couldn't be far from the truth. The film again deals with the surf scene, again like in Puberty Blues, the male characters aren't that likable, especially Bisley's, rooting anything in sight, who suffers a tragic demise near the end, for knocking up a girl. SC gets so trashy at times, it almost borders on unwatchable, where from an appreciative style, manifests itself, at being so bad. Jarratt, the film's star is the only likable lad out of the foursome, cause he's not a pig like his mates. Even Mel is hard to warm to in this, only half likable if best. Jarratt's character is more adult and respective of women, while he's a conservative type too. The performances are only standard in this, and the high point, if you can call it that, rests in the last ten minutes, when the film takes a tragic and dramatic turn, conveying a consequential message about being young, insensitive and reckless. Check out Mel's dialogue take on surfing. This really bad, trashy pic, won't go down as one to remember, only for it's really trashy style, which is in abundance.