You Light Up My Life

When you come right down to it You Light Up My Life has one silly plot premise. Young Didi Conn is the daughter of second rate comedian Joe Silver who after living with this girl into her adulthood can't get it into his head that the young woman is not a second banana comedian. But he makes her wear a clown outfit, gives her a ventriloquist dummy and says with his tutelage she'll be funny.

Now he has to have heard her sing and heard her sing the songs she herself composed. Conn decides to spread her wings and fly, but in the process she loses Stephen Nathan the guy she was going to marry and finds out that producer Michael Zaslow whom she had a fling with is a rat. What the story is about is how Conn decides to deal with all those heartaches. And you're not sure she can because she is a fragile thing.

One of those songs that she wrote is the title song which was a mega-hit for Debbie Boone in 1977 and responsible for the film getting an Oscar for Best Song. The song really makes the film even though Conn only lipsynches the part.

Try as I might I could not wrap my mind around the fact the Silver legacy in show business had to be perpetuated by Conn the Clown and that a professional couldn't recognize talent. In the same situation in Ziegfeld Girl, Judy Garland was a second banana to her father Charles Winninger, but he saw what he was holding back. You're not sure that Silver ever does.

On the plus side Didi Conn is a touching figure and gives a wonderful performance as an eager show business hopeful. For her and for the song you should see the movie.

When we ask ourselves, what came first, the chicken or the egg, we look at the other question, what came first, this movie or it's hit song? Didi Conn is a good actress but far from an great actress. More like a field goal kicker, Didi can not run the ball into the end zone for a touch down. She is not a star player. Then again, she is worth a good three points and can add her talent to the (team) cast. For a lead actress, she does not have it. Although this is a movie focused on independent women, Didi can only do so much. The movie shows the 3 men in her life and how all three want something from her as oppose to offering something to her. For her "lip" singing, this adds nothing to her quality of acting. If Didi co-starred in this movie, she would have been nominated for an academy award. Instead, the only thing this movie is remembered for is the academy award for the best song. Nothing more.

Here is a coming-of-age film that embodies everything 70's. It especially appeals to me because I was born in 1960 & was a teenager in the 1970's. If a teen watches this film today it would seem hokey, the cloths especially odd & unattractive, the music sappy, & the storyline threadbare. But if you were there, it has a special nostalgic quality that is undeniable. This is an interesting story about a young woman finding herself & her way through life. Instead of padding the story out with too many unnecessary shots of Conn driving her car, they should have fleshed out the characters a little more. The storyline was also choppy. One minute she's told she has a major part in a film & the next minute a deadpan blonde is hired instead. This sudden shift in the story is too abrupt a transition. Also, when she tells her dad about the offer from Columbia Records to record her songs, it came out of left field. (Perhaps this should have been something her character struggled with. Should she stay in California & contemplate making the film & starting a new a relationship, or go to New York & record?) DiDi Conn is very likable in the lead & the music adds just the right romantic touch.

Soap-opera style story about one girl (Didi Conn) pushed into show business (stand-up comedy) by her stand-up comic father and trying to make it into show-biz (acting, singing, anything). There is romance and the title song 'You Light Up My Life.' The song is a major plot device much like Bette Midler's 'Wings Beneath My Wings' is for BEACHES. Debbie Boone's rendition of the song was second only to Bing Crosby's White Christmas as the most popular single in history due in part to listeners attaching a spiritual tone to the lyrics (led by Christian radio stations and the fact that Debbie Boone was part of the Pat Boone family). Debbie Boone was singing the song on every talk and variety show on TV, she was very attractive, very wholesome (once again, Pat Boone's daughter) and TV loved her. This helped bring people into the theaters to see the movie, in fact, was the only reason why people went to see the movie. Debbie Boone was not in the film, nor was her voice. This was very disappointing to most people. Didi Conn (mostly known at the time for wacky characters on TV sitcoms not unlike her GREASE character) didn't sing the song in the film (though she sort of sang in GREASE). If only they had cast Debbie Boone. The song is a classic, the film, alas, is not. WHITE CHRISTMAS (song: 10, movie: 10), BEACHES (song: 10, movie: 7), GREASE (song: 8, movie: 9), YOU LIGHT UP MY LIFE (song: 10, movie: 4).

I missed an opportunity to see this movie, way back in 1978. Recently I got to see it. The first thing that surprised me - there was no Debby Boone. I always associated her with the movie. That apart, the movie is light weight, enjoyable entertainment. Basically it is the story of a young woman finding her dependence and breaking out of her fathers shadow. It reminded me of the movie "Valdez horses" aka as "Chino", with Charles Bronson. Nothing dramatic happens and it does not build up to any crescendo. Overall, it is recommendable and pleasant to watch and suitable for all ages. Robert